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Author: Roy Grundmann Publisher: Temple University Press ISBN: 9781566399722 Category : Art Languages : en Pages : 244
Book Description
In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious 1964 underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality. Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.
Author: Roy Grundmann Publisher: Temple University Press ISBN: 9781566399722 Category : Art Languages : en Pages : 244
Book Description
In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious 1964 underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality. Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.
Author: Andy Warhol Publisher: 24 Ore Cultura ISBN: Category : Art Languages : en Pages : 326
Book Description
Le Timeboxes o Time Capsules sono scatole di cartone, tutte di identico formato, in cui Andy Warhol, nel corso degli anni, letteralmente stipò qualunque cosa gli passasse per le mani e di cui, pur non avendone apparentemente necessità, intendeva conservare la memoria: un archivio gigantesco (più di seicento scatole, conservate nell&'Andy Warhol Museum di Pittsburgh), fatto non solo di corrispondenza e di pagine di giornale, ma degli oggetti più svariati. Tuttavia, &"inscatolare&" non significava per Warhol soltanto archiviare: molto spesso da questi stralci, da questi &"appunti di lavoro&" nascevano poi idee che, rielaborate, conducevano alla creazione di una nuova opera d&'arte. La mostra triestina, della quale già l&'allestimento scaturisce dall&'interpretazione delle Time Capsules come &"icone&" del processo creativo di Warhol, intende dunque proporre un&'ampia selezione della produzione dell&'artista (dai ritratti alle fotografie alle maquettes fino agli stessi materiali contenuti nelle scatole) suggerendo il concetto di una fondamentale &"continuità&" nel rapporto tra arte e vita. Il catalogo rispecchia l&'&"horror vacui&" dell&'esistenza creativa di Andy Warhol, ne riproduce la ricchezza e l&'intensità, ed è esso stesso, a suo modo, un &"oggetto d&'arte&".
Author: Will Hermes Publisher: Farrar, Straus and Giroux ISBN: 0374712743 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
“The only Lou Reed bio you need to read.” —The Washington Post A Rolling Stone best music book of 2023 | One of Pitchfork’s ten best music books of 2023 | A Variety best music book of the year | A Kirkus Reviews best nonfiction book of 2023 “There have been many biographies of Lou Reed, but Will Hermes has written the definitive life . . . He has brought to the assignment a sharp eye, a clear head, a lucid prose style, and a determination to let Lou be Lou, without judgment.” —Lucy Sante, author of Low Life The most complete and penetrating biography of the rock master, whose stature grows every year. Since his death in 2013, Lou Reed’s living presence has only grown. The great rock poet presided over the marriage of Brill Building pop and the European avant-garde, and left American culture transfigured. In Lou Reed: The King of New York, Will Hermes offers the definitive narrative of Reed’s life and legacy, dramatizing his long, brilliant, and contentious dialogue with fans, critics, fellow artists, and assorted habitués of the demimonde. We witness Reed’s complex partnerships with David Bowie, Andy Warhol, John Cale, and Laurie Anderson; track the deadpan wit, street-smart edge, and poetic flights that defined his craft as a singer and songwriter with the Velvet Underground and beyond; and explore the artistic ambition and gift for self-sabotage that he took from his mentor the poet Delmore Schwartz. As Hermes follows Reed from Lower East Side cold-water flats to the eminent status he later achieved, he also tells the story of New York City as a cultural capital. The first biographer to draw on the New York Public Library’s much-publicized Reed archive, Hermes employs the library collections, the release of previously unheard recordings, and a wealth of recent interviews with Reed’s contemporaries to give us a new Lou Reed—a pioneer in writing about nonbinary sexuality and gender identity, a committed artist who pursued beauty and noise with equal fervor, and a turbulent and sometimes truculent man whose emotional imprint endures.
Author: Gary Needham Publisher: Bloomsbury Publishing ISBN: 1839021136 Category : Performing Arts Languages : en Pages : 208
Book Description
Andy Warhol remains one of the world's most influential artists, and his reputation has only grown since his death in 1987. He first picked up a film camera in 1963. Within the space of five years, he made around 650 films. These are now recognised as a hugely significant part of Warhol's oeuvre, vital for understanding his output as a whole. Warhol in Ten Takes provides a comprehensive introduction to Warhol's film-making alongside ten essays on individual films (from canonical classics such as The Chelsea Girls, to sorely neglected titles such as Bufferin) from leading scholars of cinema, art and culture. Drawing on research from the Warhol archives, newly-unearthed images, and original interviews with denizens of the Factory, this book explores the richness and variety of Warhol's films and interrogates accepted perspectives on them – while acknowledging the challenge of ever fully coming to terms with the life and career of this extraordinary artist.
