Art of the Andes PDF Download

Author: Rebecca Stone
Publisher:
ISBN: 9780500204153
Category : Andes Region
Languages : en
Pages : 0

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"Fills a void in the genre. . . . Excellent descriptions and interpretations." --Latin American Antiquity

Author: Michele Greet
Publisher: Macmillan
ISBN: 9780271034706
Category : Art
Languages : en
Pages : 320

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Book Description
Traces changes in Andean artists' vision of indigenous peoples as well as shifts in the critical discourse surrounding their work between 1920 and 1960.

Author: Mary Strong
Publisher: University of Texas Press
ISBN: 0292735715
Category : Art
Languages : en
Pages : 369

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Book Description
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.

Author: Maya Stanfield-Mazzi
Publisher: University of Arizona Press
ISBN: 0816530319
Category : History
Languages : en
Pages : 270

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"Based on thorough archival research combined with stunning visual analysis, Maya Stanfield-Mazzi demonstrates that Andeans were active agents in Catholic image-making and created a particularly Andean version of Catholicism. Object and Apparition describes the unique features of Andean Catholicism while illustrating its connections to both Spanish and Andean cultural traditions"--Provided by publisher.

Author: Penny Dransart
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344

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Book Description
The aim of the book is to explore various facets of artistic expression (ranging temporally from four thousand years ago to the present day) in the Andean regions of South America, based on themes: social contexts, cultural expressions, recontextualisation, construction and meaning, and the role of art in the creation and animation of Andean landscapes. The various authors also move towards an archaeology, anthropology, or art history of visual expression that allows for an assessment of self-critical and reflexive developments on the part of the people who produced the artistic works under consideration. These visual worlds they created and continue to create make art in the Andes a fruitful and exciting field of study.

Author: George F. Lau
Publisher: University of Iowa Press
ISBN: 1587299747
Category : Social Science
Languages : en
Pages : 366

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Flourishing from A.D. 1 to 700, the Recuay inhabited lands in northern Peru just below the imposing glaciers of the highest mountain chain in the tropics. Thriving on an economy of high-altitude crops and camelid herding, they left behind finely made artworks and grand palatial buildings with an unprecedented aesthetic and a high degree of technical sophistication. In this first in-depth study of these peoples, George Lau situates the Recuay within the great diversification of cultural styles associated with the Early Intermediate Period, provides new and significant evidence to evaluate models of social complexity, and offers fresh theories about life, settlement, art, and cosmology in the high Andes. Lau crafts a nuanced social and historical model in order to evaluate the record of Recuay developments as part of a wider Andean prehistory. He analyzes the rise and decline of Recuay groups as well as their special interactions with the Andean landscape. Their coherence was expressed as shared culture, community, and corporate identity, but Lau also reveals its diversity through time and space in order to challenge the monolithic characterizations of Recuay society pervasive in the literature today. Many of the innovations in Recuay culture, revealed for the first time in this landmark volume, left a lasting impact on Andean history and continue to have relevance today. The author highlights the ways that material things intervened in ancient social and political life, rather than being merely passive reflections of historical change, to show that Recuay public art, exchange, technological innovations, warfare, and religion offer key insights into the emergence of social hierarchy and chiefly leadership and the formation, interaction, and later dissolution of large discrete polities. By presenting Recuay artifacts as fundamentally social in the sense of creating and negotiating relations among persons, places, and things, he recognizes in the complexities of the past an enduring order and intelligence that shape the contours of history.

Author: César Paternosto
Publisher: University of Texas Press
ISBN: 9780292765658
Category : Art
Languages : en
Pages : 304

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"Shows that precolumbian tectonic forms (especially as found in sculpture and weaving) appear to be an overlooked source, or anticipation, of much of the art of the 20th century. Second part of book deals with artifacts as American art and addresses reception of ancient tectonics in the 20th century. Emphasizes intense relationship that some members of the New York School (particularly Barnett Newman and Adolph Gottlieb) had during 1940s with the aboriginal arts of the North American part of the hemisphere and thus the affinities between their work and the work of the older Torres Garcâia in Montevideo, at the other end of the continent"--Handbook of Latin American Studies, v. 58.

Author: Brooklyn Museum of Art
Publisher:
ISBN:
Category : Indians of South America
Languages : en
Pages :

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Author: Barbara Mauldin
Publisher:
ISBN: 9780890135273
Category : History
Languages : en
Pages : 0

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Book Description
Color and black-and-white photographs show the architectural changes over the years and highlight the collection housed inside Casa San Ysidro from the Spanish Colonial, Mexican, and Territorial periods including tinwork, ironwork, carpentry, weavings, Pu

Author: Elena Phipps
Publisher: Metropolitan Museum of Art
ISBN: 1588391310
Category : Art, Spanish colonial
Languages : en
Pages : 414

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Book Description
"This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art."--Jacket.