Author: Dushko Petrovich
Publisher:
ISBN: 9780979757594
Category : Art
Languages : en
Pages : 0
Book Description
"In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism? Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play? What other institutions, curators, or publics do you look to in formulating your own institution's position? Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed? How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist's role? How can art institutions be better?"--Back cover.
As Radical, as Mother, as Salad, as Shelter
Decolonizing Culture
Author: Anuradha Vikram
Publisher:
ISBN: 9780998500652
Category : Art
Languages : en
Pages : 153
Book Description
Publisher:
ISBN: 9780998500652
Category : Art
Languages : en
Pages : 153
Book Description
Draw it with Your Eyes Closed
Author: Dushko Petrovich
Publisher: Zebra Press
ISBN: 9780979757549
Category : Art
Languages : en
Pages : 0
Book Description
"Draw It with Your Eyes Closed: the Art of the Art Assignment, is a unique and wide-ranging anthology featuring essays, drawings, and assignments from over 100 contributors including: John Baldessari, William Pope. L, Mira Schor, Rochelle Feinstein, Bob Nickas, Chris Kraus, Liam Gillick, Amy Sillman, James Benning, and Michelle Grabner. Practical and quixotic in equal parts, the art assignment can resemble a riddle as much as a recipe, and often sounds more like a haiku, or even a joke, than a clear directive. From introductory exercises in perspective drawing to graduate-level experiments in societal transformation, the assignment coalesces ideas about what art is, how it should be taught, and what larger purpose it might, or might not, serve. The book is a written record of an evolving oral tradition. Bringing together hundreds of assignments, anti-assignments, and artworks from both teachers and students from a broad range of institutions, Draw It with Your Eyes Closed serves as an archive and an instigation, a teaching tool and a question mark, a critique and a tribute."--Amazon.
Publisher: Zebra Press
ISBN: 9780979757549
Category : Art
Languages : en
Pages : 0
Book Description
"Draw It with Your Eyes Closed: the Art of the Art Assignment, is a unique and wide-ranging anthology featuring essays, drawings, and assignments from over 100 contributors including: John Baldessari, William Pope. L, Mira Schor, Rochelle Feinstein, Bob Nickas, Chris Kraus, Liam Gillick, Amy Sillman, James Benning, and Michelle Grabner. Practical and quixotic in equal parts, the art assignment can resemble a riddle as much as a recipe, and often sounds more like a haiku, or even a joke, than a clear directive. From introductory exercises in perspective drawing to graduate-level experiments in societal transformation, the assignment coalesces ideas about what art is, how it should be taught, and what larger purpose it might, or might not, serve. The book is a written record of an evolving oral tradition. Bringing together hundreds of assignments, anti-assignments, and artworks from both teachers and students from a broad range of institutions, Draw It with Your Eyes Closed serves as an archive and an instigation, a teaching tool and a question mark, a critique and a tribute."--Amazon.
Folks, This Ain't Normal
Author: Joel Salatin
Publisher: Hachette UK
ISBN: 1455505684
Category : Health & Fitness
Languages : en
Pages : 283
Book Description
From farmer Joel Salatin's point of view, life in the 21st century just ain't normal. In FOLKS, THIS AIN'T NORMAL, he discusses how far removed we are from the simple, sustainable joy that comes from living close to the land and the people we love. Salatin has many thoughts on what normal is and shares practical and philosophical ideas for changing our lives in small ways that have big impact. Salatin, hailed by the New York Times as "Virginia's most multifaceted agrarian since Thomas Jefferson [and] the high priest of the pasture" and profiled in the Academy Award nominated documentary Food, Inc. and the bestselling book The Omnivore's Dilemma, understands what food should be: Wholesome, seasonal, raised naturally, procured locally, prepared lovingly, and eaten with a profound reverence for the circle of life. And his message doesn't stop there. From child-rearing, to creating quality family time, to respecting the environment, Salatin writes with a wicked sense of humor and true storyteller's knack for the revealing anecdote. Salatin's crucial message and distinctive voice--practical, provocative, scientific, and down-home philosophical in equal measure--make FOLKS, THIS AIN'T NORMAL a must-read book.
