Author: Larry Eigner
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Literary Nonfiction. "Live thinking--rather than 'theory'--about poetry & prose & living & dying, often starting from or turning into poetry as easily as rivers & puddles become clouds become rain. Short pieces full of unexpected sparks & takes. Essays, letters, reviews, apercus--starting from anywhere at hand (often with 'input' from 'media'), ending somewhere we're surprised to get to. Too much fun to call criticsm-or the best kind. A pleasure to live with"--Jackson Mac Low.
Areas Lights Heights
Author: Larry Eigner
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Literary Nonfiction. "Live thinking--rather than 'theory'--about poetry & prose & living & dying, often starting from or turning into poetry as easily as rivers & puddles become clouds become rain. Short pieces full of unexpected sparks & takes. Essays, letters, reviews, apercus--starting from anywhere at hand (often with 'input' from 'media'), ending somewhere we're surprised to get to. Too much fun to call criticsm-or the best kind. A pleasure to live with"--Jackson Mac Low.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Literary Nonfiction. "Live thinking--rather than 'theory'--about poetry & prose & living & dying, often starting from or turning into poetry as easily as rivers & puddles become clouds become rain. Short pieces full of unexpected sparks & takes. Essays, letters, reviews, apercus--starting from anywhere at hand (often with 'input' from 'media'), ending somewhere we're surprised to get to. Too much fun to call criticsm-or the best kind. A pleasure to live with"--Jackson Mac Low.
Short Form American Poetry
Author: Montgomery Will Montgomery
Publisher: Edinburgh University Press
ISBN: 1474476406
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
A ground-breaking analysis of the short form lineage in twentieth-century American poetry Proposes a new genealogy of 20th century and contemporary American verse Contains in-depth discussion of key American poets and movements Will appeal to graduates and scholars in both the modernist and contemporary fieldsReading a century of American poetry through the prism of short form, this book analyses the centrality of an aesthetic of brevity to American modernist verse. It begins with Imagism and devotes chapters to William Carlos Williams, George Oppen, Lorine Niedecker, Robert Creeley, Larry Eigner, Robert Grenier and Rae Armantrout. Montgomery combines his larger argument, which takes issue with epic-driven narratives of Modernist poetry, with sensitive and original readings of numerous short and short-lined poems. Suggesting a reappraisal of key movements as objectivism, Black Mountain poetry and Language Writing, he opens new lines of discussion around the major poets of the period
Publisher: Edinburgh University Press
ISBN: 1474476406
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
A ground-breaking analysis of the short form lineage in twentieth-century American poetry Proposes a new genealogy of 20th century and contemporary American verse Contains in-depth discussion of key American poets and movements Will appeal to graduates and scholars in both the modernist and contemporary fieldsReading a century of American poetry through the prism of short form, this book analyses the centrality of an aesthetic of brevity to American modernist verse. It begins with Imagism and devotes chapters to William Carlos Williams, George Oppen, Lorine Niedecker, Robert Creeley, Larry Eigner, Robert Grenier and Rae Armantrout. Montgomery combines his larger argument, which takes issue with epic-driven narratives of Modernist poetry, with sensitive and original readings of numerous short and short-lined poems. Suggesting a reappraisal of key movements as objectivism, Black Mountain poetry and Language Writing, he opens new lines of discussion around the major poets of the period
Finding the Weight of Things
Author: George Hart
Publisher: University of Alabama Press
ISBN: 0817321136
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
"A critical study of the poetry of Larry Eigner through the lens of both disability studies and ecopoetics, forming the basis of an "ecrippoetics.""--
Publisher: University of Alabama Press
ISBN: 0817321136
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
"A critical study of the poetry of Larry Eigner through the lens of both disability studies and ecopoetics, forming the basis of an "ecrippoetics.""--
Hardware Age
Letters to Jargon
Author: Andrew Rippeon
Publisher: University Alabama Press
ISBN: 0817359346
Category : Literary Collections
Languages : en
Pages : 348
Book Description
Gathers some of the most intimate, personal writing on life and the art of poetry by a crucial figure in late twentieth-century American letters Celebrated by both the Black Mountain poets in the 1950s and 1960s and the Language poets in the 1970s and 1980s, Larry Eigner’s poems occupy an important place in American poetry and poetics, and his reputation and legacy grow seemingly stronger with each passing year. Letters to Jargon collects all of the known correspondence between Larry Eigner and Jonathan Williams, the influential publisher of Jargon Society Press and himself a poet. Eigner’s correspondence with Williams began in the early 1950s, as the two were in conversation over the manuscript of On My Eyes, published by Jargon in 1960. Their correspondence continued for many years thereafter, extending into the period when Eigner’s work started to gain recognition from the nascent movement that would become known as “Language” writing. The letters are quite broad in their range of reference and provide a fuller context for Eigner’s poetry and thinking. Eigner and Williams discuss their own poetic practices, including the source material for specific poems, general writing practices, and small press and little magazine publication. This volume offers considerable insight into their shared literary communities as Eigner reports on his readings in contemporary poetry and poetics, as well as his correspondence and contact with other poets including Charles Olson, Vincent Ferrini, Robert Duncan, Denise Levertov, Robert Grenier, and Barrett Watten. Also recorded are Eigner’s reactions to current events and explications of his own poems, including the contexts for appropriated lines and distinctions of character spacing. Eigner also shares with Williams details of his home life, his financial difficulties and the daily challenges of his cerebral palsy. Finally, the book features a series of images of the original letters, enabling readers to see Eigner’s specific material-textual practices.
