Architecture Itself and Other Postmodernization Effects PDF Download

Author: Sylvia Lavin
Publisher:
ISBN: 9781927071601
Category : Architecture, Postmodern
Languages : en
Pages : 300

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Author: Sylvia Lavin
Publisher: Spector Books
ISBN: 9783959052283
Category :
Languages : en
Pages : 320

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Book Description
Architecture Itself and Other Postmodernist Myths' brings together an array of building fragments, drawings, models, and primary source documents, to present canonic projects from an unexpected and unfamiliar point of view. The exhibition challenges the typical narrative of the heroic architect by revealing a counter- reading of postmodern procedures. The purpose is simultaneously to deflate the postmodern mythologizing of the architect and inflate the importance of empirically describable architectural activity. In so doing, the exhibition will make original contributions both to a counter-historiography of the postmodern and to contemporary curatorial method. A broad selection of material evidence -- gathered from building sites, libraries, and archives -- supports accounts of architects? and architecture?s entanglements with bureaucracy, the art market, and academic and private institutions, as postmodernization challenged the discipline to redefine its modes of practice and reconsider the very idea of architecture itself.00Exhibition: CCA, Montréal, Canada (07.11.2018 - 07.04.2019).

Author: Sylvia Lavin
Publisher:
ISBN: 9783959052290
Category :
Languages : fr
Pages : 280

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Author: Nick Axel
Publisher: U of Minnesota Press
ISBN: 1452957886
Category : Architecture
Languages : en
Pages : 692

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A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, originally disseminated online via e-flux Architecture between September 2016 and February 2017 on the invitation of the Third Istanbul Design Biennial. Probing the idea that we are and always have been continuously reshaped by the artifacts we shape, this book asks: Who designed the lives we live today? What are the forms of life we inhabit, and what new forms are currently being designed? Where are the sites, and what are the techniques, to design others? This vital and far-reaching collection of essays and images seeks to explore and reflect on the ways in which both the concept and practice of design are operative well beyond tangible objects, expanding into the depths of self and forms of life. Contributors: Zeynep Çelik Alexander, Lucia Allais, Shumon Basar, Ruha Benjamin, Franco “Bifo” Berardi, Daniel Birnbaum, Ina Blom, Benjamin H. Bratton, Giuliana Bruno, Tony Chakar, Mark Cousins, Simon Denny, Keller Easterling, Hu Fang, Rubén Gallo, Liam Gillick, Boris Groys, Rupali Gupte, Andrew Herscher, Tom Holert, Brooke Holmes, Francesca Hughes, Andrés Jaque, Lydia Kallipoliti, Thomas Keenan, Sylvia Lavin, Yongwoo Lee, Lesley Lokko, MAP Office, Chus Martínez, Ingo Niermann, Ahmet Ögüt, Trevor Paglen, Spyros Papapetros, Raqs Media Collective, Juliane Rebentisch, Sophia Roosth, Felicity D. Scott, Jack Self, Prasad Shetty, Hito Steyerl, Kali Stull, Pelin Tan, Alexander Tarakhovsky, Paulo Tavares, Stephan Trüby, Etienne Turpin, Sven-Olov Wallenstein, Eyal Weizman, Mabel O. Wilson, Brian Kuan Wood, Liam Young, and Arseny Zhilyaev.

Author: Frida Grahn
Publisher: Birkhäuser
ISBN: 3035626251
Category : Architecture
Languages : en
Pages : 312

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50 Jahre Learning from Las Vegas Von der Geschäftigkeit Johannesburgs bis zu den Neonlichtern von Las Vegas hat Denise Scott Browns Eintreten für „unordentliche Vitalität" („messy vitality") unsere Sicht auf die Stadtlandschaft verändert. Unkonventionell, eloquent und mit tiefgründigem gesellschaftspolitischem Engagement ist Scott Brown, für die Architektur und den Urbanismus, eine der einflussreichsten Denkerinnen unserer Zeit. Anlässlich des 50. Jubiläums von Learning from Las Vegas ist Denise Scott Brown. In Other Eyes ein Porträt aus der Perspektive führender Architekturhistoriker und Praktikerinnen. Es vermittelt neue Erkenntnisse zu ihrer Ausbildung auf drei Kontinenten, ihrem multidisziplinären Unterricht und ihrem Einbezug urbaner Kräfte im architektonischen Entwurf, den Scott Brown unter dem vieldeutigen Motto „1+1>2" darlegt. Alle Texte sind Originalbeiträge u.a. von Mary McLeod, Joan Ockman, Sylvia Lavin, Stanislaus von Moos, Jacques Herzog, Robin Middleton und Denise Scott Brown Porträt einer der bedeutendsten Persönlichkeiten der zeitgenössischen Architektur

