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Author: Brian Noble Publisher: University of Toronto Press ISBN: 144262132X Category : Social Science Languages : en Pages : 506
Book Description
In this remarkable interdisciplinary study, anthropologist Brian Noble traces how dinosaurs and their natural worlds are articulated into being by the action of specimens and humans together. Following the complex exchanges of palaeontologists, museums specialists, film- and media-makers, science fiction writers, and their diverse publics, he witnesses how fossil remains are taken from their partial state and re-composed into astonishingly precise, animated presences within the modern world, with profound political consequences. Articulating Dinosaurs examines the resurrecting of two of the most iconic and gendered of dinosaurs. First Noble traces the emergence of Tyrannosaurus rex (the “king of the tyrant lizards”) in the early twentieth-century scientific, literary, and filmic cross-currents associated with the American Museum of Natural History under the direction of palaeontologist and eugenicist Henry Fairfield Osborn. Then he offers his detailed ethnographic study of the multi-media, model-making, curatorial, and laboratory preparation work behind the Royal Ontario Museum’s ground-breaking 1990s exhibit of Maiasaura (the “good mother lizard”). Setting the exhibits at the AMNH and the ROM against each other, Noble is able to place the political natures of T. rex and Maiasaura into high relief and to raise vital questions about how our choices make a difference in what comes to count as “nature.” An original and illuminating study of science, culture, and museums, Articulating Dinosaurs is a remarkable look at not just how we visualize the prehistoric past, but how we make it palpable in our everyday lives.
Author: Brian Noble Publisher: University of Toronto Press ISBN: 144262132X Category : Social Science Languages : en Pages : 506
Book Description
In this remarkable interdisciplinary study, anthropologist Brian Noble traces how dinosaurs and their natural worlds are articulated into being by the action of specimens and humans together. Following the complex exchanges of palaeontologists, museums specialists, film- and media-makers, science fiction writers, and their diverse publics, he witnesses how fossil remains are taken from their partial state and re-composed into astonishingly precise, animated presences within the modern world, with profound political consequences. Articulating Dinosaurs examines the resurrecting of two of the most iconic and gendered of dinosaurs. First Noble traces the emergence of Tyrannosaurus rex (the “king of the tyrant lizards”) in the early twentieth-century scientific, literary, and filmic cross-currents associated with the American Museum of Natural History under the direction of palaeontologist and eugenicist Henry Fairfield Osborn. Then he offers his detailed ethnographic study of the multi-media, model-making, curatorial, and laboratory preparation work behind the Royal Ontario Museum’s ground-breaking 1990s exhibit of Maiasaura (the “good mother lizard”). Setting the exhibits at the AMNH and the ROM against each other, Noble is able to place the political natures of T. rex and Maiasaura into high relief and to raise vital questions about how our choices make a difference in what comes to count as “nature.” An original and illuminating study of science, culture, and museums, Articulating Dinosaurs is a remarkable look at not just how we visualize the prehistoric past, but how we make it palpable in our everyday lives.
Author: Richard Fallon Publisher: Cambridge University Press ISBN: 1108996167 Category : Literary Criticism Languages : en Pages : 305
Book Description
When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries—including Brontosaurus and Triceratops—proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s 'dinosaur' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority.
Author: Caitlin Donahue Wylie Publisher: MIT Press ISBN: 0262365960 Category : Science Languages : en Pages : 266
Book Description
An investigation of the work and workers in fossil preparation labs reveals the often unacknowledged creativity and problem-solving on which scientists rely. Those awe-inspiring dinosaur skeletons on display in museums do not spring fully assembled from the earth. Technicians known as preparators have painstakingly removed the fossils from rock, repaired broken bones, and reconstructed missing pieces to create them. These specimens are foundational evidence for paleontologists, and yet the work and workers in fossil preparation labs go largely unacknowledged in publications and specimen records. In this book, Caitlin Wylie investigates the skilled labor of fossil preparators and argues for a new model of science that includes all research work and workers. Drawing on ethnographic observations and interviews, Wylie shows that the everyday work of fossil preparation requires creativity, problem-solving, and craft. She finds that preparators privilege their own skills over technology and that scientists prefer to rely on these trusted technicians rather than new technologies. Wylie examines how fossil preparators decide what fossils, and therefore dinosaurs, look like; how labor relations between interdependent yet hierarchically unequal collaborators influence scientific practice; how some museums display preparators at work behind glass, as if they were another exhibit; and how these workers learn their skills without formal training or scientific credentials. The work of preparing specimens is a crucial component of scientific research, although it leaves few written traces. Wylie argues that the paleontology research community's social structure demonstrates how other sciences might incorporate non-scientists into research work, empowering and educating both scientists and nonscientists.
Author: Lukas Rieppel Publisher: Harvard University Press ISBN: 0674240340 Category : Science Languages : en Pages : 227
Book Description
A lively account of the dinosaur’s role in Gilded Age America, examining the connection between business, paleontology, and museums. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history. Praise for Assembling the Dinosaur “A penetrating study of legitimacy and capitalism in the realm of fossils.” —Verlyn Klinkenborg, The New York Review of Books “A solid entry into the growing body of literature on Gilded Age American paleontology, but it is particularly valuable for its contribution to enhancing our understanding of how science and its representation during that period were influenced by, and in turn affected, society as a whole. By incorporating cultural, economic, and scientific developments, Rieppel shines new light on the history of both American paleontology and museum exhibition practice.” —Ilja Nieuwland, Science
Author: Vivian Appler Publisher: Bloomsbury Publishing ISBN: 1350234079 Category : Performing Arts Languages : en Pages : 281
Book Description
Identity, Culture, and the Science Performance, Volume 1: From the Lab to the Streets is the first of two volumes dedicated to the diverse sociocultural work of science-oriented performance. A dynamic volume of scholarly essays, interviews with scientists and artists, and creative entries, it examines explicitly public-facing science performances that operate within and for specialist and non-specialist populations. The book's chapters trace the theatrical and ethical contours of live science events, re-enact historical stagings of scientific expertise, and demonstrate the pedagogical and activist potentials in performing science in community settings. Alongside the scholarly chapters, From the Lab to the Streets features creative work by contemporary science-integrative artists and interviews with popular science communicators Sahana Srinivasan (host of Netflix's Brainchild) and Raven Baxter (“Raven the Science Maven”) and artists from performance ensembles The Olimpias and Superhero Clubhouse. In exploring the science performance as a vital but flawed method of public engagement, it offers a critique of the racist, ableist, sexist, and heteronormative ideologies prevalent across the history of science, as well as highlighting science performances that challenge and redress these ideologies. Along with its complementary volume From the Curious to the Quantum, this book documents the varied ways in which identity categories and cultural constructs are formed and reformed through science performances.
