Arias for Nancy Storace PDF Download

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Arias for Nancy Storace

Arias for Nancy Storace PDF Author: Dorothea Link
Publisher: A-R Editions, Inc.
ISBN: 0895795167
Category : Music
Languages : en
Pages : 154

Book Description
xxv + 122 pp.

Arias for Nancy Storace

Arias for Nancy Storace PDF Author: Dorothea Link
Publisher: A-R Editions, Inc.
ISBN: 0895795167
Category : Music
Languages : en
Pages : 154

Book Description
xxv + 122 pp.

Arias for Francesco Benucci

Arias for Francesco Benucci PDF Author: Dorothea Link
Publisher: A-R Editions, Inc.
ISBN: 0895795590
Category : Music
Languages : it
Pages : 154

Book Description
xxvi + 122 pp.

An Interpretive Guide to Operatic Arias

An Interpretive Guide to Operatic Arias PDF Author: Martial Singher
Publisher: Penn State Press
ISBN: 0271065176
Category : Music
Languages : en
Pages : 347

Book Description
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. “The most memorable thrills in an opera singer's life,” according to the author's Introduction, “may easily derive from the great arias in his or her repertoire.” This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention “not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate.” For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric—with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions—French, German, Italian, Russian, and American—are represented, as are the major voice types—soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher’s approach—based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories—is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.

Assembling Identities

Assembling Identities PDF Author: Sam Wiseman
Publisher: Cambridge Scholars Publishing
ISBN: 1443870420
Category : Art
Languages : en
Pages : 260

Book Description
This collection of sixteen essays, drawn from across the arts, humanities and social sciences, represents a cross-disciplinary exploration of some of the ways in which identities - whether of individuals, communities, or nations - are constructed, maintained and contested. It is introduced by the editor, Sam Wiseman, with a preface by Regenia Gagnier, and the essays are subdivided into four sections: Performative Identities; British Identities; Ethnic, Bodily and Sexual Identities; and Visual ...

Raymond Leppard on Music

Raymond Leppard on Music PDF Author: Raymond Leppard
Publisher: Bold Strummer
ISBN: 9780912483962
Category : Music
Languages : en
Pages : 764

Book Description


The Italian Opera Singers in Mozart's Vienna

The Italian Opera Singers in Mozart's Vienna PDF Author: Dorothea Link
Publisher: University of Illinois Press
ISBN: 0252053656
Category : Music
Languages : en
Pages : 459

Book Description
Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.

Dramma Giocoso

Dramma Giocoso PDF Author: Julian Rushton
Publisher: Leuven University Press
ISBN: 9058678458
Category : Music
Languages : en
Pages : 145

Book Description
The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.

Mozart

Mozart PDF Author: Wolfgang Hildesheimer
Publisher: Macmillan
ISBN: 0374522987
Category : Music
Languages : en
Pages : 446

Book Description
In this definitive biography, Wolfgang Hildesheimer demythologizes Mozart, revealing him as a flawed and puzzling human being, but a matchless artist. Hildesheimer's fresh approach to the music itself, his telling quotations from Mozart's letters (Mozart was one of the greatest and most outrageous of letter writers), and his sympathetic but unsentimental insights make this a remarkably readable portrait of one of the most popular composers of all time. Book jacket.

Singers' edition, operatic arias

Singers' edition, operatic arias PDF Author: Richard Boldrey
Publisher: Pst Records
ISBN:
Category : Music
Languages : en
Pages : 352

Book Description
Discusses voice categories and the soubrette voice category. Presents seventeen arias in vocal score, together with the opera story, a historical perspective, a musical perspective, and a dramatic perspective for each. Word-by-word translations and phonetic readings are given where appropriate.

The Cambridge Companion to Opera Studies

The Cambridge Companion to Opera Studies PDF Author: Nicholas Till
Publisher: Cambridge University Press
ISBN: 1107495199
Category : Music
Languages : en
Pages : 365

Book Description
With its powerful combination of music and theatre, opera is one of the most complex and yet immediate of all art forms. Once opera was studied only as 'a stepchild of musicology', but in the past two decades opera studies have experienced an explosion of energy with the introduction of new approaches drawn from disciplines such as social anthropology and performance studies to media theory, genre theory, gender studies and reception history. Written by leading scholars in opera studies today, this Companion offers a wide-ranging guide to a rapidly expanding field of study and new ways of thinking about a rich and intriguing art form, placing opera back at the centre of our understanding of Western culture over the past 400 years. This book gives lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.