Author: Publisher:
ISBN:
Category : Music
Languages : en
Pages : 334
Book Description
In Praise of Music
Author: Worship Music
Author: Edward FoleyPublisher: Liturgical Press
ISBN: 9780814658895
Category : Music
Languages : en
Pages : 364
Book Description
The history of Western music is intimately tied to the worship of Christians and Jews. It was the Church and synagogue that provided the context for the development of Gregorian chant, the motet, the cantana, and virtually every important theorist, composer, and performer from Ambrose to Zwingli. Worship Music provides concise information on the people, terms, places, and elements of this worship. Ecumenical in scope and cross-cultural in its perspective, Worship Music focuses on the worship music of English-speaking North Americans. Its over 2,500 entries range across every major denomination within Western Christianity, the Byzantine/Slav tradition, and Judaism. Over 60 contributors represent the traditions addressed in the dictionary, providing authenticity in representing the tradition and an insider's perspective on contemporary practices. The dictionary is shaped through the lens of "ritual music which focuses on the function of music in worship (or asks the question of the function of music in worship. It includes brief descriptions, histories, and explanations of musical-liturgical terms and personnel. Bibliographies and extensive cross-referencing can be found throughout the volume. Designed not just for pastoral musicians but all musicians?amateurs, students and professionals?as well as liturgists, Worship Music is an indispensable guide to the musical aspects of worship. Contributors include: Allen Barthel James Brauer Michael Driscoll Rosemary Dubowchik John Foley Virgil Funk Victor Gebauer Fred Graham Joan Halmo Robert Hawkins Lawrence Heiman Paul Jacobson Martin Jean Michael Joncas Columba Kelly Martha Kirk James Kosnik Robin Leaver , Austin Lovelace Mary McGann Nathan Mitchell Fred Moleck Charles Pottie Todd Ridder Anthony Ruff Carl Schalk Rebecca Slough Gordon Truitt J. Kevin Waters John Weaver Paul Westermeyer Carlton Young , Edward Foley, Capuchin, is professor of liturgy and music at Catholic Theological Union in Chicago. He is the author of numerous books including Foundations of Christian Music and Music and the Eucharistic Prayer from the American Essays in Liturgy series for which he is the editor.
The Lively Arts of the London Stage, 1675–1725
Author: Kathryn LowerrePublisher: Routledge
ISBN: 1351886517
Category : Performing Arts
Languages : en
Pages : 306
Book Description
Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.
A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers, English and Foreign
Author: John Alexander Fuller-MaitlandPublisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 784
Book Description
Frank Leslie's Sunday Magazine
Author: Mystery in its Passions: Literary Explorations
Author: Anna-Teresa TymienieckaPublisher: Springer Science & Business Media
ISBN: 9400710178
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
Through mystery, literature reveals to us the Great Unknown. While we are absorbed by the matters at hand with the present enactment of our life, groping for clues to handle them, it is through literature that we discover the hidden strings underlying their networks. Hence our fascination with literature. But there is more. The creative act of the human being, its proper focus, holds the key to the Sezam of life: to the great metaphysical/ontopoietic questions which literature may disclose. First, it leads us to the sublimal grounds of transformation in the human soul, source of the specifically human significance of life (Analecta Husserliana, Volume III, XIX, XXIII, XXVII) Second, it leads us to the unveiling of the hidden workings of life in the twilight of knowing in a dialectic between The Visible and the Invisible, (Volume LXXV, 2002, Analecta Husserliana) down to the ontopoietic truth. (Volume LXXVI, 2002, Analecta Husserliana) This prying into the unknown which provokes the human being as he or she attempts to conquer, step by step, a space of existence, finds its culmination in the phenomenon of mystery as the subject of the present collection. Its formulation brings us to the greatest question of all: the enigmatic solidarity -in-distinctiveness of human cognition and existence. Papers are written by: Tony E. Afejuku, Gary Backhaus, Paul G. Beidler, Matthew J. Duffy, Raffaela Giovagnoli, Jennifer Anna Gosetti-Ferencei, Matti Itkonen, Lawrence Kimmel, Catherine Malloy, Vladimir L. Marchenkov, Nancy Mardas, Howard Pearce, Bernadette Prochaska, Victor Gerald Rivas, M.J. Sahlani, Dennis Skocz, Jadwiga S. Smith, Mara Stafecka, Max Statkiewicz, Mariola Sulkowska, Anna-Teresa Tymieniecka, Leon U. Weinman, Tim Weiss.
Music Theory and Natural Order from the Renaissance to the Early Twentieth Century
Author: Suzannah ClarkPublisher: Cambridge University Press
ISBN: 9780521771917
Category : Music
Languages : en
Pages : 262
Book Description
Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
Handel and Maurice Greene's Circle at the Apollo Academy
Author: Matthew GardnerPublisher: V&R Unipress
ISBN: 3862346617
Category : Music
Languages : en
Pages : 363
Book Description
The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.
Resounding the Sublime
Author: Miranda Eva StanyonPublisher: University of Pennsylvania Press
ISBN: 0812299566
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
What does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda Eva Stanyon rereads and resounds this crucial aesthetic category in English and German literatures of the long eighteenth century from a musical perspective and shows how sonorous sublimes lay at the heart of a central and transformative discourse. For Enlightenment and Romantic era listeners, the musical sublime represented a sonic encounter of the most extreme kind, one that tested what humans were capable of feeling, imagining, thinking, and therefore becoming. The sublime and music have not always sung from the same hymn sheet, Stanyon observes. She charts an antagonistic intimacy between the two, from the sublime's rise to prominence in the later seventeenth century, through the upheavals associated with Kant in the late eighteenth century, and their reverberations in the nineteenth. Offering readings of canonical texts by Longinus, Dryden, Burke, Klopstock, Herder, Coleridge, De Quincey, and others alongside lesser-known figures, she shows how the literary sublime was inextricable from musical culture, from folksongs and ballads to psalmody, polychoral sacred music, and opera. Deeply interdisciplinary, Resounding the Sublime draws literature into dialogue with sound studies, musicology, and intellectual and cultural history to offer new perspectives on the sublime as a phenomenon which crossed media, disciplines, and cultures. An interdisciplinary study of sound in history, the book recovers varieties of the sublime crucial for understanding both the period it covers and the genealogy of modern and postmodern aesthetic discourses. In resounding the sublime, Stanyon reveals a phenomenon which was always already resonant. The sublime emerges not only as the aesthetic of the violently powerful, a-rational, or unrepresentable, but as a variegated discourse with competing dissonant, harmonious, rustling, noisy, and silent strains, one in which music and sound illustrate deep divisions over issues of power, reason, and representation.
A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers, English and Foreign
Author: Sir George GrovePublisher:
ISBN:
Category : Music
Languages : en
Pages : 840
Book Description