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Author: Penny McCarthy Publisher: Cambridge Scholars Publishing ISBN: 1036410048 Category : Literary Criticism Languages : en Pages : 197
Book Description
The academic community treats the chronology of Shakespeare’s works as settled. He supposedly served an apprenticeship collaborating on plays in the 1580s, wrote two great poems in the early 90s, three plays a year from the mid-90s, some problem plays around the turn of the century, then his greatest tragedies, and finally some “romances” late in his career. This investigation highlights the flaws in the consensus view: over-reliance on precarious stylometrics, dubious identification of topical relevance, and unfounded conviction that composition preceded publication, performance, or first mention by only a short interval. Concentrating on his poems and six of his plays, the study ascribes parallels in others’ literary works to their authors’ imitation or parodying of Shakespeare, not vice versa. The importance of patronage circles rather than London theatre companies to writers, players, and printers is spelled out. The conclusion is that Shakespeare’s works must be radically antedated.
Author: Penny McCarthy Publisher: Cambridge Scholars Publishing ISBN: 1036410048 Category : Literary Criticism Languages : en Pages : 197
Book Description
The academic community treats the chronology of Shakespeare’s works as settled. He supposedly served an apprenticeship collaborating on plays in the 1580s, wrote two great poems in the early 90s, three plays a year from the mid-90s, some problem plays around the turn of the century, then his greatest tragedies, and finally some “romances” late in his career. This investigation highlights the flaws in the consensus view: over-reliance on precarious stylometrics, dubious identification of topical relevance, and unfounded conviction that composition preceded publication, performance, or first mention by only a short interval. Concentrating on his poems and six of his plays, the study ascribes parallels in others’ literary works to their authors’ imitation or parodying of Shakespeare, not vice versa. The importance of patronage circles rather than London theatre companies to writers, players, and printers is spelled out. The conclusion is that Shakespeare’s works must be radically antedated.
Author: Hugh Macrae Richmond Publisher: A&C Black ISBN: 9780826477767 Category : Literary Criticism Languages : en Pages : 590
Book Description
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
Author: Britannica Educational Publishing Publisher: Britannica Educational Publishing ISBN: 1615309306 Category : Juvenile Nonfiction Languages : en Pages : 114
Book Description
Before Shakespeare, few dramatists had used historical figures as characters in a play, or actual historical events as elements of a plot. Likewise, the Bard was a pioneer of the sonnet, which he took to new heights. Both literary form, including his two historical tetralogies, and his narrative poems, in addition to the particular form of sonnet that now bears his name are examined through engaging text. A brief treatise on the music within and accompanying productions of Shakespeares plays rounds out the coverage.
Author: James G. McManaway Publisher: Associated University Presses ISBN: 9780918016485 Category : Languages : en Pages : 442
Book Description
This volume is designed to pay homage to the scholarship of James G. McManaway, and at the same time to make the best of that scholarship available to a wider audience. Twenty-one essays testify to the distinguished career of this editor, scholar, and teacher. Illustrated.
Author: Penny McCarthy
Author: Penny McCarthy
Author: William Shakespeare
Author: William Shakespeare
Author: William Shakespeare
Author: Hugh Macrae Richmond
Author: Arthur Acheson
Author: Britannica Educational Publishing
Author: Edwin Markham
Author: James G. McManaway
Author: S. Viswanathan