Apsaras in Indian Dance PDF Download

Author: Projesh Banerji
Publisher: New Delhi : Cosmo
ISBN:
Category : Apsaras
Languages : en
Pages : 254

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Author: P. Banerjee
Publisher:
ISBN: 9788170200604
Category :
Languages : en
Pages :

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Author: Rekha Rao
Publisher:
ISBN: 9788173053795
Category : Apsaras in art
Languages : en
Pages : 138

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This book on Apsaras in Hoysala art with particular reference to the Belur Chennakesava temple is dealt in two parts, viewing apsara as a dancer and a philosopher. Part one is about the dance of apsara, while part two is about the psychological states of awareness levels that are depicted. It is like exploring the external and the internal world of apsaras. Part I deals with the apsara`s skills in dance and dramaturgy, precisely a study of the depiction of Rasas - the sentiments in sculptures, that are viewed through the medium of Natyasastra and Dasarupaka - a treatise on Indian dance, music and dramaturgy. Part I is a study of the superficial aspects like the theme, the posture, the accessories used, the actions of the attendants and so on. Apsaras are viewed as dancers, who deserve to be elevated to the status of permanent guides for the aspect of rasas.

Author: Projesh Banerji
Publisher:
ISBN:
Category :
Languages : en
Pages : 150

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Author: Lalit Chugh
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525

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Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.

Author: Krishnakanta Handique
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 326

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Indian Literature Abounds In A Variety Of Myths And Legends Narrating Allegorical/Historical Stories With Moral Teachings Where Celestial Or Semi-Celestial Beings, In Particular The Apsarases, Occupy An Important Place. The Work Examines The Origin And Development Of The Institution Of Apsarases And Their Characteristics As Described In The Vast Corpus Of Vedic, Epic-Puranic And Classical Works, With A Thorough Study Of The Depiction Of The Legend Of The Urvasi And Pururavas.

Author: Wannaporn Rienjang
Publisher: Classical Art Research Centre
ISBN: 1789696968
Category : Social Science
Languages : en
Pages : 264

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Gandhāran art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhāra, centred on what is now the northern tip of Pakistan, has been called the ‘crossroads of Asia’. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandhāran art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandhāran sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandhāran artists’ appropriation of classical iconography and styles was diverse and extensive, but the explanation of this ‘influence’ remains puzzling and elusive. The Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre was initiated principally to cast new light on this old problem. This volume is the third set of proceedings of the project’s annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandhāran art. The contributors wrestle with old controversies, particularly the notion that Gandhāran art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhāra was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhāra’s connections both within and beyond South Asia and Central Asia, including the profound influence which Gandhāran art itself had on the development of Buddhist art in China and India.

Author: Manohar Laxman Varadpande
Publisher:
ISBN:
Category : Apsaras in art
Languages : en
Pages : 122

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This monograph presents scholarly exposition of the Apsara myth and its evolutionthrough centuries. Mentioned for the first time in the Rig Veda Apsaras find mention inIndian scriptures, epics, Puranas, dramas, poetry and numerous literary works. As a creationof ancient water cosmology she is described as a exceedingly beautiful and charmingperson adept in dancing, singing as well as art of seduction and amorous sports. Themonograph speaks of her profound influence on Indian art which is particularly visibleon the magnifient medieval temples in the form of female sculptures of immense beautyfamous all over the world. Written in lucid style the book reveals the story of Indian waternymph, the Apsara, in its infinite variety.

Author: Relco Studio
Publisher: Relco Studio
ISBN:
Category : Art
Languages : en
Pages : 31

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apsara, in Indian religion and mythology, one of the celestial singers and dancers who, together with the gandharvas, or celestial musicians, inhabit the heaven of the god Indra, the lord of the heavens. Originally water nymphs, the apsaras provide sensual pleasure for both gods and men.

Author: Reginald Massey
Publisher: Abhinav Publications
ISBN: 8170174341
Category : Performing Arts
Languages : en
Pages : 319

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Book Description
The Dances Of India Are Among The Oldest Dance Genres Still Widely Practiced Today. In Recent Years They Have Become Increasingly Known And Appreciated All Over The World. This Book Details The History Of The Several Styles Of Indian Dance And Gives An Account Of The Cultural, Religious, Social And Political Factors Which Influenced Their Growth And Development. There Are Fascinating Side-Lights On The Etiquette And Mores Of Indian Society. Many Of The Myths And Legends Which Form The Subject Matter Of The Dances Are Recounted And Theories Suggested To Explain Their Inspiration And Sources.This Is A Comprehensive Survey For Readers Who Want To Relate The Classical Dances To The Broader Background Of Indian Culture. For Students, Indian And Non- Indian, It Provides Valuable Historic And Technical Information; And For Dance Lovers It Serves As A Guide Telling Them What To Look For In A Performance. There Is, In Addition, An Overview Of India'S Many Folk Dances. The Glossary Of Terms Germane To The Different Styles Is A Useful Adjunct As Is The Bibliography.In The Latter Part Of This Book The Achievements Of Leading Delhi-Based Dancers Are Recorded And, At The Same Time, New Talent Is Readily Recognized.Written By An Acknowledged Authority, India'S Dances Is, Quite Simply, A Defmitive Volume On Some Of This Country'S Most. Enduring Contributions To World Culture.