Art and Literature Under the Bolsheviks: Authority and revolution 1924-1932 PDF Download
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Author: Brandon Taylor Publisher: ISBN: Category : Art and state Languages : en Pages : 248
Book Description
Brandon Taylor aims to provide a full picture of Soviet culture during the years 1917 and 1932, a time when different movements in the art world vied with each other in claiming to represent the true art of the people in the period of the dictatorship of the proletariat.
Author: Brandon Taylor Publisher: ISBN: Category : Art and state Languages : en Pages : 248
Book Description
Brandon Taylor aims to provide a full picture of Soviet culture during the years 1917 and 1932, a time when different movements in the art world vied with each other in claiming to represent the true art of the people in the period of the dictatorship of the proletariat.
Author: Brandon Taylor Publisher: ISBN: Category : Art and state Languages : en Pages : 248
Book Description
Brandon Taylor aims to provide a full picture of Soviet culture during the years 1917 and 1932, a time when different movements in the art world vied with each other in claiming to represent the true art of the people in the period of the dictatorship of the proletariat.
Author: Brandon Taylor Publisher: Pluto Press (UK) ISBN: Category : Art Languages : en Pages : 248
Book Description
Brandon Taylor aims to provide a full picture of Soviet culture during the years 1917 and 1932, a time when different movements in the art world vied with each other in claiming to represent the true art of the people in the period of the dictatorship of the proletariat.
Author: Jeffrey Brooks Publisher: Cambridge University Press ISBN: 1108484468 Category : History Languages : en Pages : 349
Book Description
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
Author: Ben Fowkes Publisher: BRILL ISBN: 9004515259 Category : Political Science Languages : en Pages : 504
Book Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander’s ‘Dada is merely an impertinence’ through Trotsky’s ‘There cannot be a proletarian culture’ to Averbakh’s ‘Tear off the masks!’ and Becher’s ‘There can only be one kind of genuine art: fighting art.’
Author: Diana Newall Publisher: Routledge ISBN: 1134191499 Category : Art Languages : en Pages : 288
Book Description
Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university. It will give you answers to questions like: What is art and art history? What are the main methodologies used to understand art? How have ideas about form, sex and gender shaped representation? What connects art with psychoanalysis, semiotics and Marxism? How are globalization and postmodernism changing art and art history? Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives. Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.
Author: Jed Rasula Publisher: Oxford University Press ISBN: 0192570722 Category : Music Languages : en Pages : 473
Book Description
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Author: Brandon Taylor
Author: Brandon Taylor
Author: Brandon Taylor
Author: Brandon Taylor
Author: Jeffrey Brooks
Author: Brandon Taylor
Author: Ben Fowkes
Author: Brandon Taylor
Author: Claire McCallum
Author: Diana Newall
Author: Jed Rasula