Publisher: University Alabama Press
ISBN: 0817359346
Category : Literary Collections
Languages : en
Pages : 348
Book Description
Gathers some of the most intimate, personal writing on life and the art of poetry by a crucial figure in late twentieth-century American letters Celebrated by both the Black Mountain poets in the 1950s and 1960s and the Language poets in the 1970s and 1980s, Larry Eigner’s poems occupy an important place in American poetry and poetics, and his reputation and legacy grow seemingly stronger with each passing year. Letters to Jargon collects all of the known correspondence between Larry Eigner and Jonathan Williams, the influential publisher of Jargon Society Press and himself a poet. Eigner’s correspondence with Williams began in the early 1950s, as the two were in conversation over the manuscript of On My Eyes, published by Jargon in 1960. Their correspondence continued for many years thereafter, extending into the period when Eigner’s work started to gain recognition from the nascent movement that would become known as “Language” writing. The letters are quite broad in their range of reference and provide a fuller context for Eigner’s poetry and thinking. Eigner and Williams discuss their own poetic practices, including the source material for specific poems, general writing practices, and small press and little magazine publication. This volume offers considerable insight into their shared literary communities as Eigner reports on his readings in contemporary poetry and poetics, as well as his correspondence and contact with other poets including Charles Olson, Vincent Ferrini, Robert Duncan, Denise Levertov, Robert Grenier, and Barrett Watten. Also recorded are Eigner’s reactions to current events and explications of his own poems, including the contexts for appropriated lines and distinctions of character spacing. Eigner also shares with Williams details of his home life, his financial difficulties and the daily challenges of his cerebral palsy. Finally, the book features a series of images of the original letters, enabling readers to see Eigner’s specific material-textual practices.
Poetics of Cognition
Author: Jessica Lewis Luck
Publisher: University of Iowa Press
ISBN: 1609389069
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Poetics of Cognition investigates the material effects of experimental poetics using new evidence emerging from cognitive science. It asks: How do experimental poems “think” and how do we think through them? Examining experimental modes such as the New Sentence, proceduralism, projective verse, sound poetry, and visual poetry, Jessica Lewis Luck argues that experimental poems materialize not so much the content as the activity of the embodied mind, and they can thus function as a powerful scaffolding for extended cognition, both for the writer and the reader. While current critical approaches tend to describe the effects of experimentalism solely in terms of emotion and sensation, Luck shifts from the feeling to the thinking that these poems can generate, expanding the potential blast radius of experimental poetic effects into areas of linguistic, sonic, and visual processing and revealing a transformational potency that strictly affective approaches miss. The cognitive research Luck draws upon suggests that the strangeness of experimental poetry can reshape the activity of the reader’s mind, creating new forms of attention, perception, and cognition. This book closes by shifting from theory to praxis, extracting forms of teaching from the forms of thinking that experimental poems instill in order to better enable their transformative effects in readers and to bring poetry pedagogy into the twenty-first century.