Author: Gregory S. Paul Publisher: JHU Press ISBN: 9780801867637 Category : Nature Languages : en Pages : 484
Book Description
This book synthesises the growing body of evidence which suggests that modern-day birds have evolved from theropod dinosaurs of prehistoric times. The author argues that the ancestor-descendant relationship can also be reversed.
Author: Nichole Klein Publisher: Indiana University Press ISBN: 0253013550 Category : Science Languages : en Pages : 369
Book Description
Sauropods, those huge plant-eating dinosaurs, possessed bodies that seem to defy every natural law. What were these creatures like as living animals and how could they reach such uniquely gigantic sizes? A dedicated group of researchers in Germany in disciplines ranging from engineering and materials science to animal nutrition and paleontology went in search of the answers to these questions. Biology of the Sauropod Dinosaurs reports on the latest results from this seemingly disparate group of research fields and integrates them into a coherent theory regarding sauropod gigantism. Covering nutrition, physiology, growth, and skeletal structure and body plans, this volume presents the most up-to-date knowledge about the biology of these enormous dinosaurs.
Author: Matthew Melia Publisher: Bloomsbury Publishing USA ISBN: 1501384856 Category : Performing Arts Languages : en Pages : 312
Book Description
The definitive 1990s blockbuster, Steven Spielberg's Jurassic Park met with almost universal critical and popular acclaim, broke new ground with its CGI recreation of dinosaurs, and started one of the most profitable of all movie franchises. To mark the film's 30th anniversary, this exciting illustrated collection of new essays interrogates the Jurassic Park phenomenon from a diverse range of critical, historical, and theoretical angles. The primary focus is on Jurassic Park itself but there is also discussion of the franchise and its numerous spin-offs. As well as leading international scholars of film studies and history, contributors include experts in special effects, science on screen, fan studies, and palaeontology. Comprehensive, up to date, and accessible, The Jurassic Park Book appeals not only to students and scholars of Hollywood and contemporary culture, but also to the global audience of fans of the greatest of all dinosaur movies.
Author: W. D. Matthew Publisher: Publio Kiadó Kft. ISBN: 9633817390 Category : Science Languages : en Pages : 62
Book Description
Palæontology deals with the History of Life. Its time is measured in geologic epochs and periods, in millions of years instead of centuries. Man, by this measure, is but a creature of yesterday—his "forty centuries of civilization"[1] but a passing episode. It is by no means easy for us to adjust our perspective to the immensely long spaces of time involved in geological evolution. We are apt to think of all these extinct animals merely as prehistoric—to imagine them all living at the same time and contending with our cave-dwelling ancestors for the mastery of the earth. In order to understand the place of the Dinosaurs in world-history, we must first get some idea of the length of geologic periods and the immense space of time separating one extinct fauna from another. The Age of Man. Prehistoric time, as it is commonly understood, is the time when barbaric and savage tribes of men inhabited the world but before civilization began, and earlier than the written records on which history is based. This corresponds roughly to the Pleistocene epoch of geology; it is included along with the much shorter time during which civilization has existed, in the latest and shortest of the geological periods, the Quaternary. It was the age of the mammoth and the mastodon, the megatherium and Irish deer and of other quadrupeds large and small which are now extinct; but most of its animals were the same species as now exist. It was marked by the great episode of the Ice Age, when considerable parts of the earth's surface were buried under immense accumulations of ice, remnants of which are still with us in the icy covering of Greenland and Antarctica.
Author: Dana Luciano Publisher: Duke University Press ISBN: 1478027843 Category : Nature Languages : en Pages : 161
Book Description
In How the Earth Feels Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture. Drawing on early geological writings, Indigenous and settler accounts of earthquakes, African American antislavery literature, and other works, Luciano reveals how geology catalyzed transformative conversations regarding the intersections between humans and the nonhuman world. She shows that understanding the earth’s history geologically involved confronting the dynamic nature of inorganic matter over vast spans of time, challenging preconceived notions of human agency. Nineteenth-century Americans came to terms with these changes through a fusion of fact and imagination that Luciano calls geological fantasy. Geological fantasy transformed the science into a sensory experience, sponsoring affective and even erotic connections to the matter of the earth. At the same time, it was often used to justify accounts of evolution that posited a modern, civilized, and Anglo-American whiteness as the pinnacle of human development. By tracing geology’s relationship with biopower, Luciano illuminates how imagined connections with the earth shaped American dynamics of power, race, and colonization.
Author: Brian Noble
Author: Brian Noble
Author: Richard Fallon
Author: Caitlin Donahue Wylie
Author: Lukas Rieppel
Author: Vivian Appler
Author: Gregory S. Paul
Author: Nichole Klein
Author: Matthew Melia
Author: W. D. Matthew
Author: Dana Luciano