Author: Sylvia Lavin
Publisher: Princeton University Press
ISBN: 140083838X
Category : Architecture
Languages : en
Pages : 134

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Architecture's growing intimacy with new types of art Kissing Architecture explores the mutual attraction between architecture and other forms of contemporary art. In this fresh, insightful, and beautifully illustrated book, renowned architectural critic and scholar Sylvia Lavin develops the concept of "kissing" to describe the growing intimacy between architecture and new types of art—particularly multimedia installations that take place in and on the surfaces of buildings—and to capture the sensual charge that is being designed and built into architectural surfaces and interior spaces today. Initiating readers into the guilty pleasures of architecture that abandons the narrow focus on function, Lavin looks at recent work by Pipilotti Rist, Doug Aitken, the firm Diller Scofidio + Renfro, and others who choose instead to embrace the viewer in powerful affects and visual and sensory atmospheres. Kissing Architecture is the first book in a cutting-edge new series of short, focused arguments written by leading critics, historians, theorists, and practitioners from the world of urban development and contemporary architecture and design. These books are intended to spark vigorous debate. They stake out the positions that will help shape the architecture and urbanism of tomorrow. Addressing one of the most spectacular and significant developments in the current cultural scene, Kissing Architecture is an entertainingly irreverent and disarmingly incisive book that offers an entirely new way of seeing--and experiencing--architecture in the age after representation.

Author: Amanda Reeser Lawrence
Publisher: University of Virginia Press
ISBN: 0813950597
Category : Architecture
Languages : en
Pages : 385

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How do we create the new from the old? The Architecture of Influence explores this fundamental question by analyzing a broad swath of twentieth-century architectural works—including some of the best-known examples of the architectural canon, modern and postmodern—through the lens of influence. The book serves as both a critique of the discipline’s long-standing focus on "genius" and a celebration of the creative act of revisioning and reimagining the past. It argues that all works of architecture not only depend on the past but necessarily alter, rewrite, and reposition the traditions and ideas to which they refer. Organized into seven chapters—Replicas, Copies, Compilations, Generalizations, Revivals, Emulations, and Self-Repetitions—the book redefines influence as an active process through which the past is defined, recalled, and subsequently redefined within twentieth-century architecture.

Author: Hiroki Azuma
Publisher: U of Minnesota Press
ISBN: 0816653518
Category : Social Science
Languages : en
Pages : 177

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Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session

Author: Bruno Latour
Publisher: Harvard University Press
ISBN: 0674076753
Category : Science
Languages : en
Pages : 172

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With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith. What does it mean to be modern? What difference does the scientific method make? The difference, Latour explains, is in our careful distinctions between nature and society, between human and thing, distinctions that our benighted ancestors, in their world of alchemy, astrology, and phrenology, never made. But alongside this purifying practice that defines modernity, there exists another seemingly contrary one: the construction of systems that mix politics, science, technology, and nature. The ozone debate is such a hybrid, in Latour’s analysis, as are global warming, deforestation, even the idea of black holes. As these hybrids proliferate, the prospect of keeping nature and culture in their separate mental chambers becomes overwhelming—and rather than try, Latour suggests, we should rethink our distinctions, rethink the definition and constitution of modernity itself. His book offers a new explanation of science that finally recognizes the connections between nature and culture—and so, between our culture and others, past and present. Nothing short of a reworking of our mental landscape, We Have Never Been Modern blurs the boundaries among science, the humanities, and the social sciences to enhance understanding on all sides. A summation of the work of one of the most influential and provocative interpreters of science, it aims at saving what is good and valuable in modernity and replacing the rest with a broader, fairer, and finer sense of possibility.

Author: Charles Rice
Publisher: MIT Press
ISBN: 0262048337
Category : Architecture
Languages : en
Pages : 218

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How the rise of the large-scale atrium space in the 1970s and ’80s changed the way buildings could be designed, constructed, regulated, and occupied. In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium’s appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.