Publisher: University of Iowa Press
ISBN: 1609389069
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Poetics of Cognition investigates the material effects of experimental poetics using new evidence emerging from cognitive science. It asks: How do experimental poems “think” and how do we think through them? Examining experimental modes such as the New Sentence, proceduralism, projective verse, sound poetry, and visual poetry, Jessica Lewis Luck argues that experimental poems materialize not so much the content as the activity of the embodied mind, and they can thus function as a powerful scaffolding for extended cognition, both for the writer and the reader. While current critical approaches tend to describe the effects of experimentalism solely in terms of emotion and sensation, Luck shifts from the feeling to the thinking that these poems can generate, expanding the potential blast radius of experimental poetic effects into areas of linguistic, sonic, and visual processing and revealing a transformational potency that strictly affective approaches miss. The cognitive research Luck draws upon suggests that the strangeness of experimental poetry can reshape the activity of the reader’s mind, creating new forms of attention, perception, and cognition. This book closes by shifting from theory to praxis, extracting forms of teaching from the forms of thinking that experimental poems instill in order to better enable their transformative effects in readers and to bring poetry pedagogy into the twenty-first century.
Introduction to Scholarship in Modern Languages and Literatures
Author: David G. Nicholls
Publisher: Modern Language Association
ISBN: 160329239X
Category : Language Arts & Disciplines
Languages : en
Pages : 543
Book Description
The third edition of the MLA's widely used Introduction to Scholarship in Modern Languages and Literatures features sixteen new essays by leading scholars. Designed to highlight relations among languages and forms of discourse, the volume is organized into three sections. "Understanding Language" provides an overview of the field of linguistics, with special attention to language acquisition and the social life of languages. "Forming Texts" offers tools for understanding how speakers and writers shape language; it examines scholarship in the distinct but interrelated fields of rhetoric, composition, and poetics. "Reading Literature and Culture" continues the work of the first two sections by introducing major areas of critical study. The nine essays in this section cover textual and historical scholarship; interpretation; comparative, cultural, and translation studies; and the interdisciplinary topics of gender, sexuality, race, and migrations (among others). As in previous volumes, an epilogue examines the role of the scholar in contemporary society. Each essay discusses the significance, underlying assumptions, and limits of an important field of inquiry; traces the historical development of its subject; introduces key terms; outlines modes of research now being pursued; postulates future developments; and provides a list of suggestions for further reading. This book will interest any member of the academic community seeking a review of recent scholarship, while it provides an indispensable resource for undergraduate and graduate students of modern languages and literatures.
Publisher: Modern Language Association
ISBN: 160329239X
Category : Language Arts & Disciplines
Languages : en
Pages : 543
Book Description
The third edition of the MLA's widely used Introduction to Scholarship in Modern Languages and Literatures features sixteen new essays by leading scholars. Designed to highlight relations among languages and forms of discourse, the volume is organized into three sections. "Understanding Language" provides an overview of the field of linguistics, with special attention to language acquisition and the social life of languages. "Forming Texts" offers tools for understanding how speakers and writers shape language; it examines scholarship in the distinct but interrelated fields of rhetoric, composition, and poetics. "Reading Literature and Culture" continues the work of the first two sections by introducing major areas of critical study. The nine essays in this section cover textual and historical scholarship; interpretation; comparative, cultural, and translation studies; and the interdisciplinary topics of gender, sexuality, race, and migrations (among others). As in previous volumes, an epilogue examines the role of the scholar in contemporary society. Each essay discusses the significance, underlying assumptions, and limits of an important field of inquiry; traces the historical development of its subject; introduces key terms; outlines modes of research now being pursued; postulates future developments; and provides a list of suggestions for further reading. This book will interest any member of the academic community seeking a review of recent scholarship, while it provides an indispensable resource for undergraduate and graduate students of modern languages and literatures.
Pluralism, Poetry, and Literacy
Author: Xavier Kalck
Publisher: Routledge
ISBN: 0429575335
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Drawing from Medieval and Renaissance studies, analytic philosophy and pragmatism, Jewish studies, as well as ecocriticism and environmental humanities, this book demonstrates the consistent relationship between pluralism and literacy through the prism of poetry by confronting the history of interpretive practices with examples from American poets Robert Lax, Larry Eigner, Louis Zukofsky, Gary Snyder and Theodore Enslin. Divided into four areas of investigation—the meditative, the analytic, the diasporic and the ecological reader—it is an invitation to turn to premodern reading practices related to spiritual exercises as well as modern reading practices devoted to the critical pursuit of analytical knowledge. This study further reflects on the textual models of Jewish diaspora as another form of dialog between sacred and secular interpretive practices, before examining a final variation on this distinction by looking at the separation between contemplative and investigative perspectives on reading and writing nature.
