Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984
Author: Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts LibraryPublisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1040
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Art and Auctions
Author: The National Union Catalog, Pre-1956 Imprints
Author: French Rococo Ébénisterie in the J. Paul Getty Museum
Author: Gillian WilsonPublisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890
Author: Mercedes VolaitPublisher: Leiden Studies in Islam and So
ISBN: 9789004449879
Category : Art
Languages : en
Pages : 283
Book Description
Early shows and sales of Islamic antiques in Paris -- Expanding trades in late Ottoman Cairo and Damascus -- Conflicted commodification in Cairo -- Fashioning immersive displays in Egypt and beyond -- Guise and disguise before and during the Tanzimat.
Autour des collections d'art en Chine au XVIIIe siècle
Author: Michèle Pirazzoli-tʼSerstevensPublisher: Librairie Droz
ISBN: 9782600013383
Category : Foreign Language Study
Languages : fr
Pages : 258
Book Description
Le colloque " Autour des collections d'art en Chine au XVIIIe siecle " a reuni des historiens europeens de l'art, specialistes de la Chine, du Japon et de l'Europe, ainsi que des sinologues, autour de la question du collectionnisme. La collection d'art est, en Chine, une pratique ancienne qui a donne lieu a des modes specifiques d'acquisition, d'appreciation et d'exposition des objets. Sous la dynastie des Qing (1644-1911), la Chine voit s'operer des changements dans la composition sociale de ses elites. Aux cotes des classes lettrees traditionnelles s'imposent progressivement des familles de riches marchands. Au meme moment, les collections imperiales connaissent un age d'or. L'etude du collectionnisme chinois au XVIIIe siecle nous apprend beaucoup sur le gout des amateurs, l'evolution des pratiques, le marche de l'art et plus generalement sur la place de l'objet d'art dans la societe. Ce colloque a permis d'aborder la specificite de la culture materielle et artistique du xviiie siecle en regard des epoques chinoises anterieures. Il s'est aussi revele le lieu d'un echange fructueux entre specialistes d'aires culturelles differentes, contribuant ainsi a mieux integrer le fait chinois dans le champ de questionnement de l'histoire de l'art en general.