Año Santo de Roma PDF Download

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ISBN:
Category :
Languages : en
Pages :

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Publisher: BRILL
ISBN: 9047429451
Category : History
Languages : en
Pages : 324

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This volume presents a selection of essays undertaken by participants in an NEH Summer Seminar in 2004 on the topic of the seven deadly sins, viewed individually and as a whole, as part of the Begriffsgeschichte of the Middle Ages and beyond in which concepts are constructed within the cultural milieus in which they function. The essays in the first part study the political and social ethics of medieval communities. In the second part, the institutional imperatives within the Church of formulating and teaching about the capital vices are the focus of research. In the final section, the contributions deal with ways in which secular artists and authors (in particular, Dante) contribute to the cultural construction of the vices. Contributors include: Dwight D. Allman, Bridget K. Balint, V. S. Benfell III, Dallas G. Denery II, Laura D. Gelfand, Susan E. Hill, Holly Johnson, Hilaire Kallendorf, John Kitchen, Rhonda L. McDaniel, Richard Newhauser, Thomas Parisi, and Derrick G. Pitard.

Author: Carey Kasten
Publisher: Lexington Books
ISBN: 1611483816
Category : Literary Criticism
Languages : en
Pages : 261

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The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, and to posit new ideas for future relations between the state and the national culture industry. The book traces the phenomenon of the twentieth-century auto to show how theater practitioners revisited this national genre to manifest different, oftentimes opposing, ideological and aesthetic agendas. It follows the auto from the avant-garde stagings and rewritings of the form in the early twentieth century, to the Francoist productions by the Teatro Nacional de la Falange, to postmodern parodies of the form in the era following Franco's death to demonstrate how twentieth-century Spanish dramatists use the auto in their reassessment of the nation's political and artistic past, and as a way of envisioning its future.

Author: Hilaire Kallendorf
Publisher: University of Toronto Press
ISBN: 144266102X
Category : Literary Criticism
Languages : en
Pages : 476

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Sins of the Fathers considers sins as nodes of cultural anxiety and explores the tensions between competing organizational categories for moral thought and behaviours, namely the Seven Deadly Sins and the Ten Commandments. Hilaire Kallendorf explores the decline and rise of these organizational categories against critical transformations of the early modern period, such as the accession of Spain to a position of world dominance and the arrival of a new courtly culture to replace an old warrior ethos. This ground-breaking study is the first to consider Spanish Golden Age comedias as an archive of moral knowledge. Kallendorf has examined over 800 of these plays to illustrate how they provide insight into aspects of early modern experience such as food, sex, work, and money. Finally, Kallendorf engages the theoretical terminology of Marxist literary criticism to demonstrate the inherent ambiguity of cultural change.

Author: Charles Chiniquy
Publisher: Chick Publications
ISBN: 0758908067
Category : Religion
Languages : en
Pages : 449

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La conversión de Charles Chiniquy, un ex sacerdote católico He aquí la hermosa y conmovedora historia de un sacerdote que no pudo permanecer en la Iglesia Católica Romana. Te reirás y llorarás con Chíniquy, y tu corazón se conmoverá con un profundo deseo de obedecer a Cristo y solamente a Él. Siendo niño, Chíniquy memorizaba las Escrituras en el regazo de su madre y desarrolló un profundo amor a Dios. Al llegar a ser sacerdote, desesperadamente quería poner su confianza plena en su “Iglesia”, pero lo inundaban olas de dudas porque su “Iglesia” profesaba adhesión al Evangelio; sin embargo, lo violaba continuamente. Sus superiores celosos le acusaron falsamente, pero Abraham Lincoln lo defendió y salvó su reputación. Chíniquy prueba que fueron los Jesuitas quienes más tarde asesinaron a Abraham Lincoln y explica por qué. Finalmente, su obispo demandó que desechara su preciosa Biblia y prometiera obediencia ciega a la “Iglesia”. Después de una noche oscura de lucha interior, salió gloriosamente salvo y guió casi a toda la población de St. Anne, Illinois, a confiar solamente en Cristo. Esta es la mejor obra que se haya escrito para mostrar, desde adentro, lo que el Catolicismo realmente es.

Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 354

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Author: Manuel Blanco
Publisher: La fabrica
ISBN:
Category : Art
Languages : en
Pages : 204

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The projects by artists and researchers in residency at the Spanish Academy in Rome. This publication, which accompanies the exhibition of the same name, curated by Manuel Blanco, brings together the projects made by the artists and researchers in residency at the Spanish Academy in Rome during the year 2015-2016. The works are explained through critical and descriptive essays and shown in more than 160 full-colour images in total. Both the book and the exhibition are the result of a new phase initiated by the Spanish Academy in Rome in the past few years, during which it has become a bustling laboratory of new knowledge and ideas, by encouraging and supporting innovative research and artistic production projects, such as the ones included in this publication. The exhibition Hecho en Roma / Made in Rome will be held at the Real Academia de Bellas Artes de San Fernando from 25 February to 2 April, 2017. Text in English and Spanish 160 images

Author: Carlo Emanuele Ruspoli
Publisher: Palibrio
ISBN: 1463317638
Category : Fiction
Languages : en
Pages : 596

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El Bailío Gran Prior Fray Gian Galeazzo Ruspoli, percibe la visión de un Ángel que le comunica que la Orden de San Juan a la que pertenece necesita de sus servicios como monje guerrero e investigador en el futuro. Sorprendido ante esta petición, no puede evitar que la curiosidad se adueñe de él. El Ángel le cuenta entonces la historia de la Orden de Malta y sus cinco siglos de lucha encarnizada contra el Islam. La Orden había olvidado por completo su faceta militar y se había centrado desde entonces en sus obras hospitalarias, religiosas y culturales. Se encuentra inerme en una complicada trama que podría acabar con la vida de algunos de sus ilustres caballeros profesos investigadores de la historia de Jesús y minar hasta la misma Iglesia. Gian Galeazzo acepta el reto y se ve al instante proyectado hacia el año 2.000, ocho siglos después de la época en la le tocó vivir. Este es el marco donde se desarrollará la labor de Fray Gian Galeazzo quien deberá aportar todas sus virtudes y habilidades para evitar un desenlace trágico. ¿Logrará llevar a cabo su misión celestial? ¿Cambiará la investigación la historia de la Iglesia Católica? La saga de El Profeso está compuesta de momento por: El Profeso, Asesinato en el Letrán, Muerte de Profesos, El Profeso en Tíbet y, en preparación: El Profeso y el diablo. El protagonista Gian Galeazzo está inspirado en la extraordinaria figura de Galeazzo Marescotti, héroe de Bolonia y absolutamente retratada en otra de sus novelas históricas, titulada: El Confaloniero.

Author: Manuel Delgado
Publisher: Bucknell University Press
ISBN: 9780838753316
Category : Literary Criticism
Languages : en
Pages : 302

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"This collection of essays invites the contemporary reader to consider the works of Pedro Calderon de la Barca (1600-81), who became the most important and influential dramatist of the second period of the Spanish Golden Age, just as Lope de Vega (1562-1635) was for the preceding generation. A follower of Lope in his youth, Calderon, as a mature playwright, developed a drama all of his own, a drama that was highly conceptual, tightly knit, symbolic, and, in many cases, spectacular. Calderon's artistry in verbal and visual symbolism made the performance of his works a feast for both the senses and the intellect." "Until now, many of Calderon's critics have focused their attention on how the poetic devices, particularly metaphors and symbols, appearing in his plays represent his philosophy or his ideas. But as some scholars of Spanish Golden Age drama have argued, the study of Calderon's theater must take into account not only the literary text, but also the physical conditions of the stage, the elements used in the representation - decor, costumes, lighting, music - and the house dynamics at each performance. In other words, each play must be considered as a composition of the soul and body, of poetry and spectacle, in which both elements support, complement, and explain one another in performance." "This is the task that has been undertaken by the contributors to this volume. By focusing on the relationship between text and performance, they have highlighted several areas that are often overlooked in traditional text-based approaches. From different perspectives, they show how Calderon gives concrete shape to the concepts and tales from the Bible, theology, mythology, the Corpus Hermeticum, emblematic literature, philosophy, and realities of civic and domestic origin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Henry W. Sullivan
Publisher: Cambridge University Press
ISBN: 9780521121606
Category : Drama
Languages : en
Pages : 544

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This book recounts the afterlife of the great Golden Age dramatist Pedro Calderón de la Barca in Dutch and German-speaking Europe. The high quality of the German critical and philosophical tradition has led to a far greater appreciation of Calderón outside than inside his native Spain, and it is in the German territories that the playwright's influence has been most remarkable and widespread. Professor Sullivan documents and analyses Calderón's reception and influence on the stage and on playwriting, criticism, philosophy and music in these territories. In addressing his book to students of both the German and the Spanish traditions Professor Sullivan has supplied the necessary background to both cultures and has rendered all quotations into English. The range of material will also make the book important for students of philosophy, comparative drama and German opera.