Artists in California, 1786-1940: L-Z PDF Download

Author: Edan Milton Hughes
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 628

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Author: Edan Milton Hughes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 664

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Author: Edan Milton Hughes
Publisher: Hughes
ISBN:
Category : Art
Languages : en
Pages : 546

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Author: Peter E. Palmquist
Publisher: Stanford University Press
ISBN: 9780804738835
Category : Photography
Languages : en
Pages : 716

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This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.

Author: Donna L. Poulton
Publisher: Gibbs Smith
ISBN: 142360184X
Category : Landscape painting, American
Languages : en
Pages : 305

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Vividly illustrated and exhaustively researched and documented, Painters of Utah's Canyons and Deserts weaves a sweeping tapestry of artists' attempts to capture the majesty, rare beauty, and raw danger of Utah's frontier West. A COMPREHENSIVE HISTORY OF ARTISTS WHO PAINTED SOUTHERN UTAH, INCLUDING: Solomon Nunes Carvalho Frederick S. Dellenbaugh John Heber Stansfield William Keith Samuel Coleman Thomas Moran Minerva B. K. Teichert Maynard Dixon LeConte Stewart J. Roman Andrus Birger Sandzén Everett Ruess Georgia O'Keeffe Max Ernst Alfred Lambourne Henry L. A. Culmer Donald Beauregard

Author: Patricia Trenton
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 100

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Jessie Arms Botke is recognized as one of the great decorative painters of her era, specializing in images of birds rendered with her signature gold leaf technique. Born in Chicago, she trained at the School of the Arts Institute of Chicago beginning in 1902. Botke took her first trip to the West in 1906, bartering several paintings for a round-trip ticket on the Atchison, Topeka, & Santa Fe Railway. In 1909, she embarked on a three-month trip to Europe, returning home to Chicago with renewed determination & focus. In 1911, Botke moved to New York & was hired by Albert Herter for a position at the Herter Looms. It was through one of Herter's commissions that Botke started painting images of birds. In 1915 she married Cornelis Botke, a Dutch artist living & working as an architectural renderer in Chicago. Both she & Cornelis often worked in concert on large commissions, & it was her commercial popularity that gave the couple its financial stability. After several years in Chicago, the couple moved in 1919 to Carmel, California. They briefly lived in Los Angeles in the late 1920s before buying property & building a ranch in Wheeler Canyon, Ventura County, California, in 1929. It was from this rather unlikely spot that Botke orchestrated her career while tending to the duties of the ranch. Maintaining an exhausting painting schedule throughout her lifetime, she exhibited at venues such as the Art Institute of Chicago, the Academy of Western Painters, & the National Association of Women Painters & Sculptors. This catalogue, the first major monograph published on Botke, is approximately 100 pages & includes over 60 illustrations.

Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Author: Janice T. Driesbach
Publisher: Univ of California Press
ISBN: 0520935152
Category : History
Languages : en
Pages : 167

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The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories—particularly the American belief in the rewards of hard work and enterprise—can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.

Author: Susan Landauer
Publisher: Univ of California Press
ISBN: 9780915977222
Category : Art
Languages : en
Pages : 112

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The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.

Author: Jeanne Van Nostrand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256

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