Author: Wayne Koestenbaum Publisher: Open Road Media ISBN: 1497699851 Category : Biography & Autobiography Languages : en Pages : 166
Book Description
An intimate depiction of the visionary who revolutionized the art world A man who created portraits of the rich and powerful, Andy Warhol was one of the most incendiary figures in American culture, a celebrity whose star shone as brightly as those of the Marilyns and Jackies whose likenesses brought him renown. Images of his silvery wig and glasses are as famous as his renderings of soup cans and Brillo boxes—controversial works that elevated commerce to high art. Warhol was an enigma: a partygoer who lived with his mother, an inarticulate man who was a great aphorist, an artist whose body of work sizzles with sexuality but who considered his own body to be a source of shame. In critic and poet Wayne Koestenbaum’s dazzling look at Warhol’s life, the author inspects the roots of Warhol’s aesthetic vision, including the pain that informs his greatness, and reveals the hidden sublimity of Warhol’s provocative films. By looking at many facets of the artist’s oeuvre—films, paintings, books, “Happenings”—Koestenbaum delivers a thought-provoking picture of pop art’s greatest icon.
Author: Benshoff Publisher: Rowman & Littlefield Publishers ISBN: 0742568571 Category : Performing Arts Languages : en Pages : 334
Book Description
From Thomas Edison''s first cinematic experiments to contemporary Hollywood blockbusters, Queer Images chronicles the representation of lesbian, gay, bisexual, and queer sexualities over one hundred years of American film. The most up-to-date and comprehensive book of its kind, it explores not only the ever-changing images of queer characters onscreen, but also the work of queer filmmakers and the cultural histories of queer audiences. Queer Images surveys a wide variety of films, individuals, and subcultures, including the work of discreetly homosexual filmmakers during Hollywood''s Golden Age; classical Hollywood''s (failed) attempt to purge "sex perversion" from films; the development of gay male camp in Hollywood cinema; queer exploitation films and gay physique films; the queerness of 1960s Underground Film practice; independent lesbian documentaries and experimental films; cinematic responses to the AIDS crisis; the rise and impact of New Queer Cinema; the growth of LGBT film festivals; and how contemporary Hollywood deals with queer issues. This entertaining and insightful book reveals how the meaning of sexual identity—as reflected on the silver screen—has changed a great deal over the decades, and it celebrates both the pioneers and contemporary practitioners of queer film in America. Queer Images is an essential volume for film buffs and anyone interested in sexuality and culture.
Author: J.J. Murphy Publisher: Univ of California Press ISBN: 0520271874 Category : Art Languages : en Pages : 320
Book Description
“One acclaimed filmmaker takes the measure of another! Murphy’s candid and richly personal account of Andy Warhol’s filmmaking is a brilliant contribution to our understanding of one of cinema’s most original and prolific masters, exploring the artist's multiple forms of psychodrama with a filmmaker’s insight and attention to detail. As more and more of the restored Warhol films become available, this book will remain an indispensable handbook for film historians and general moviegoers alike—especially because it is such a genuine pleasure to read."—David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. “Those of us who care about independent cinema have always struggled with Andy Warhol’s massive oeuvre. At long last J.J. Murphy, who has spent a lifetime making contributions to independent cinema, has undertaken the Herculean task of helping us understand Warhol’s development as a filmmaker. Murphy’s precision, stamina, and passion are evident in this examination of an immense body of work—as is his ability to report what he has discovered in a readable and informative manner. The Black Hole of the Camera helps us to re-conceptualize Warhol’s films not simply as mythic pranks, but as the diverse creations of a prolific and inventive film artist.”—Scott MacDonald, author of A Critical Cinema: Interviews with Independent Filmmakers (5 vols.). "In his careful firsthand study of Andy Warhol’s films, J. J. Murphy contributes to the ongoing revision of the enduring but misplaced perceptions of Warhol as a passive, remote, and one-dimensional artist. Murphy's discussions of authorship, the relation of content to form, the role of "dramatic conflict,” and the complexity of Warhol’s camera work show these perceptions to be stubborn myths. The Black Hole of the Camera offers a clear sense of the nuances of Warhol’s fascinating, prolific, and influential activities in filmmaking."—Reva Wolf, author of Andy Warhol, Poetry, and Gossip in the 1960s.
Author: Caroline A. Jones Publisher: University of Chicago Press ISBN: 9780226406497 Category : Art Languages : en Pages : 582
Book Description
Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
Author: Callie Angell Publisher: ISBN: Category : Languages : en Pages : 46
Book Description
Sleep (1963) -- Haircut (No. 1) (1963) -- Eat (1964) -- Empire (1964) -- Guide to Empire -- Henry Geldzahler (1964) -- Poor little rich girl (1965) -- Paul Swan (1965) -- Lupe (1965) -- Velvet underground and Nico (1966) -- Bufferin (1966) -- I, a man (1967-68) -- Loves of Ondine (1967-68) -- Bike boy (1967-68) -- Flesh (1968-69) -- Blue movie (1968).
Author: Anne Friedberg Publisher: MIT Press ISBN: 0262512505 Category : Architecture Languages : en Pages : 372
Book Description
From the Renaissance idea of the painting as an open window to the nested windows and multiple images on today's cinema, television, and computer screens: a cultural history of the metaphoric, literal, and virtual window. As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices—"windows" full of moving images, texts, and icons—how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective—Alberti's metaphorical window—has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple 'windows' coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
Author: Roy Grundmann
Author: Roy Grundmann
Author: Andy Warhol
Author: Will Hermes
Author: Gary Needham
Author: Wayne Koestenbaum
Author: Benshoff
Author: J.J. Murphy
Author: Caroline A. Jones
Author: Callie Angell
Author: Anne Friedberg