The Art of Dancing, Historically Illustrated PDF Download

Author: Luther Halsey Gulick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364

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Author: John Lehman
Publisher:
ISBN: 9780615805726
Category : Authorship
Languages : en
Pages :

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Author: Edward Ferrero
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 300

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Author: Friedrich Albert Zorn
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 328

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Author: Maurice Mouvet
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 184

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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 850

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Author: Giovanni-Andrea Gallini
Publisher:
ISBN:
Category :
Languages : en
Pages : 300

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Author: Giovanni-Andrea Gallini
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 296

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Book Description
Originally published in 1762 and reissued in 1765, this work borrows heavily from previously published materials, including the works of Locke, Goldini, and especially John Weaver's 1712 An Essay towards a history of dancing. Gallini (1728-1805) presents a history of dance, arguments for learning the art of dance, and a discourse on the minuet. Especialy interesting are Gallini's comments on European and non-European dance, and discussion includes practices in Britain, Spain, Naples, the peasants of Tirol, Russia, Turkey, China, Africa, and the Americas.

Author: Hanna Järvinen
Publisher: Springer
ISBN: 1137407735
Category : Performing Arts
Languages : en
Pages : 281

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Book Description
Tracing the historical figure of Vaslav Nijinsky in contemporary documents and later reminiscences, Dancing Genius opens up questions about authorship in dance, about critical evaluation of performance practice, and the manner in which past events are turned into history.

Author: Kimerer L. LaMothe
Publisher: Fordham Univ Press
ISBN: 9780823224036
Category : Performing Arts
Languages : en
Pages : 332

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This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion, on the one hand, and theology, on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religio