Author: Jana VanderGoot
Publisher: Routledge
ISBN: 1317562992
Category : Architecture
Languages : en
Pages : 317
Book Description
Despite population trends toward urbanization, the forest continues to have a strong appeal to the human imagination, and the human preference for forest over many other types of terrain is well documented. This book re-imagines architecture and urbanism by allowing the forest to be a prominent consideration in the language of design, thus recognizing the forest as essential rather than just incidental to human well-being. In Architecture and the Forest Aesthetic, forest is a large-scale urban construct that is far more extensive and nuanced than trees and shrubbery. The forest aesthetic opens designers to the forest as a model for an urban architecture of permeable floors, protective canopies, connected food chains, beneficial decomposition, and resilient ecologies. Much can be learned about these features of the forest from the natural sciences; however, when they are given due consideration technically and metaphorically in the design of urban habitat, the places in which humans live become living forests. What is present here in Architecture and the Forest Aesthetic is both a review of many ingenious ways in which the forest aesthetic has already been expressed in design and urbanism, and an encouragement to further use the forest aesthetic in design language and design outcomes. Case study projects featured include the Chilotan building craft of Southern Chile, the yaki sugi of Japan, the Biltmore Forest in the Southeastern United States, the Australian capital city Canberra, Bosco Verticale in Milan, Italy, the Beijing Olympic Forest Park in China, and more.
Architecture and the Forest Aesthetic
Author: Jana VanderGoot
Publisher: Routledge
ISBN: 1317562992
Category : Architecture
Languages : en
Pages : 317
Book Description
Despite population trends toward urbanization, the forest continues to have a strong appeal to the human imagination, and the human preference for forest over many other types of terrain is well documented. This book re-imagines architecture and urbanism by allowing the forest to be a prominent consideration in the language of design, thus recognizing the forest as essential rather than just incidental to human well-being. In Architecture and the Forest Aesthetic, forest is a large-scale urban construct that is far more extensive and nuanced than trees and shrubbery. The forest aesthetic opens designers to the forest as a model for an urban architecture of permeable floors, protective canopies, connected food chains, beneficial decomposition, and resilient ecologies. Much can be learned about these features of the forest from the natural sciences; however, when they are given due consideration technically and metaphorically in the design of urban habitat, the places in which humans live become living forests. What is present here in Architecture and the Forest Aesthetic is both a review of many ingenious ways in which the forest aesthetic has already been expressed in design and urbanism, and an encouragement to further use the forest aesthetic in design language and design outcomes. Case study projects featured include the Chilotan building craft of Southern Chile, the yaki sugi of Japan, the Biltmore Forest in the Southeastern United States, the Australian capital city Canberra, Bosco Verticale in Milan, Italy, the Beijing Olympic Forest Park in China, and more.
Publisher: Routledge
ISBN: 1317562992
Category : Architecture
Languages : en
Pages : 317
Book Description
Despite population trends toward urbanization, the forest continues to have a strong appeal to the human imagination, and the human preference for forest over many other types of terrain is well documented. This book re-imagines architecture and urbanism by allowing the forest to be a prominent consideration in the language of design, thus recognizing the forest as essential rather than just incidental to human well-being. In Architecture and the Forest Aesthetic, forest is a large-scale urban construct that is far more extensive and nuanced than trees and shrubbery. The forest aesthetic opens designers to the forest as a model for an urban architecture of permeable floors, protective canopies, connected food chains, beneficial decomposition, and resilient ecologies. Much can be learned about these features of the forest from the natural sciences; however, when they are given due consideration technically and metaphorically in the design of urban habitat, the places in which humans live become living forests. What is present here in Architecture and the Forest Aesthetic is both a review of many ingenious ways in which the forest aesthetic has already been expressed in design and urbanism, and an encouragement to further use the forest aesthetic in design language and design outcomes. Case study projects featured include the Chilotan building craft of Southern Chile, the yaki sugi of Japan, the Biltmore Forest in the Southeastern United States, the Australian capital city Canberra, Bosco Verticale in Milan, Italy, the Beijing Olympic Forest Park in China, and more.