Publisher: Hachette UK
ISBN: 1455505684
Category : Health & Fitness
Languages : en
Pages : 283
Book Description
From farmer Joel Salatin's point of view, life in the 21st century just ain't normal. In FOLKS, THIS AIN'T NORMAL, he discusses how far removed we are from the simple, sustainable joy that comes from living close to the land and the people we love. Salatin has many thoughts on what normal is and shares practical and philosophical ideas for changing our lives in small ways that have big impact. Salatin, hailed by the New York Times as "Virginia's most multifaceted agrarian since Thomas Jefferson [and] the high priest of the pasture" and profiled in the Academy Award nominated documentary Food, Inc. and the bestselling book The Omnivore's Dilemma, understands what food should be: Wholesome, seasonal, raised naturally, procured locally, prepared lovingly, and eaten with a profound reverence for the circle of life. And his message doesn't stop there. From child-rearing, to creating quality family time, to respecting the environment, Salatin writes with a wicked sense of humor and true storyteller's knack for the revealing anecdote. Salatin's crucial message and distinctive voice--practical, provocative, scientific, and down-home philosophical in equal measure--make FOLKS, THIS AIN'T NORMAL a must-read book.
2016
Author: Andrea Fraser
Publisher: National Geographic Books
ISBN: 0262535459
Category : Art
Languages : en
Pages : 0
Book Description
Both institutional critique and reference work, documenting the intersection of politics (in the form of political donations) and art museums. 2016 in Museums, Money, and Politics examines the intersection of electoral politics and private-nonprofit art institutions in the United States at a pivotal historical moment. In a massive volume that is both institutional critique and reference work, the artist Andrea Fraser documents the reported political contributions made by trustees of more than 125 art museums, representing every state in the nation, in the 2016 election cycle. With campaigning that featured attacks on vulnerable populations, the vilification of the media and “cultural elites,” and calls to curtail civil rights and liberties, the 2016 election cycle and its aftermath transformed national politics. It was also the most expensive election in American history, with over $6.4 billion raised for presidential and congressional races combined. More than half of this money came from just a few hundred people—many of whom also support cultural institutions and serve on their boards. 2016 is organized like a telephone book. Contribution data is laid out alphabetically by name of donor. With this and other data filling more than 900 pages, the book offers a material representation of scale of the interface between cultural philanthropy and campaign finance in America. It also provides an unparalleled resource for exploring the politics of the museum world. 2016 includes an afterword by Jamie Stevens, the former curator and head of programs at CCA Wattis Institute for Contemporary Arts in San Francisco, who traces the book's development; an introduction by Andrea Fraser elaborating on the links connecting cultural philanthropy, campaign finance, and plutocracy; a section on each museum represented; and a section including data summaries and additional data. The book presents a powerful argument that supporting the arts must involve more than giving donations to museums; it must also include defending the values, social structures, and political institutions of an open, tolerant, just, and equitable society. Copublished by Westreich Wagner Publications, the CCA Wattis Institute for Contemporary Arts, and the MIT Press
Publisher: National Geographic Books
ISBN: 0262535459
Category : Art
Languages : en
Pages : 0
Book Description
Both institutional critique and reference work, documenting the intersection of politics (in the form of political donations) and art museums. 2016 in Museums, Money, and Politics examines the intersection of electoral politics and private-nonprofit art institutions in the United States at a pivotal historical moment. In a massive volume that is both institutional critique and reference work, the artist Andrea Fraser documents the reported political contributions made by trustees of more than 125 art museums, representing every state in the nation, in the 2016 election cycle. With campaigning that featured attacks on vulnerable populations, the vilification of the media and “cultural elites,” and calls to curtail civil rights and liberties, the 2016 election cycle and its aftermath transformed national politics. It was also the most expensive election in American history, with over $6.4 billion raised for presidential and congressional races combined. More than half of this money came from just a few hundred people—many of whom also support cultural institutions and serve on their boards. 2016 is organized like a telephone book. Contribution data is laid out alphabetically by name of donor. With this and other data filling more than 900 pages, the book offers a material representation of scale of the interface between cultural philanthropy and campaign finance in America. It also provides an unparalleled resource for exploring the politics of the museum world. 2016 includes an afterword by Jamie Stevens, the former curator and head of programs at CCA Wattis Institute for Contemporary Arts in San Francisco, who traces the book's development; an introduction by Andrea Fraser elaborating on the links connecting cultural philanthropy, campaign finance, and plutocracy; a section on each museum represented; and a section including data summaries and additional data. The book presents a powerful argument that supporting the arts must involve more than giving donations to museums; it must also include defending the values, social structures, and political institutions of an open, tolerant, just, and equitable society. Copublished by Westreich Wagner Publications, the CCA Wattis Institute for Contemporary Arts, and the MIT Press
