Art of the Andes PDF Download

Author: Rebecca Stone
Publisher:
ISBN: 9780500204153
Category : Andes Region
Languages : en
Pages : 0

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Book Description
"Fills a void in the genre. . . . Excellent descriptions and interpretations." --Latin American Antiquity

Author: Heidi King
Publisher: Metropolitan Museum of Art
ISBN: 0300169795
Category : Art
Languages : en
Pages : 237

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Book Description
This title provides an in-depth and authoritative review of feeatherworking traditions in ancient Peru. The book includes a discussion of important recent discoveries, considerations of iconography, and basic technical characteristics of feather works.

Author: Elena Phipps
Publisher: Metropolitan Museum of Art
ISBN: 1588391310
Category : Art, Spanish colonial
Languages : en
Pages : 414

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Book Description
"This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art."--Jacket.

Author: Adam Herring
Publisher: Cambridge University Press
ISBN: 1107094364
Category : Art
Languages : en
Pages : 263

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Book Description
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.

Author: Wendell Clark Bennett
Publisher:
ISBN:
Category : Art, Andean
Languages : en
Pages : 208

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Book Description
"Pre-Historic treasures of gold and silver, intricately woven tapestries, delicately painted paper-thin ceramics, and monumental stone carvings. More than 400 priceless objects have been assembled from private and public collections in Latin America, Canada, and the United States for this exhibition which will present for the first time under one roof the finest examples of art produced by ancient civilizations which flourished in the Andean region from about 1200 B.C. until the Spanish Conquest in the 16th century."--Excerpt from press release (see link below).

Author: Susan E Bergh
Publisher: National Geographic Books
ISBN: 0500516561
Category : Antiques & Collectibles
Languages : en
Pages : 0

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Book Description
Featuring approximately 145 of the most sumptuous and culturally significant Wari objects from collections in the United States, Peru, and Europe, and published to accompany the first exhibition in North America of their startlingly beautiful art An eminent ancestor of the better-known Inca, the Wari ascended to power in the south-central highlands of Peru in about AD 600, underwent a brief period of incandescently explosive growth, and then, by AD 1000, collapsed. Elite arts and the ideologies that informed them were among the Wari’s most prominent exports. From their capital, one of the largest archaeological sites in South America, they sent their religion along with elaborate objects and textiles out to highland provincial centers hundreds of miles to the north and south, and down into populous Pacific coastal areas to the west. The arts were crucial to the Wari’s political, economic, and religious communications: like other ancient Andean peoples, they did not write. The objects featured here cover the full range of Wari arts: elaborate textiles, which probably were at the core of their value systems; sophisticated ceramics of various styles; exquisite personal ornaments made of gold, silver, shell, or bone and often inlaid with precious materials; carved wood containers; and other works in stone and fiber.

Author: William J. Conklin
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770447
Category : History
Languages : en
Pages : 369

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Book Description
This book is the first in more than a decade to provide new information on the Chavin phenomenon of ancient Peru. Thought by some to be the "Mother Culture" of ancient Peruvian cultures, Chavin is remarkable for its baroque, sophisticated art style in a variety of media, including finely carved stone monuments, beautifully formed pottery, and magnificent and complex metallurgy. Also, the textiles from Chavin are incredibly innovative, both iconographically and structurally. They, in fact, form the foundation for the later Andean textile evolution. Chapters in this book cover new interpretations of the history of the site of Chavin de Huantar, studies of related cultures, the role of shamanism, and many other topics of interest to specialists and the general reader, alike.

Author: Haagen D. Klaus
Publisher: University of Texas Press
ISBN: 1477310584
Category : Social Science
Languages : en
Pages : 487

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Book Description
Traditions of sacrifice exist in almost every human culture and often embody a society’s most meaningful religious and symbolic acts. Ritual violence was particularly varied and enduring in the prehistoric South American Andes, where human lives, animals, and material objects were sacrificed in secular rites or as offerings to the divine. Spectacular discoveries of sacrificial sites containing the victims of violent rituals have drawn ever-increasing attention to ritual sacrifice within Andean archaeology. Responding to this interest, this volume provides the first regional overview of ritual killing on the pre-Hispanic north coast of Peru, where distinct forms and diverse trajectories of ritual violence developed during the final 1,800 years of prehistory. Presenting original research that blends empirical approaches, iconographic interpretations, and contextual analyses, the contributors address four linked themes—the historical development and regional variation of north coast sacrifice from the early first millennium AD to the European conquest; a continuum of ritual violence that spans people, animals, and objects; the broader ritual world of sacrifice, including rites both before and after violent offering; and the use of diverse scientific tools, archaeological information, and theoretical interpretations to study sacrifice. This research proposes a wide range of new questions that will shape the research agenda in the coming decades, while fostering a nuanced, scientific, and humanized approach to the archaeology of ritual violence that is applicable to archaeological contexts around the world.

Author: Mary Strong
Publisher: University of Texas Press
ISBN: 0292742908
Category : Art
Languages : en
Pages : 369

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Book Description
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.

Author: George F. Lau
Publisher: University of Iowa Press
ISBN: 1587299747
Category : Social Science
Languages : en
Pages : 366

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Book Description
Flourishing from A.D. 1 to 700, the Recuay inhabited lands in northern Peru just below the imposing glaciers of the highest mountain chain in the tropics. Thriving on an economy of high-altitude crops and camelid herding, they left behind finely made artworks and grand palatial buildings with an unprecedented aesthetic and a high degree of technical sophistication. In this first in-depth study of these peoples, George Lau situates the Recuay within the great diversification of cultural styles associated with the Early Intermediate Period, provides new and significant evidence to evaluate models of social complexity, and offers fresh theories about life, settlement, art, and cosmology in the high Andes. Lau crafts a nuanced social and historical model in order to evaluate the record of Recuay developments as part of a wider Andean prehistory. He analyzes the rise and decline of Recuay groups as well as their special interactions with the Andean landscape. Their coherence was expressed as shared culture, community, and corporate identity, but Lau also reveals its diversity through time and space in order to challenge the monolithic characterizations of Recuay society pervasive in the literature today. Many of the innovations in Recuay culture, revealed for the first time in this landmark volume, left a lasting impact on Andean history and continue to have relevance today. The author highlights the ways that material things intervened in ancient social and political life, rather than being merely passive reflections of historical change, to show that Recuay public art, exchange, technological innovations, warfare, and religion offer key insights into the emergence of social hierarchy and chiefly leadership and the formation, interaction, and later dissolution of large discrete polities. By presenting Recuay artifacts as fundamentally social in the sense of creating and negotiating relations among persons, places, and things, he recognizes in the complexities of the past an enduring order and intelligence that shape the contours of history.