Origins of Architectural Pleasure
Author: Grant Hildebrand
Publisher: Univ of California Press
ISBN: 9780520215054
Category : Architecture
Languages : en
Pages : 208
Book Description
This engaging study discusses ways in which architectural forms emulate some archetypal settings that humans have found appealing--and useful for survival--from ancient times to the present. 119 photos. 6 line figures.
Publisher: Univ of California Press
ISBN: 9780520215054
Category : Architecture
Languages : en
Pages : 208
Book Description
This engaging study discusses ways in which architectural forms emulate some archetypal settings that humans have found appealing--and useful for survival--from ancient times to the present. 119 photos. 6 line figures.
Installations by Architects
Author: Sarah Bonnemaison
Publisher: Princeton Architectural Press
ISBN: 9781568988504
Category : Architecture
Languages : en
Pages : 194
Book Description
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
Publisher: Princeton Architectural Press
ISBN: 9781568988504
Category : Architecture
Languages : en
Pages : 194
Book Description
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
Koichi Takada
Author: Koichi Takada
Publisher: Rizzoli Publications
ISBN: 0847868478
Category : Architecture
Languages : en
Pages : 242
Book Description
The first monograph on the Japanese-born, Sydney-based architect, celebrated for his innovative holistic approach to design, nature, and urbanism. Koichi Takada is part of a new generation of architects striving to bring nature back into the urban environment—an approach he developed after living in Tokyo, New York, and London. His architecture reconnects people to the natural environment, drawing inspiration from organic forms and local contexts. This elegant volume showcases a series of Takada’s recent projects, illustrating the unique way his talent connects the natural and the designed, and how it has evolved over the last ten years. Beautiful photographs of buildings and interiors juxtapose against sketches and images of nature—illustrating the aesthetic inspirations behind the designs and the way they embody light, air, and even sound. Philip Jodidio’s texts guide readers through the range of spaces that span from the interiors of the award-winning National Museum of Qatar in Doha and Urban Forest in Brisbane, the “greenest residential building in Australia,” to striking buildings in Sydney, Melbourne, Los Angeles, China, and the construction of a new space in Tokyo. This unique architectural journey will inspire readers to see architecture with a new mindset.
Publisher: Rizzoli Publications
ISBN: 0847868478
Category : Architecture
Languages : en
Pages : 242
Book Description
The first monograph on the Japanese-born, Sydney-based architect, celebrated for his innovative holistic approach to design, nature, and urbanism. Koichi Takada is part of a new generation of architects striving to bring nature back into the urban environment—an approach he developed after living in Tokyo, New York, and London. His architecture reconnects people to the natural environment, drawing inspiration from organic forms and local contexts. This elegant volume showcases a series of Takada’s recent projects, illustrating the unique way his talent connects the natural and the designed, and how it has evolved over the last ten years. Beautiful photographs of buildings and interiors juxtapose against sketches and images of nature—illustrating the aesthetic inspirations behind the designs and the way they embody light, air, and even sound. Philip Jodidio’s texts guide readers through the range of spaces that span from the interiors of the award-winning National Museum of Qatar in Doha and Urban Forest in Brisbane, the “greenest residential building in Australia,” to striking buildings in Sydney, Melbourne, Los Angeles, China, and the construction of a new space in Tokyo. This unique architectural journey will inspire readers to see architecture with a new mindset.
Fit
Author: Robert Geddes
Publisher: Princeton University Press
ISBN: 1400844541
Category : Architecture
Languages : en
Pages : 145
Book Description
Why architecture matters—and how to make it matter more Fit is a book about architecture and society that seeks to fundamentally change how architects and the public think about the task of design. Distinguished architect and urbanist Robert Geddes argues that buildings, landscapes, and cities should be designed to fit: fit the purpose, fit the place, fit future possibilities. Fit replaces old paradigms, such as form follows function, and less is more, by recognizing that the relationship between architecture and society is a true dialogue—dynamic, complex, and, if carried out with knowledge and skill, richly rewarding. With a tip of the hat to John Dewey, Fit explores architecture as we experience it. Geddes starts with questions: Why do we design where we live and work? Why do we not just live in nature, or in chaos? Why does society care about architecture? Why does it really matter? Fit answers these questions through a fresh examination of the basic purposes and elements of architecture—beginning in nature, combining function and expression, and leaving a legacy of form. Lively, charming, and gently persuasive, the book shows brilliant examples of fit: from Thomas Jefferson's University of Virginia and Louis Kahn's Exeter Library to contemporary triumphs such as the Apple Store on New York's Fifth Avenue, Chicago's Millennium Park, and Seattle's Pike Place. Fit is a book for everyone, because we all live in constructions—buildings, landscapes, and, increasingly, cities. It provokes architects and planners, humanists and scientists, civic leaders and citizens to reconsider what is at stake in architecture—and why it delights us.