Culture Strike
Author: Laura Raicovich
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
On Architecture and Greenwashing
Author: Charlotte Malterre-Barthes
Publisher: Hatje Cantz Verlag
ISBN: 3775756841
Category : Architecture
Languages : en
Pages : 122
Book Description
As an industry that relies on extracted materials and an intense use of resources, isn't construction unsustainable by design? The pressure is increasing for the sector to diligently address the harm caused by the built environment, begging the question of whether real sustainability in architecture and planning is possible. As institutionalized and commodified greenwashing hollows out the term, how do architects and designers position their work beyond the inadequacy of a flattening universalistic understanding of sustainability? What forms of practice allow for accountable and revolutionized construction modes? How can we critically engage with technology as an ambivalent tool in the service of green capitalism. The first volume of a forthcoming series by RIOT—Research and Innovation On Territory, a laboratory within the Institute of Architecture at the Swiss Federal Institute of Technology (EPFL), On Architecture and Greenwashing presents a cross-section of positions on architecture and its political economies and explores ways to correct course in the face of a climate crisis of unprecedented magnitude— beyond greenwashing. RIOT—Research and Innovation On Territory—is a laboratory engaged in pedagogy and research within the Institute of Architecture at the Swiss Federal Institute of Technology (EPFL), lead by architect and urban designer CHARLOTTE MALTERRE-BARTHES. Believing that the construction sector and design disciplines must pivot and wholeheartedly engage in the current social and climatic urgencies by rewiring themselves to face and repair the harm, RIOT utilizes tactics and strategies to decarbonize, decolonize, and depatriarchalize space production—by design.
Publisher: Hatje Cantz Verlag
ISBN: 3775756841
Category : Architecture
Languages : en
Pages : 122
Book Description
As an industry that relies on extracted materials and an intense use of resources, isn't construction unsustainable by design? The pressure is increasing for the sector to diligently address the harm caused by the built environment, begging the question of whether real sustainability in architecture and planning is possible. As institutionalized and commodified greenwashing hollows out the term, how do architects and designers position their work beyond the inadequacy of a flattening universalistic understanding of sustainability? What forms of practice allow for accountable and revolutionized construction modes? How can we critically engage with technology as an ambivalent tool in the service of green capitalism. The first volume of a forthcoming series by RIOT—Research and Innovation On Territory, a laboratory within the Institute of Architecture at the Swiss Federal Institute of Technology (EPFL), On Architecture and Greenwashing presents a cross-section of positions on architecture and its political economies and explores ways to correct course in the face of a climate crisis of unprecedented magnitude— beyond greenwashing. RIOT—Research and Innovation On Territory—is a laboratory engaged in pedagogy and research within the Institute of Architecture at the Swiss Federal Institute of Technology (EPFL), lead by architect and urban designer CHARLOTTE MALTERRE-BARTHES. Believing that the construction sector and design disciplines must pivot and wholeheartedly engage in the current social and climatic urgencies by rewiring themselves to face and repair the harm, RIOT utilizes tactics and strategies to decarbonize, decolonize, and depatriarchalize space production—by design.
Radical Reinvention
Author: Kaya Oakes
Publisher: Catapult
ISBN: 1619020920
Category : Biography & Autobiography
Languages : en
Pages : 137
Book Description
As someone who clocked more time in mosh pits and at pro–choice rallies than kneeling in a pew, Kaya Oakes was not necessarily the kind of Catholic girl the Vatican was after. But even while she immersed herself in the punk rock scene and proudly called herself an atheist, something kept pulling her back to the religion of her Irish roots. After running away from the Church for thirty years, Kaya decides to return. Her marriage is under stress, her job is no longer satisfying, and with multiple deaths in her family, a darkness looms large. In spite of her frustration with Catholic conservatism, nothing brings her peace like Mass. After years of searching to no avail for a better religious fit, she realizes that the only way to find harmony—in her faith and her personal life—is to confront the Church she'd left behind. Rebellious and hypercritical, Kaya relearns the catechisms and achieves the sacraments, all while trying to reconcile her liberal beliefs with contemporary Church philosophy. Along the way she meets a group of feisty feminist nuns, a "pray–and–bitch" circle, an all–too handsome Italian priest, and a motley crew of misfits doing their best to find their voices in an outdated institution. This is a story of transformation, not only of Kaya's from ex–Catholic to amateur theologian, but ultimately of the cultural and ethical pushes for change that are rocking the world's largest religion to its core.