Publisher: Routledge
ISBN: 0429575335
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Drawing from Medieval and Renaissance studies, analytic philosophy and pragmatism, Jewish studies, as well as ecocriticism and environmental humanities, this book demonstrates the consistent relationship between pluralism and literacy through the prism of poetry by confronting the history of interpretive practices with examples from American poets Robert Lax, Larry Eigner, Louis Zukofsky, Gary Snyder and Theodore Enslin. Divided into four areas of investigation—the meditative, the analytic, the diasporic and the ecological reader—it is an invitation to turn to premodern reading practices related to spiritual exercises as well as modern reading practices devoted to the critical pursuit of analytical knowledge. This study further reflects on the textual models of Jewish diaspora as another form of dialog between sacred and secular interpretive practices, before examining a final variation on this distinction by looking at the separation between contemplative and investigative perspectives on reading and writing nature.
The Bloomsbury Handbook of Contemporary American Poetry
Author: Craig Svonkin
Publisher: Bloomsbury Publishing
ISBN: 1350062529
Category : Literary Criticism
Languages : en
Pages : 549
Book Description
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today.
Publisher: Bloomsbury Publishing
ISBN: 1350062529
Category : Literary Criticism
Languages : en
Pages : 549
Book Description
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today.
Poetic Machinations
Author: Michael Golston
Publisher: Columbia University Press
ISBN: 0231538634
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
The shape, lineation, and prosody of postmodern poems are extravagantly inventive, imbuing both form and content with meaning. Through a survey of American poetry and poetics from the end of World War II to the present, Michael Golston traces the proliferation of these experiments to a growing fascination with allegory in philosophy, linguistics, critical theory, and aesthetics, introducing new strategies for reading American poetry while embedding its formal innovations within the history of intellectual thought. Beginning with Walter Benjamin's explicit understanding of Surrealism as an allegorical art, Golston defines a distinct engagement with allegory among philosophers, theorists, and critics from 1950 to today. Reading Fredric Jameson, Angus Fletcher, Roland Barthes, and Craig Owens, and working with the semiotics of Charles Sanders Pierce, Golston develops a theory of allegory he then applies to the poems of Louis Zukofsky and Lorine Niedecker, who, he argues, wrote in response to the Surrealists; the poems of John Ashbery and Clark Coolidge, who incorporated formal aspects of filmmaking and photography into their work; the groundbreaking configurations of P. Inman, Lyn Hejinian, Myung Mi Kim, and the Language poets; Susan Howe's "Pierce-Arrow," which he submits to semiotic analysis; and the innovations of Craig Dworkin and the conceptualists. Revitalizing what many consider to be a staid rhetorical trope, Golston positions allegory as a creative catalyst behind American poetry's postwar avant-garde achievements.
Publisher: Columbia University Press
ISBN: 0231538634
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
The shape, lineation, and prosody of postmodern poems are extravagantly inventive, imbuing both form and content with meaning. Through a survey of American poetry and poetics from the end of World War II to the present, Michael Golston traces the proliferation of these experiments to a growing fascination with allegory in philosophy, linguistics, critical theory, and aesthetics, introducing new strategies for reading American poetry while embedding its formal innovations within the history of intellectual thought. Beginning with Walter Benjamin's explicit understanding of Surrealism as an allegorical art, Golston defines a distinct engagement with allegory among philosophers, theorists, and critics from 1950 to today. Reading Fredric Jameson, Angus Fletcher, Roland Barthes, and Craig Owens, and working with the semiotics of Charles Sanders Pierce, Golston develops a theory of allegory he then applies to the poems of Louis Zukofsky and Lorine Niedecker, who, he argues, wrote in response to the Surrealists; the poems of John Ashbery and Clark Coolidge, who incorporated formal aspects of filmmaking and photography into their work; the groundbreaking configurations of P. Inman, Lyn Hejinian, Myung Mi Kim, and the Language poets; Susan Howe's "Pierce-Arrow," which he submits to semiotic analysis; and the innovations of Craig Dworkin and the conceptualists. Revitalizing what many consider to be a staid rhetorical trope, Golston positions allegory as a creative catalyst behind American poetry's postwar avant-garde achievements.