Publisher: Princeton University Press
ISBN: 1400844541
Category : Architecture
Languages : en
Pages : 145
Book Description
Why architecture matters—and how to make it matter more Fit is a book about architecture and society that seeks to fundamentally change how architects and the public think about the task of design. Distinguished architect and urbanist Robert Geddes argues that buildings, landscapes, and cities should be designed to fit: fit the purpose, fit the place, fit future possibilities. Fit replaces old paradigms, such as form follows function, and less is more, by recognizing that the relationship between architecture and society is a true dialogue—dynamic, complex, and, if carried out with knowledge and skill, richly rewarding. With a tip of the hat to John Dewey, Fit explores architecture as we experience it. Geddes starts with questions: Why do we design where we live and work? Why do we not just live in nature, or in chaos? Why does society care about architecture? Why does it really matter? Fit answers these questions through a fresh examination of the basic purposes and elements of architecture—beginning in nature, combining function and expression, and leaving a legacy of form. Lively, charming, and gently persuasive, the book shows brilliant examples of fit: from Thomas Jefferson's University of Virginia and Louis Kahn's Exeter Library to contemporary triumphs such as the Apple Store on New York's Fifth Avenue, Chicago's Millennium Park, and Seattle's Pike Place. Fit is a book for everyone, because we all live in constructions—buildings, landscapes, and, increasingly, cities. It provokes architects and planners, humanists and scientists, civic leaders and citizens to reconsider what is at stake in architecture—and why it delights us.
Landscape Aesthetics
A History of the Architecture of the USDA Forest Service
Author: John R. Grosvenor
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 312
Book Description
Cabin Porn
Author: Zach Klein
Publisher: Little, Brown
ISBN: 0316344613
Category : Architecture
Languages : en
Pages : 380
Book Description
Are you yearning for a simpler existence? Find the rural escape of your dreams in this beautiful book from the creators of the wildly popular tumblr Cabin Porn. Created by a group of friends who preserve 55 acres of hidden forest in Upstate New York, Cabin Porn began as a scrapbook to collect inspiration for their building projects. As the collection grew, the site attracted a following, which is now a huge and obsessive audience. The site features photos of the most remarkable handmade homes in the backcountry of America and all over the world. It has had over 10 million unique visitors, with 350,000 followers on Tumblr. Now Zach Klein, the creator of the site (and a co-founder of Vimeo) goes further into the most alluring images from the site and new getaways, including more interior photography and how-to advice for setting up a quiet place somewhere. With their idyllic settings, unique architecture and cozy interiors, the Cabin Porn photographs are an invitation to slow down, take a deep breath, and feel the beauty and serenity that nature and simple construction can create.
Publisher: Little, Brown
ISBN: 0316344613
Category : Architecture
Languages : en
Pages : 380
Book Description
Are you yearning for a simpler existence? Find the rural escape of your dreams in this beautiful book from the creators of the wildly popular tumblr Cabin Porn. Created by a group of friends who preserve 55 acres of hidden forest in Upstate New York, Cabin Porn began as a scrapbook to collect inspiration for their building projects. As the collection grew, the site attracted a following, which is now a huge and obsessive audience. The site features photos of the most remarkable handmade homes in the backcountry of America and all over the world. It has had over 10 million unique visitors, with 350,000 followers on Tumblr. Now Zach Klein, the creator of the site (and a co-founder of Vimeo) goes further into the most alluring images from the site and new getaways, including more interior photography and how-to advice for setting up a quiet place somewhere. With their idyllic settings, unique architecture and cozy interiors, the Cabin Porn photographs are an invitation to slow down, take a deep breath, and feel the beauty and serenity that nature and simple construction can create.
The Principles of Aesthetics
Author: De Witt Henry Parker
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 388
Book Description
A Forest of Symbols
Author: Andrei Pop
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
Book Description
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
Book Description
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.