Author: Hester Lynch Thrale afterwards Piozzi
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Anecdotes of the Late Samuel Johnson, LL.D. During the Last Twenty Years of His Life. By Hester Lynch Piozzi. The Third Edition
Author: Hester Lynch Thrale afterwards Piozzi
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1222
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1222
Book Description
British Museum Catalogue of printed Books
Anecdotes of the Late Samuel Johnson, L.L.D., During the Last Twenty Years of His Life..
Author: Hesther Lynch Thrale Piozzi (Mrs)
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
Book Description
An Introduction to Gray and Goldsmith
Author: Thomas Gray
Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
ISBN: 8867804685
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
ISBN: 8867804685
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
Edmond Malone, Shakespearean Scholar
Author: Peter Martin
Publisher: Cambridge University Press
ISBN: 9780521460309
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
First modern full-length biography of scholar and member of late eighteenth-century intellectual elite.
Publisher: Cambridge University Press
ISBN: 9780521460309
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
First modern full-length biography of scholar and member of late eighteenth-century intellectual elite.
Anecdotes of the Late Samuel Johnson, LL.D. During the Last Twenty Years of His Life. by Hesther Lynch Piozzi. the Third Edition
Author: HESTER LYNCH. PIOZZI
Publisher: Gale Ecco, Print Editions
ISBN: 9781379593904
Category :
Languages : en
Pages : 318
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T163686 With a half-title and a postscript. London: printed for T. Cadell, 1786. viii,306, [2]p.; 8°
Publisher: Gale Ecco, Print Editions
ISBN: 9781379593904
Category :
Languages : en
Pages : 318
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T163686 With a half-title and a postscript. London: printed for T. Cadell, 1786. viii,306, [2]p.; 8°
The Publishers Weekly
Ballads and Broadsides in Britain, 1500-1800
Author: Patricia Fumerton
Publisher: Routledge
ISBN: 1317176375
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
Publisher: Routledge
ISBN: 1317176375
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
Painting with Fire
Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022639025X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Publisher: University of Chicago Press
ISBN: 022639025X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.