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Author: Roddur Roy Publisher: Notion Press ISBN: 9781647336356 Category : Fiction Languages : en Pages : 100
Book Description
And Stella Turns a Mom is a journey from the mundane corporate scenario to the Cosmic Truth revealed to open the human psychological perception--especially the female perception--towards the self, sexuality, motherhood and the cosmic responsibilities and realization of an individual in everyday life and work. It is the unfolding of a male psyche towards discovering the female psyche and the social as well cosmic value of humanity and realization of the soul and energy-level balance of all the cosmic beings aligned to the self-area of defining the 'me' sector of possession. The sense of self as a resource in the individualistic, social and cosmic quest of self-discoveries is covered in a postmodernist and, at times, sub-verse language. The experimental use of language and alternative cultural perception of observing human relation linked and juxtaposed to social and soul-level evolution is focused upon in the work. Stella, the symbol of the female heart-mind-body and the humanity of motherhood defined in the individual responsibilities of creating and holding a state of stability from a spiritual viewpoint, expressed in the language of consciousness theories, in the guise of love for a woman and mother, from a man's point of view.
Author: Roddur Roy Publisher: Notion Press ISBN: 9781647336356 Category : Fiction Languages : en Pages : 100
Book Description
And Stella Turns a Mom is a journey from the mundane corporate scenario to the Cosmic Truth revealed to open the human psychological perception--especially the female perception--towards the self, sexuality, motherhood and the cosmic responsibilities and realization of an individual in everyday life and work. It is the unfolding of a male psyche towards discovering the female psyche and the social as well cosmic value of humanity and realization of the soul and energy-level balance of all the cosmic beings aligned to the self-area of defining the 'me' sector of possession. The sense of self as a resource in the individualistic, social and cosmic quest of self-discoveries is covered in a postmodernist and, at times, sub-verse language. The experimental use of language and alternative cultural perception of observing human relation linked and juxtaposed to social and soul-level evolution is focused upon in the work. Stella, the symbol of the female heart-mind-body and the humanity of motherhood defined in the individual responsibilities of creating and holding a state of stability from a spiritual viewpoint, expressed in the language of consciousness theories, in the guise of love for a woman and mother, from a man's point of view.
Author: Patrick R. Crowley Publisher: University of Chicago Press ISBN: 022664829X Category : Art Languages : en Pages : 337
Book Description
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.
Author: James P. Driscoll Publisher: University Press of Kentucky ISBN: 0813185580 Category : Poetry Languages : en Pages : 367
Book Description
In this first extensive Jungian treatment of Milton's major poems, James P. Driscoll uses archetypal psychology to explore Milton's great themes of God, man, woman, and evil and offers readers deepened understanding of Jung's profound thoughts on Godhead. The Father, the Son, Satan, Messiah, Samson, Adam, and Eve gain new dimensions of meaning as their stories become epiphanies of the archetypes of Godhead. God and Satan of Paradise Lost are seen as the ego and the shadow of a single unfolding personality whose anima is the Holy Spirit and Milton's muse. Samson carries the Yahweh archetype examined by Jung in Answer to Job, and Messiah and Satan in Paradise Regained embody the hostile brothers archetype. Anima, animus and the individuation drive underlie the psychodynamics of Adam and Eve's fall. Driscoll draws on his critical acumen and scholarly knowledge of Renaissance literature to shed new light on Jung's psychology of religion. The Unfolding God of Jung and Milton illumines Jung's heterodox notion of Godhead as a quarternity rather than a trinity, his revolutionary concept of a divine individuation process, his radical solution to the problem of evil, and his wrestling with the feminine in Godhead. The book's glossary of Jungian terms, written for literary critics and theologians rather than clinicians, is exceptionally detailed and insightful. Beyond enriching our understanding of Jung and Milton, Driscoll's discussion contributes to theodicy, to process theology, and to the study of myths and archetypes in literature.
Author: Jan-Christopher Horak Publisher: University Press of Kentucky ISBN: 0813147190 Category : Biography & Autobiography Languages : en Pages : 380
Book Description
Iconic graphic designer and Academy Award–winning filmmaker Saul Bass (1920–1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design—a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
Author: Mike Kelley Publisher: MIT Press ISBN: 9780262611985 Category : Art Languages : en Pages : 468
Book Description
The second volume of writings by Los Angeles artist Mike Kelley, focusing on his own work. What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.
Author: George Melnyk Publisher: Athabasca University Press ISBN: 1927356598 Category : Social Science Languages : en Pages : 319
Book Description
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
Author: Robert Motherwell Publisher: Harvard University Press ISBN: 9780674185005 Category : Art Languages : en Pages : 466
Book Description
Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.
Author: Judith M. Halberstam Publisher: Indiana University Press ISBN: 9780253115584 Category : Science Languages : en Pages : 296
Book Description
"... will draw a wide readership from the ranks of literary critics, film scholars, science studies scholars and the growing legion of 'literature and science' researchers. It should be among the essentials in a posthumanist toolbox." -- Richard Doyle Automatic teller machines, castrati, lesbians, The Terminator: all participate in the profound technological, representation, sexual, and theoretical changes in which bodies are implicated. Posthuman Bodies addresses new interfaces between humans and technology that are radically altering the experience of our own and others' bodies.
Author: Roddur Roy
Author: Roddur Roy
Author: Virginia Woolf
Author: Patrick R. Crowley
Author: James P. Driscoll
Author: Jan-Christopher Horak
Author: Robin Blaetz
Author: Mike Kelley
Author: George Melnyk
Author: Robert Motherwell
Author: Judith M. Halberstam