Art, Music, and Writings from the Holocaust PDF Download

Author: Susan Willoughby
Publisher: Capstone Classroom
ISBN: 9781403432001
Category : Juvenile Nonfiction
Languages : en
Pages : 60

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Book Description
Looks at the art, music, and literature created during the Holocaust.

Author: Shirli Gilbert
Publisher: Oxford University Press
ISBN: 0199277974
Category : History
Languages : en
Pages : 262

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Book Description
In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring theways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism.Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.

Author: Janet Blatter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286

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Book Description
A Layla Productions book.

Author: Judith E. Doneson
Publisher: Syracuse University Press
ISBN: 9780815629269
Category : History
Languages : en
Pages : 308

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Book Description
This work offers insights into how specific films influenced the Americanization of the Holocaust and how the medium per se helped seed that event into the public consciousness. In addition to an in-depth study on films produced for both theatrical release and TV since 1937 - including The Great Dictator, Cabaret, Julia, and the mini-series Holocaust - this work provides an analysis of Schindler's List and the debate over the merit of Spielberg's vision of the Holocaust. It also examines more thoroughly made-for-television movies, such as Escape From Sobibor, Playing For Time, and War and Remembrance. A special chapter on The Diary of Anne Frank discusses the evolution of that singularly European work into a universal symbol. Paying special attention to the tumultuous 1960s in America, it assesses the effect of the era on Holocaust films made during that time. It also discusses how these films helped integrate the Holocaust into the fabric of American society, transforming it into a metaphor for modern suffering. Finally, the work explores cinema in relation to the Americanization of the Jewish image.

Author: Matthew Baigell
Publisher: Rutgers University Press
ISBN: 9780813524047
Category : Art
Languages : en
Pages : 204

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Book Description
Jewish themes in American art were not very visible until the last two decades, although many famous twentieth-century artists and critics were and are Jewish. Few artists responded openly to the Holocaust until the 1960s, when it finally began to act as a galvanizing force, allowing Jewish-American artists to express their Jewish identity in their work. Baigell describes how artists initially deflected their responses into abstract forms or by invoking biblical and traditional figures and then in more recent decades confronted directly Holocaust imagery and memory. He traces the development of artistic work from the late 1930s to the present in a moving study of a long overlooked topic in the history of American art.

Author: Mark Godfrey
Publisher: Yale University Press
ISBN: 9780300126761
Category : Art
Languages : en
Pages : 316

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Book Description
Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically.

Author: Moravian College. Payne Gallery
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 232

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Book Description
"Theresienstadt was the Jewish ghetto (1941-45) created by the Nazis within the walled garrison town of Terezín, Czech Republic, to which many of Europe's Jewish cultural elite were deported, and where their artistic activities were allowed flourish despite the ghetto's hidden purpose as a prison and conduit to Auschwitz-Birkenau and other Nazi concentration camps. Considered as a whole, the art of the Teresienstadt ghetto forms one of the most complex - and most neglected - bodies of work of the past century." -- Book cover.

Author: Dora Apel
Publisher: Rutgers University Press
ISBN: 9780813530499
Category : Art
Languages : en
Pages : 266

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Book Description
Dora Apel analyzes the ways in which artists born after the Holocaust-whom she calls secondary witnesses-represent a history they did not experience first hand. She demonstrates that contemporary artists confront these atrocities in order to bear witness not to the Holocaust directly, but to its "memory effects" and to the implications of those effects for the present and future. Drawing on projects that employ a variety of unorthodox artistic strategies, the author provides a unique understanding of contemporary representations of the Holocaust. She demonstrates how these artists frame the past within the conditions of the present, the subversive use of documentary and the archive, the effects of the Jewish genocide on issues of difference and identity, and the use of representation as a form of resistance to historical closure.

Author: Philip Rosen
Publisher: Bloomsbury Publishing USA
ISBN: 0313016593
Category : History
Languages : en
Pages : 227

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Book Description
This resource guide will help readers locate over 800 first-person accounts, fiction, poetry, art interpretations, and music by Holocaust victims and survivors, as well as videos relating the testimony and experiences of Holocaust survivors. In addition to the few well-known writers, artists, and musicians whose work so eloquently captures their experience during the Holocaust, this guide will introduce the reader to the lives and work of more than 250 lesser known or unrecognized writers, artists, and musicians from many countries who documented their experience of persecution at the hands of the Nazis. This guide will help students gain firsthand knowledge of what it was like to experience the Holocaust and how ordinary people coped and created art and meaning from the ashes of their lives. The entry on each writer, artist, and musician features a biographical sketch and list of his or her works, with full bibliographic data. Entries on literature and videos are annotated and include recommendations for age-appropriateness. The work is divided into five parts: writers of memoirs, diaries and fiction; poets; artists; composers and musicians; and videos that feature testimony by survivors. Each part features an introductory overview of the artists and art created in that genre out of Holocaust experience. Title, artist/writer, and nationality indexes will help the reader select materials, and an index organized by age-appropriate levels will help teachers and librarians to select literature and videos for students.

Author: Alan E. Steinweis
Publisher: Univ of North Carolina Press
ISBN: 080786479X
Category : History
Languages : en
Pages : 260

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Book Description
From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, thus showing in whose interest cultural policies were formulated. He discusses such issues as insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis helps to explain the widespread acquiescence of German artists to artistic censorship and racial 'purification.' His work also sheds new light on the purge of Jews from German cultural life.