Analysis of Ancient and Medieval Texts and Manuscripts

Analysis of Ancient and Medieval Texts and Manuscripts PDF Author: Tara Lee Andrews
Publisher: Brepols Publishers
ISBN: 9782503552682
Category : Criticism, Textual
Languages : en
Pages : 0

Book Description
How has the digital turn truly changed the nature of our research, particularly in the field of medieval scholarship where our collections are almost never large enough to justify the term 'big data'? All kind of new avenues of research are emerging, thanks to the creativity of scholars and to their interest in what digital means can offer. This collection of articles aims to give an up-to-date overview of the use of computer-assisted methods in several fields of scholarship dealing with ancient and medieval texts and manuscripts (from codicology and palaeography to textual criticism and literary or historical studies), across the boundaries of language and period. In moving away from theoretical debates about what the field of digital humanities is or should be, we present here a clearer picture of what textual scholars can achieve when they use computers for their research needs and purposes, and what their expectations may be in terms of the technology and developments in computational methodology.

Medieval Manuscripts in the Digital Age

Medieval Manuscripts in the Digital Age PDF Author: Benjamin Albritton
Publisher: Routledge
ISBN: 1000081338
Category : Language Arts & Disciplines
Languages : en
Pages : 214

Book Description
Medieval Manuscripts in the Digital Age explores one major manuscript repository’s digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment. Through contributions from a large group of distinguished international scholars, the volume assesses the impact of being able to access and interpret these early manuscripts in new ways. The focus on Parker on the Web, a world-class digital repository of diverse medieval manuscripts, comes as that site made its contents Open Access. Exploring the uses of digital representations of medieval texts and their contexts, contributors consider manuscripts from multiple perspectives including production, materiality, and reception. In addition, the volume explicates new interdisciplinary frameworks of analysis for the study of the relationship between texts and their physical contexts, while centring on an appreciation of the opportunities and challenges effected by the digital representation of a tangible object. Approaches extend from the codicological, palaeographical, linguistic, and cultural to considerations of reader reception, image production, and the implications of new technologies for future discoveries. Medieval Manuscripts in the Digital Age advances the debate in manuscript studies about the role of digital and computational sources and tools. As such, the book will appeal to scholars and students working in the disciplines of Digital Humanities, Medieval Studies, Literary Studies, Library and Information Science, and Book History.

Medieval Texts and Images

Medieval Texts and Images PDF Author: Margaret M. Manion
Publisher: Routledge
ISBN: 0429582617
Category : Art
Languages : en
Pages : 314

Book Description
Originally published in 1991, Medieval Texts and Images is a collection of essays which critically examines medieval manuscripts. The book contains a wide range of contributions, the first examines the relationship of the Légende Dorée and its relationship to the aristocratic patrons who commissioned these manuscripts; the second scrutinises the tradition of French illumination as it was developed in Paris in the so-called Bedford Master’s workshop in the 1420s. The text examines liturgical texts of the medieval period and written and liturgical contributions to Renaissance art. Other contributions include an investigation into the written scroll within the painted composition, comparing various compositional and thematic functions in the depiction of a Crucifixion and a study of Christian vernacular poetry. This collection provides a comprehensive overview of the use of text and image in medieval literature.

Authentic Witnesses

Authentic Witnesses PDF Author: Mary A. Rouse
Publisher:
ISBN: 9780268006235
Category : Books
Languages : en
Pages : 0

Book Description
A collection of 13 articles concerned with the study of medieval Latin manuscripts, whose findings are based on philology, palaeography and codicology, rather than on any theoretical grounds.

The Wanderings and Homes of Manuscripts

The Wanderings and Homes of Manuscripts PDF Author: M. R. James
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 72

Book Description
DigiCat Publishing presents to you this special edition of "The Wanderings and Homes of Manuscripts" by M. R. James. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Illuminated Manuscripts in Classical and Mediaeval Times

Illuminated Manuscripts in Classical and Mediaeval Times PDF Author: J. H. Middleton
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 286

Book Description
Illuminated Manuscripts in Classical and Mediaeval Times is a book by J. H. Middleton. It provides a study of philosophical texts from the classical Greco-Roman period onwards.

Medieval Texts and Their First Appearance in Print

Medieval Texts and Their First Appearance in Print PDF Author: Ernst Philip Goldschmidt
Publisher: New York : Biblo and Tannen
ISBN:
Category : Reference
Languages : en
Pages : 180

Book Description


Perceptions of Medieval Manuscripts

Perceptions of Medieval Manuscripts PDF Author: Elaine Treharne
Publisher: Oxford University Press
ISBN: 0192657534
Category : Literary Criticism
Languages : en
Pages : 272

Book Description
Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization—all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.

Handbook of Stemmatology

Handbook of Stemmatology PDF Author: Philipp Roelli
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110684381
Category : Language Arts & Disciplines
Languages : en
Pages : 694

Book Description
Stemmatology studies aspects of textual criticism that use genealogical methods to analyse a set of copies of a text whose autograph has been lost. This handbook is the first to cover the entire field, encompassing both theoretical and practical aspects of traditional as well as modern digital methods and their history. As an art (ars), stemmatology’s main goal is editing and thus presenting to the reader a historical text in the most satisfactory way. As a more abstract discipline (scientia), it is interested in the general principles of how texts change in the process of being copied. Thirty eight experts from all of the fields involved have joined forces to write this handbook, whose eight chapters cover material aspects of text traditions, the genesis and methods of traditional "Lachmannian" textual criticism and the objections raised against it, as well as modern digital methods used in the field. The two concluding chapters take a closer look at how this approach towards texts and textual criticism has developed in some disciplines of textual scholarship and compare methods used in other fields that deal with "descent with modification". The handbook thus serves as an introduction to this interdisciplinary field.

Scraped, Stroked, and Bound

Scraped, Stroked, and Bound PDF Author: Jonathan Wilcox
Publisher: Brepols Publishers
ISBN: 9782503545493
Category : Art
Languages : en
Pages : 0

Book Description
This collection of essays makes an original contribution to medieval manuscript studies through deep engagement with the material side of book creation. The volume brings together major scholars of medieval manuscripts with leading contemporary book artists. The result is a ground-breaking collection which will be of interest both for its methodological implications and for the insights that the case studies provide. In a sequence of interconnected essays, experts in the field of literature, history, art, and manuscript studies enact readings of medieval manuscripts that incorporate extreme attention to the materiality of the object of their study. While the digital revolution has provided unparalleled visual access to medieval manuscripts, these essays are attentive to what has got left behind-not just the aura of the original, but also the engagement of the other senses, such as the feel of the binding, the heft of the volume, the smell of the parchment, or the sound of the pages. By bringing together experienced medievalist scholars with practicing book artists of today, this volume brings back an artisanal sense of the complete book to an understanding of medieval manuscripts.