André Masson, Line Unleashed PDF Download

Author: André Masson
Publisher: Carnivalesque
ISBN:
Category : Art
Languages : en
Pages : 106

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Author: André Masson
Publisher:
ISBN:
Category :
Languages : en
Pages : 164

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Book Description
André Masson Eine Mythologie der Natur erscheint begleitend zur Ausstellung im Museum Würth, Künzelsau vom 18. September 2004 bis 30. Januar 2005 André Masson (1896-1987), französischer Maler und Grafiker, studierte in Brüssel und Paris und wurde zu einem der Hauptvertreter des Surrealismus. Er nahm beachtlichem Einfluss auf eine nachrückende Künstlergeneration in den USA. Ursprünglich vom Kubismus beeinflusst öffnete sich ihm durch den Surrealismus der Zugang zu den psychologischen Quellen der Kunst, deren Tiefe er mit Hilfe des Auto-matismus auszuloten suchte. Eine wesentliche Inspiration nahm er aus der Natur, die er in eigenen, faszinierend gesteigerten mythologischen Metaphern ausdrückte. Das Museum Würth beleuchtet erstmalig diesen Aspekt seines Werkes anhand zahlrei-cher Gemälde und des bislang noch nie präsentierten Zeichenzyklus' "Sur le thème du désir". Der begleitende Katalogband ist reich an Abbildungen und umfasst Beiträge, die Thema und Werk Massons aufschlussreich analysieren.

Author: Barbara Jean Larson
Publisher: UPNE
ISBN: 9781584657750
Category : Art
Languages : en
Pages : 352

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A timely and stimulating collection of essays about the impact of Darwin's ideas on visual culture

Author: Clark V. Poling
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220

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This richly documented book examines the attempts of the French Surrealist artist Andr� Masson (1896-1987) to define "self” in his art in the period between the early 1920s and 1940, the most fruitful period of classic Surrealism, culminating in the emergence of existentialism. Through a close reading of Masson’s paintings, drawings, and writings, Clark Poling explores the ways in which the artist figured the self--as fragmented, dissolved, merged with other selves and with the natural environment, and, ultimately, reconstituted and consolidated. Masson’s work, Poling argues, reveals his involvement with modern conceptions of the self that he absorbed from Nietzsche and the Surrealist writers, as well as from other sources in philosophy, psychology, psychoanalysis and ethnography. He traces Masson’s articulation of these ideas in paintings and graphic works, using his correspondence from the Surrealist period and his many subsequent writings as supporting evidence.

Author: Charles Darwent
Publisher: Thames & Hudson
ISBN: 0500778973
Category : Biography & Autobiography
Languages : en
Pages : 328

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An absorbing group biography revealing how exiles from war-torn France brought surrealism to America, sparking the movement that became abstract expressionism. In 1957 the American artist Robert Motherwell made an unexpected claim: "I have only known two painting milieus well … the Parisian Surrealists, with whom I began painting seriously in New York in 1940, and the native movement that has come to be known as 'abstract expressionism,' but which genetically would have been more properly called 'abstract surrealism.'" Motherwell’s bold assertion, that abstract expressionism was neither new nor local, but born of a brief liaison between America and France, verged on the controversial. Surrealists in New York tells the story of this "liaison" and the European exiles who bought Surrealism with them—an artistic exchange between the Old World and the New—centering on taciturn printmaker Stanley William Hayter and the legendary Atelier 17 print studio he founded. Here artists’ experiments literally pushed the boundaries of modern art. It was in Hayter’s studio that Jackson Pollock found the balance of freedom and control that would culminate in his distinctive drip paintings. The impact of Max Ernst, André Masson, Louise Bourgeois and other noted émigrés on the work of Motherwell, Pollock, Mark Rothko, and the American avant-garde has for too long been quietly written out of art history. Drawing on first-hand documents, interviews, and archive materials, Charles Darwent brings to life the events and personalities from this crucial encounter, revealing a fascinating new perspective on the history of the art of the twentieth century.

Author: Mark C. Taylor
Publisher: University of Chicago Press
ISBN: 9780226791333
Category : Architecture
Languages : en
Pages : 392

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Disfiguring is constructive or, perhaps more accurately, reconstructive. By exploring the religious dimensions of twentieth-century painting and architecture, he shows how the visual arts continue to serve as a rich resource for the theological imagination.

Author: Michael Craig-Martin
Publisher: Hayward Gallery Publishing
ISBN:
Category : Art
Languages : en
Pages : 112

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Author: Ivan Gaskell
Publisher: Routledge
ISBN: 0429581289
Category : Art
Languages : en
Pages : 327

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This book is an exploration of how art—specifically paintings in the European manner—can be mobilized to make knowledge claims about the past. No type of human-made tangible thing makes more complex and bewildering demands in this respect than paintings. Ivan Gaskell argues that the search for pictorial meaning in paintings yields limited results and should be replaced by attempts to define the point of such things, which is cumulative and ever subject to change. He shows that while it is not possible to define what art is—other than being an open kind—it is possible to define what a painting is, as a species of drawing, regardless of whether that painting is an artwork or not at any given time. The book demonstrates that things can be artworks on some occasions but not necessarily on others, though it is easier for a thing to acquire artwork status than to lose it. That is, the movement of a thing into and out of the artworld is not symmetrical. All such considerations are properly matters not of ontology—what is and what is not an artwork—but of use; that is, how a thing might or might not function as an artwork under any given circumstances. These considerations necessarily affect the approach to paintings that at any given time might be able to function as an artwork or might not be able to function as such. Only by taking these factors into account can anyone make viable knowledge about the past. This lively discussion ranges over innumerable examples of paintings, from Rembrandt to Rothko, as well as plenty of far less familiar material from contemporary Catholic devotional works to the Chinese avant garde. Its aim is to enhance philosophical acuity in respect of the analysis of paintings, and to increase their amenability to philosophically satisfying historical use. Paintings and the Past is a must-read for all advanced students and scholars concerned with philosophy of art, aesthetics, historical method, and art history.

Author: Ian Walker
Publisher: Manchester University Press
ISBN: 9780719062155
Category : Art
Languages : en
Pages : 244

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The author analyses how the Surrealists utilised the tactics of documentary and how Surrealist ideas in turn influenced the development of documentary photography. This is a study of what Louis Aragon called 'surrealist realism': the exploration of the real-life surreality of the city.

Author: Patrick Ffrench
Publisher: Oxford University Press, USA
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 208

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The obscene, erotic, and disturbing text Histoire de l'œil (1928) is a traumatic event in the history of modernity. Here, the structure, mechanisms and violence of Bataille's text are analysed in detail.