Annual Report of the American Museum of Natural History for the Year PDF Download

Author: American Museum of Natural History
Publisher:
ISBN:
Category : Natural history museums
Languages : en
Pages : 668

View

Book Description

Author: American Museum of Natural History
Publisher:
ISBN:
Category : Natural history museums
Languages : en
Pages : 488

View

Book Description

Author: American Museum of Natural History
Publisher:
ISBN:
Category : Natural history museums
Languages : en
Pages : 372

View

Book Description

Author: American Museum of Natural History
Publisher:
ISBN:
Category : Natural history museums
Languages : en
Pages : 526

View

Book Description
Includes list of members.

Author: American Museum of Natural History
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 378

View

Book Description
Includes list of members.

Author: American Museum of Natural History
Publisher:
ISBN:
Category :
Languages : en
Pages : 944

View

Book Description
Includes list of members.

Author: American Museum of Natural History
Publisher:
ISBN:
Category : Natural history museums
Languages : en
Pages : 174

View

Book Description

Author: New York (N.Y.). Department of Parks
Publisher:
ISBN:
Category : Parks
Languages : en
Pages : 534

View

Book Description
Includes Department of Parks, Borough of Manhattan.

Author: Karen A. Rader
Publisher: University of Chicago Press
ISBN: 022607983X
Category : History
Languages : en
Pages : 482

View

Book Description
Rich with archival detail and compelling characters, Life on Display uses the history of biological exhibitions to analyze museums’ shifting roles in twentieth-century American science and society. Karen A. Rader and Victoria E. M. Cain chronicle profound changes in these exhibitions—and the institutions that housed them—between 1910 and 1990, ultimately offering new perspectives on the history of museums, science, and science education. Rader and Cain explain why science and natural history museums began to welcome new audiences between the 1900s and the 1920s and chronicle the turmoil that resulted from the introduction of new kinds of biological displays. They describe how these displays of life changed dramatically once again in the 1930s and 1940s, as museums negotiated changing, often conflicting interests of scientists, educators, and visitors. The authors then reveal how museum staffs, facing intense public and scientific scrutiny, experimented with wildly different definitions of life science and life science education from the 1950s through the 1980s. The book concludes with a discussion of the influence that corporate sponsorship and blockbuster economics wielded over science and natural history museums in the century’s last decades. A vivid, entertaining study of the ways science and natural history museums shaped and were shaped by understandings of science and public education in the twentieth-century United States, Life on Display will appeal to historians, sociologists, and ethnographers of American science and culture, as well as museum practitioners and general readers.

Author: Lukas Rieppel
Publisher: Harvard University Press
ISBN: 0674240340
Category : Science
Languages : en
Pages : 227

View

Book Description
A lively account of the dinosaur’s role in Gilded Age America, examining the connection between business, paleontology, and museums. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history. Praise for Assembling the Dinosaur “A penetrating study of legitimacy and capitalism in the realm of fossils.” —Verlyn Klinkenborg, The New York Review of Books “A solid entry into the growing body of literature on Gilded Age American paleontology, but it is particularly valuable for its contribution to enhancing our understanding of how science and its representation during that period were influenced by, and in turn affected, society as a whole. By incorporating cultural, economic, and scientific developments, Rieppel shines new light on the history of both American paleontology and museum exhibition practice.” —Ilja Nieuwland, Science