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Author: Drew Beisswenger Publisher: Mel Bay Publications ISBN: 1513459937 Category : Music Languages : en Pages : 212
Book Description
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
Author: Miles Krassen Publisher: ISBN: Category : Music Languages : en Pages : 98
Book Description
Fifty-eight grand old tunes from the mountains of Virginia, West Virginia, and Kentucky. Jigs, reels, hornpipes, and breakdowns, transcribed from the playing of traditional fiddlers, with authoritative notes, ideas for embellishments, bowing techniques, and double stops chart.
Author: Drew Beisswenger Publisher: Mel Bay Publications ISBN: 1513459937 Category : Music Languages : en Pages : 212
Book Description
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
Author: Ken Perlman Publisher: Mel Bay Publications ISBN: 1513455087 Category : Music Languages : en Pages : 156
Book Description
This comprehensive collection features over 100 note-for-note skillfully-crafted clawhammer banjo arrangements of “old-time” Southern fiddle tunes, in clear tablature - with suggested guitar chords at a wide variety of skill levels. It contains most of the tunes played in concert or recorded by author Ken Perlman and renowned Appalachian-style fiddler Alan Jabbour, plus over 50 more classic tunes from Ed Haley, Edden Hammons, John Salyer and many other iconic roots fiddlers. Also included: • Instruction on basic and advanced techniques • Tips on improving your musicianship • How to play syncopated rhythms and melodies in clawhammer style • Frameworks for dealing with crooked tunes and modal tunes • Historical notes and picturesque backstories • Ken Perlman demonstrates all tunes and most musical illustrations on 124 online audio tracks *Online Audio Includes: 24 tracks featuring excerpts from recordings of the author performing with the virtuosic fiddler Alan Jabbour, to whom the book is dedicated.
Author: Gerald Milnes Publisher: University Press of Kentucky ISBN: 081318388X Category : Music Languages : en Pages : 322
Book Description
Play of a Fiddle gives voice to people who steadfastly hold to and build on the folk traditions of their ancestors. While encountering the influences of an increasingly overwhelming popular culture, the men and women in this book follow age-old patterns of folklife and custom, making their own music and dance in celebration of them. Shedding new light on a region that maintains ties to the cultural identities of its earliest European and African inhabitants, Gerald Milnes shows how folk music in West Virginia borrowed rhythmic, melodic, and vocal forms from the Celtic, Anglo, Germanic, and African traditions. These elements have come together to create a body of music tied more to place and circumstance than to ethnicity. Milnes explores the legacies of the state's best-known performers and musical families. He discusses religious music, balladeering, the influence of black musicians and styles, dancing, banjo and dulcimer traditions, and the importance of old-time music as a cultural pillar of West Virginia life. A musician himself, Milnes has been collecting songs and stories in West Virginia for more than twenty-five years. The result is an enjoyable book filled with anecdotes, local history, and keen observations about musical lives.
Author: Ken Kolodner Publisher: ISBN: 9780786681570 Category : Fiddle tunes Languages : en Pages : 0
Book Description
Ken Kolodner's book presents transcriptions with detailed bowings in tandem withthree recorded versions of 35 Appalachian fiddle tunes ranging from some very common and easy tunes (for more beginning players) but also quite a few less typically played tunes. All transcriptions are based on festival versions of the tunes, meaning the versions are those most commonly encountered at jams andfestivals. The book includes a clearly written description of old time style focusingon default bowing systems designed to develop rhythmic bowing. Ideaspresented include Nashville shuffle, 3-1 bowing, bow rocking, ghost bows, anticipations, left-hand ornamentation, drones, chording, dissonances, altered tunings, the concept of swing, tips on learning by ear and more. The tunes are played three times each for nearly 150 minutes of recording: (1.) very slowly and simply; (2.) at a modest tempo and but with double-stops, dronesand other ornaments; and (3.) up-to-tempo. While this effort was designed for fiddlers, the recordings should serve as an excellent source for non-fiddlers at all levels who desire to build their repertoire and practice learning tunes by ear. The book and accompanying MP3 disc are appropriate for any level of player. Thedifficulty of the tunes ranges from simple to relatively complex. Similarly, thebowing techniques include the simplest ideas to relatively difficult. The three recorded speeds make the learning and processing of the tunes appropriate for all levels of players wishing to improve their ear training. and bull; Simple and highly accessible transcriptions with detailed bowings of 35 estival versions of Appalachian fiddle tunes and bull; All tunes are recorded three times to accommodate players at all levels of experience and bull; Includes comprehensive and practical discussion of old-time bowings and style and how to learn by ear and bull; Strong focus on developing default bowings to get the characteristic groove of old-time and bull; Designed for all levels of players and non-fiddlers who desire to improve their learning by ear and/or increase their repertoire
Author: Drew Beisswenger Publisher: ISBN: 9780786696277 Category : Languages : en Pages :
Book Description
