Author:
Publisher:
ISBN:
Category : Child welfare
Languages : en
Pages : 216
Book Description
Bureau Publication
Publications of the Children's Bureau
Author: United States. Children's Bureau
Publisher:
ISBN:
Category : Child welfare
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category : Child welfare
Languages : en
Pages : 220
Book Description
Antifascism in American Art
Author: Cécile Whiting
Publisher: Yale University Press
ISBN: 9780300042597
Category : Philosophy
Languages : en
Pages : 262
Book Description
Whiting examines the various manifestations of antifacist art, showing how each negotiated the competing demands of artistic conventions, aesthetic and political theories, and historical developments.
Publisher: Yale University Press
ISBN: 9780300042597
Category : Philosophy
Languages : en
Pages : 262
Book Description
Whiting examines the various manifestations of antifacist art, showing how each negotiated the competing demands of artistic conventions, aesthetic and political theories, and historical developments.
Who's who in American Art
Guardianship
Author: Irving Weissman
Publisher:
ISBN:
Category : Child welfare
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category : Child welfare
Languages : en
Pages : 220
Book Description
Charles Burchfield
Author: Colleen Lahan Makowski
Publisher: Scarecrow Press
ISBN: 9780810831315
Category : Art
Languages : en
Pages : 228
Book Description
For scholars exploring the career of American artist Charles Burchfield and the period in which he worked (1893-1967), this book provides access to listings of his exhibitions and museum collections where his art can be found along with books, articles, films, and exhibition catalogs.
Publisher: Scarecrow Press
ISBN: 9780810831315
Category : Art
Languages : en
Pages : 228
Book Description
For scholars exploring the career of American artist Charles Burchfield and the period in which he worked (1893-1967), this book provides access to listings of his exhibitions and museum collections where his art can be found along with books, articles, films, and exhibition catalogs.
The Art of Ballets Russes
Author: Exhibition Design, Dance and Music of the Ballets Russes 1909 - 1929 (1997 - 1998, Hartford, Conn. u.a.)
Publisher: Yale University Press
ISBN: 0300074840
Category : Performing Arts
Languages : en
Pages : 362
Book Description
Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren
Publisher: Yale University Press
ISBN: 0300074840
Category : Performing Arts
Languages : en
Pages : 362
Book Description
Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren
Thomas Hart Benton and the American Sound
Author: Leo G. Mazow
Publisher: Penn State Press
ISBN: 0271050837
Category : Art
Languages : en
Pages : 218
Book Description
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
Publisher: Penn State Press
ISBN: 0271050837
Category : Art
Languages : en
Pages : 218
Book Description
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
African American Artists and the New Deal Art Programs
Author: Mary Ann Calo
Publisher: Penn State Press
ISBN: 0271095741
Category : Art
Languages : en
Pages : 217
Book Description
This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists’ works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation. Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists’ participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists’ Guild, the Guild’s activities during the 1930s, and its alliances with other groups, such as the Artists’ Union and the National Negro Congress. Calo also explores African American artists’ representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program. Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations.
Publisher: Penn State Press
ISBN: 0271095741
Category : Art
Languages : en
Pages : 217
Book Description
This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists’ works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation. Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists’ participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists’ Guild, the Guild’s activities during the 1930s, and its alliances with other groups, such as the Artists’ Union and the National Negro Congress. Calo also explores African American artists’ representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program. Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations.