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Author: Larissa Hjorth Publisher: Routledge ISBN: 1317935721 Category : Social Science Languages : en Pages : 264
Book Description
As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacific region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally.
Author: Larissa Hjorth Publisher: Routledge ISBN: 1317935721 Category : Social Science Languages : en Pages : 264
Book Description
As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacific region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally.
Author: Stephen Naylor Publisher: Routledge ISBN: 1351062085 Category : Art Languages : en Pages : 185
Book Description
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.
Author: Larissa Hjorth Publisher: MIT Press ISBN: 0262034565 Category : Art Languages : en Pages : 221
Book Description
How new media and visual artists provide alternative ways for understanding and visualizing the entanglements of media and the environment in the Asia-Pacific. Images of environmental disaster and degradation have become part of our everyday media diet. This visual culture focusing on environmental deterioration represents a wider recognition of the political, economic, and cultural forces that are responsible for our ongoing environmental crisis. And yet efforts to raise awareness about environmental issues through digital and visual media are riddled with irony, because the resource extraction, manufacturing, transportation, and waste associated with digital devices contribute to environmental damage and climate change. Screen Ecologies examines the relationship of media, art, and climate change in the Asia-Pacific region—a key site of both environmental degradation and the production and consumption of climate-aware screen art and media. Screen Ecologies shows how new media and visual artists provide alternative ways for understanding the entanglements of media and the environment in the Asia-Pacific. It investigates such topics as artists' exploration of alternative ways to represent the environment; regional stories of media innovation and climate change; the tensions between amateur and professional art; the emergence of biennials, triennials, and new arts organizations; the theme of water in regional art; new models for networked collaboration; and social media's move from private to public realms. A generous selection of illustrations shows a range of artist's projects.
Author: Caroline Turner Publisher: Pandanus Books ISBN: Category : Art Languages : en Pages : 618
Book Description
In recent decades, contemporary art in Asia and the Pacific has acted as a dramatic reflection of the social and political events taking place in the region. The unique perspectives and expertise of the authors contributing to this collection bring unparalleled insights to bear on this relationship between creativity and social transformation. Extensively illustrated with work by some of the most dynamic artists practising today, Art and Social Change is a compelling map of the developments within contemporary art and society in Asia and the Pacific. As the most up-to-date and engaging survey available, Art and Social Change is an indispensable resource for those interested in the engagement of art with society. Book jacket.
Author: William Marotti Publisher: Duke University Press ISBN: 0822349809 Category : Art Languages : en Pages : 457
Book Description
During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
Author: Queensland Art Gallery Publisher: ISBN: Category : Art Languages : en Pages : 288
Book Description
Beyond the Future is the third in a series of APT catalogues. It features a lively collection of essays by 85 leading Australian and international scholars, exploring the diversity and dynamism of 77 contemporary artists and cultural practitioners - painting, installation, video, new media, and other innovations within traditions - from 20 countries across the Asia-Pacific region. Lavishly illustrated, this publication makes a significant contribution to cross-cultural dialogue and to understanding the vibrant contemporary art of Asia and the Pacific. Contributing authors: Soyeon Ahn, Geremie Barmé, Julie Ewington, Hou Hanru, Salima Hashmi, Oscar Ho Hing Kay, Lee Weng Choy, M. Dwi Marianto, Fumio Nanjo, Marian Pastor Roces, Somporn Rodboon, Jim Supangkat, Nicholas Thomas. Features over 340 colour and black-and-white illustrations.