The two southern-most counties in Ireland, Cork and Kerry, have legendary music and dance traditions. On the border of these two counties, a rural area called Sliabh Luachra is especially well-known for its fiddle tunes and itinerant fiddle teachers. When speaking of this area's fiddle music, some describe a special lilt or backbeat, or they talk about the special role of set dances, but the most often -expressed quality relates to the frequent use of slides and polkas. This book features transcriptions of 107 tunes as played by three of the region's most distinguished fiddlers: Padraig O'Keeffe, Denis Murphy, and Connie O'Connell. Each fiddler is profiled, followed by a collection of meticulously transcribed tunes and annotations. Includes access to online audio of 30 of these tunes played solo by Connie O'Connell
Author: Drew Beisswenger Publisher: Mel Bay Publications ISBN: 161065319X Category : Music Languages : en Pages : 219
Book Description
This book, which includes 308 tune transcriptions, is organized around individual fiddlers who typically combine Appalachian-style fiddling with rags, pop standards, Midwest-style fiddling and sometimes a touch of Western swing to create a style often identifiable as Ozarks. Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches, photographs, and tune histories. Another 50 great Ozarks fiddlers are presented in a similar manner but with less detail. the book and accompanying CD (with 37 tunes, many recorded in the field) emphasize the older fiddling traditions connected to the square dances and community events more than those connected to bluegrass music and modern contest fiddling. Some of the tunes in the collection are old standbys such as Bile Them Cabbage while others such as Finley Creek Blues are unique to the region.The book is the result of years of work by two respected researchers. Gordon McCann won the prestigious Missouri Arts Award in 2002 for his decades of work documenting, studying, and accompanying Ozarks fiddle music. Drew Beisswenger, a music librarian at Missouri State University with a Ph.D. in ethnomusicology, has published three other works about fiddle music and is known for his strong transcription and analysis skills.
Author: Mark Nelson Publisher: Mel Bay Publications ISBN: 1513459120 Category : Music Languages : en Pages : 88
Book Description
With over 70 fiddle tunes arranged for Appalachian dulcimer, this book includes both common session tunes that everyone should know and a handful of obscure gems. The tunes include a representative collection of what people are playing in the current old-time music scene. The author has indicated the source of the tune when known, plus notes on achieving the proper feel and playing style. Although a few of the arrangements are real finger-twisters, most are well within the reach of the intermediate dulcimer player. Some tunes are written for old-time “noter” style playing, some are best fretted with your fingers. All of the arrangements include suggested chords for guitar or other instruments. One or two include lyrics; most do not. Old-time tunes tend to be played in fiddle-friendly keys like D, G, A (major and minor), and C. Although you can play in most of those keys out of DAD tuning, the music really comes alive when you re-tune and let those drones ring. Tunings include DAA, DAD, DGD, AAA and more. The author includes notes on how to re-tune your dulcimer, as well as alternative tunings for some of the tunes. The author says, “This book represents the fruits of over fifty years spent chasing down a good tune.” Includes access to online audio of all of the tunes played on solo dulcimer.
Author: Drew Beisswenger Publisher: Univ. Press of Mississippi ISBN: 1604736194 Category : Biography & Autobiography Languages : en Pages : 248
Book Description
From a small mountain town in West Virginia, elder fiddler Melvin Wine has inspired musicians and music enthusiasts far beyond his homeplace. Music, community, and tradition influence all aspects of life in this rural region. Fiddling Way Out Yonder: The Life and Music of Melvin Wine shows how in Wine's playing and teaching all three have created a vital and enduring legacy. Wine has been honored nationally for his musical skills and his leadership role in an American musical tradition. A farmer, a coal miner, a father of ten children, and a deeply religious man, he has played music from the hard lessons of his own experience and shaped a musical tradition even while passing it to others. Fiddling Way Out Yonder examines the fiddler, his music, and its context from a variety of perspectives. Many rousing fiddlers came from isolated mountain regions like Melvin's home stomp. The book makes a point to address the broad historical issues related both to North American fiddling and to Wine's personal history. Wine has spent almost all of his ninety-two years in rural Braxton County, an area where the fiddle and dance traditions that were strong during his childhood and early adult life continue to be active today. Utilizing models from folklore studies and ethnomusicology, Fiddling Way Out Yonder discusses how community life and educational environment have affected Melvin's music and his approaches to performance. Such a unique fiddler deserves close stylistic scrutiny. The book reveals Wine's particular tunings, his ways of holding the instrument, his licks, his bowing techniques and patterns, his tune categories, and his favorite keys. The book includes transcriptions and analyses of ten of Melvin's tunes, some of which are linked to minstrelsy, ballad singing traditions, and gospel music. Narratives discuss the background of each tune and how it has fit into Melvin's life. While his music is tied to community and family traditions, Melvin is a unique and complex person. This biography heralds a musician who wants both to communicate the spirit of his mountains and to sway an audience into having an old-fashioned good time. Drew Beisswenger is a music librarian at Southwest Missouri State University. His work has been published in Tennessee Folklore Society Bulletin, the EMIE Bulletin, Mid-American Folklore, and the Arkansas Review: A Journal of Delta Studies.