Artes visuales e identidad en America latina PDF Download

Author: Foro de Arte Contemporáneo
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 0

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Author: Foro de Arte Contemporáneo (México)
Publisher:
ISBN:
Category :
Languages : es
Pages : 134

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Author: Claudia Caisso
Publisher: Universidad Nacional de Rosario
ISBN:
Category : Literary Criticism
Languages : es
Pages : 200

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Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 189

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Author: Gustavo Curiel
Publisher:
ISBN:
Category : America
Languages : en
Pages : 428

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Publisher: U of Minnesota Press
ISBN: 1452907536
Category : Social Science
Languages : en
Pages : 342

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Examines the threats to Latin American cultural identity in a global marketplace - now with a new introduction!

Author: Rodríguez Moya, María Inmaculada
Publisher: Publicacions de la Universitat Jaume I
ISBN: 8415443129
Category : History
Languages : es
Pages : 269

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La manera de representar el poder a través del arte efímero, el arte costumbrista, la emblemática, los retratos y las caricaturas, así como la construcción de la identidad cultural y nacional en Iberoamérica son los puntos clave de esta obra, en la que los autores establecen paralelismos y diferencias entre la representación del poder en la Península y en el continente americano, durante el amplio periodo histórico que va entre los siglos XVI y XIX.

Author: Shifra M. Goldman
Publisher: University of Chicago Press
ISBN: 9780226301242
Category : Art
Languages : en
Pages : 596

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This volume presents an overview of the social history of modern and contemporary Latin American and Latino art. This collection of thirty-three essays focuses on Latin American artists throughout Mexico, Central and South America, the Caribbean, and the United States. The author provides a chronology of modern Latin American art; a history of "social art history" in the United States; and synopses of recent theoretical and historical writings by major scholars from Mexico, Cuba, Brazil, Peru, Uruguay, Chile, and the United States. In her essays, she discusses a vast array of topics including: the influence of the Mexican muralists on the American continent; the political and artistic significance of poster art and printmaking in Cuba, Puerto Rico, and among Chicanos; the role of women artists such as Guatemalan painter Isabel Ruiz; and the increasingly important role of politics and multinational businesses in the art world of the 1970s and 1980s. She explores the reception of Latin American and Latino art in the United States, focusing on major historical exhibits as well as on exhibits by artists such as Chilean Alfredo Jaar and Argentinean Leandro Katz. Finally, she examines the significance of nationalist and ethnic themes in Latin American and Latino art.

Author: Brenda Jo Bright
Publisher: University of Arizona Press
ISBN: 0816551367
Category : Social Science
Languages : en
Pages : 221

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Can low-riders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow" values at the J. Paul Getty Trust? Looking High and Low attempts to answer these questions—and the broader question "What is art?"—by bringing together a collection of challenging essays on the meaning of art in cultural context and on the ways that our understandings of art have been influenced by social process and aesthetic values. Arguing that art is constituted across cultural boundaries rather than merely inside them, the contributors explore the relations between art, cultural identity, and the social languages of evaluation—among artists, art critics, art institutions, and their audiences—in the Southwest and in Mexico. The authors use anthropological methods in art communities to uncover compelling evidence of how marginalized populations make meaning for themselves, how images of ethnicity function in commercial culture, how Native populations must negotiate sentimental marketing and institutional appropriation of their art work, and how elite populations use culture and ritual in ways that both reveal and obscure their power and status. The authors make dramatic revelations concerning the construction and contestation of ideas of art as they circulate between groups where notions of what art "should" be are often at odds with each other. This volume challenges conventional modes of analyzing art. Its ethnographic explorations illuminate the importance of art as a cultural force while creating a greater awareness of the roles that scholars, museum curators, and critics play in the evaluation of art. Contents Introduction: Art Hierarchies, Cultural Boundaries, and Reflexive Analysis, Brenda Jo Bright Bellas Artes and Artes Populares: The Implications of Difference in the Mexico City Art World, Liza Bakewell Space, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 1972-1978, Marcos Sanchez-Tranquilino Remappings: Los Angeles Low Riders, Brenda Jo Bright Marketing Maria: The Tribal Artist in the Age of Mechanical Reproduction, Barbara Babcock Aesthetics and Politics: Zuni War God Repatriation and Kachina Representation, Barbara Tedlock Middlebrow into Highbrow at the J. Paul Getty Trust, Los Angeles, George E. Marcus

Author: Nicholas Mirzoeff
Publisher: Psychology Press
ISBN: 9780415252225
Category : Art
Languages : en
Pages : 762

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The diverse essays collected here constitute an exploration of the emerging interdisciplinary field of visual culture, and examine why modern and postmodern culture place such a premium on rendering experience in visual form.