Publisher: Catapult
ISBN: 1619020920
Category : Biography & Autobiography
Languages : en
Pages : 137
Book Description
As someone who clocked more time in mosh pits and at pro–choice rallies than kneeling in a pew, Kaya Oakes was not necessarily the kind of Catholic girl the Vatican was after. But even while she immersed herself in the punk rock scene and proudly called herself an atheist, something kept pulling her back to the religion of her Irish roots. After running away from the Church for thirty years, Kaya decides to return. Her marriage is under stress, her job is no longer satisfying, and with multiple deaths in her family, a darkness looms large. In spite of her frustration with Catholic conservatism, nothing brings her peace like Mass. After years of searching to no avail for a better religious fit, she realizes that the only way to find harmony—in her faith and her personal life—is to confront the Church she'd left behind. Rebellious and hypercritical, Kaya relearns the catechisms and achieves the sacraments, all while trying to reconcile her liberal beliefs with contemporary Church philosophy. Along the way she meets a group of feisty feminist nuns, a "pray–and–bitch" circle, an all–too handsome Italian priest, and a motley crew of misfits doing their best to find their voices in an outdated institution. This is a story of transformation, not only of Kaya's from ex–Catholic to amateur theologian, but ultimately of the cultural and ethical pushes for change that are rocking the world's largest religion to its core.
Preaching the Incarnation
Author: Peter K. Stevenson
Publisher: Westminster John Knox Press
ISBN: 0664232809
Category : Religion
Languages : en
Pages : 250
Book Description
Offers a theological discussion of ten important Bible passages connected with the doctrine of incarnation, bringing historical and literary questions about the text into dialogue with Christian tradition, drawing out the implications of the passage for preaching. --from publisher description.
Publisher: Westminster John Knox Press
ISBN: 0664232809
Category : Religion
Languages : en
Pages : 250
Book Description
Offers a theological discussion of ten important Bible passages connected with the doctrine of incarnation, bringing historical and literary questions about the text into dialogue with Christian tradition, drawing out the implications of the passage for preaching. --from publisher description.
Writing in Times of Displacement
Author: Mbuh Tennu Mbuh
Publisher: Taylor & Francis
ISBN: 1000775194
Category : Social Science
Languages : en
Pages : 255
Book Description
This book presents diverse, composite, non-exclusive and non-hierarchical perspectives on displacement of people as represented in literature. It examines the experiences of migration as a result of wars, natural disasters, religious strife, loss of livelihoods and shifts in local and global economies and the vulnerabilities they expose. Bringing together scholarly insights into literature about displacement and migration from Africa, Europe, Asia, and the Middle East, the book interrogates the development frames of Western modernity and situates displacement within the discourse of disenfranchisement of citizens by nation-states. It explores the experiences, memories and expressions of displacement in literature and how literary works critique ethical and moral responsibilities of states and communities that often do not account for the loss which displacement causes to the health, education, career, or relationships of displaced people. The volume will be of great interest to scholars and researchers of literature, philosophy, migration and diaspora studies, development studies, African studies and Asian studies.
Publisher: Taylor & Francis
ISBN: 1000775194
Category : Social Science
Languages : en
Pages : 255
Book Description
This book presents diverse, composite, non-exclusive and non-hierarchical perspectives on displacement of people as represented in literature. It examines the experiences of migration as a result of wars, natural disasters, religious strife, loss of livelihoods and shifts in local and global economies and the vulnerabilities they expose. Bringing together scholarly insights into literature about displacement and migration from Africa, Europe, Asia, and the Middle East, the book interrogates the development frames of Western modernity and situates displacement within the discourse of disenfranchisement of citizens by nation-states. It explores the experiences, memories and expressions of displacement in literature and how literary works critique ethical and moral responsibilities of states and communities that often do not account for the loss which displacement causes to the health, education, career, or relationships of displaced people. The volume will be of great interest to scholars and researchers of literature, philosophy, migration and diaspora studies, development studies, African studies and Asian studies.