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Author: Dan O'Brien Publisher: Dramatic Publishing ISBN: 9781583420409 Category : Drama Languages : en Pages : 92
Book Description
"Amateur actors in Cork City, Ireland, convene at their local pub-theater for the first read-through of a new "Irish play." What no one knows yet is that the play has been written by an American, and that an African-American has been cast in the lead. Over the course of the evening the newly assembled cast debates (in typically Irish fashion) the play's deficiencies and merits, who will play which part, and whether or not to do the play at all. There's Ed, a patriot and single father, whose idea it was to do the play in the first place; Martha, the stage manager; Michael, playwright and all-around lady's man; Cynthia, an aging ingenue and self-proclaimed Celtic goddess; Willie, the theater's patriarch; Joachim, an African-American just recently married into the Irish culture; and acid-tongued Declan, a young man with ambition but no direction. Irish and American cultures come into conflict, old rivalries reignite, and secrets are revealed as the group struggles toward an understanding of this enigmatic Irish play. What begins as a comedic examination of Irish theatre and identity becomes by evening's end a character drama of strong emotional force." -- Publisher website
Author: Dan O'Brien Publisher: Dramatic Publishing ISBN: 9781583420409 Category : Drama Languages : en Pages : 92
Book Description
"Amateur actors in Cork City, Ireland, convene at their local pub-theater for the first read-through of a new "Irish play." What no one knows yet is that the play has been written by an American, and that an African-American has been cast in the lead. Over the course of the evening the newly assembled cast debates (in typically Irish fashion) the play's deficiencies and merits, who will play which part, and whether or not to do the play at all. There's Ed, a patriot and single father, whose idea it was to do the play in the first place; Martha, the stage manager; Michael, playwright and all-around lady's man; Cynthia, an aging ingenue and self-proclaimed Celtic goddess; Willie, the theater's patriarch; Joachim, an African-American just recently married into the Irish culture; and acid-tongued Declan, a young man with ambition but no direction. Irish and American cultures come into conflict, old rivalries reignite, and secrets are revealed as the group struggles toward an understanding of this enigmatic Irish play. What begins as a comedic examination of Irish theatre and identity becomes by evening's end a character drama of strong emotional force." -- Publisher website
Author: Brian Friel Publisher: CUA Press ISBN: 9780813206271 Category : Drama Languages : en Pages : 460
Book Description
Contents: Philadelphia, Here I Come; The Freedom of the City; Living Quarters; Aristocrats; Faith Healer; Translations Brian Friel was born in County Tyrone in 1929 and worked as a teacher before turning to full-time writing in 1960. His first stage success was in 1964 with Philadelphia, Here I Come, which established his claim as heir to such distinguished predecessors as Yeats, Synge, O'Casey, and Behan. In 1979 he and actor Stephen Rea formed the Field Day Theatre Company, whose first theatrical production was Friel's Translations in 1980. Also included in this selection are The Freedom of the City, set in Londonderry in 1970; Living Quarters, which Desmond MacAvok in the Evening Presscalled "one of the most fascinating and, in the end, truly moving evenings. . .in Irish Theatre"; Faith Healer, a metaphoric depiction of the artist and his gift' and Aristocrats, "as fine and as stimulating and as warm a piece of writing as had appeared on the Irish stage for many years," according to David Nowland, the Irish Times. --------------------------------------------------------------------------------
Author: Eglantina Remport Publisher: Springer ISBN: 3319766112 Category : Performing Arts Languages : en Pages : 243
Book Description
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin’s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century.
Author: Christopher Murray Publisher: Syracuse University Press ISBN: 9780815606437 Category : Literary Criticism Languages : en Pages : 292
Book Description
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
Author: Nicholas Grene Publisher: Oxford University Press ISBN: 0191016349 Category : Literary Criticism Languages : en Pages : 952
Book Description
The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, and looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting, and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the contributors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Author: Padraic Pearse Publisher: ISBN: 9780716531555 Category : English drama Languages : en Pages : 0
Book Description
This first complete edition of Patrick Pearse's extant plays (in English and Irish) also includes his most significant writings about the nature of the theatre in early 20th-century Ireland. His plays were highlights of the Cultural Revival and drew a who's who of literary and political figures to productions in St. Enda's, the Abbey Theatre, and Jones Road (Croke Park) in the years preceding the 1916 Easter Rising. Each work is annotated and illustrated with contemporary photographs, and each is placed in its historical, social, and political contexts. The book makes Pearse's plays readily available to those wishing to stage productions, and it also provides a complete reference source for those who seek a better understanding one of the iconic figures of the Easter Rising. The annotated plays and commentary provide fascinating insights into the cultural, imaginative, and intellectual life and times of a man who helped shape one of the defining moments in Irish history. Pearse's essays on the subject of the theatre and its role in the cultural work of Irish nationalism are also included. *** "[the book] draws attention to an often neglected aspect of the career of a man whose contemporary significance and subsequent legacy remains disputed almost one hundred years after his death....the editors are to be particularly commended for their bilingual, multidisciplinary approach to Pearse's work as a dramatist....the collection is consequently a major contribution to 'the momentum building towards the centenary year of 2016.' - Irish Literary Supplement, Vol.34, No.1, Fall 2014Ã?Â?Ã?Â?
Author: Alexandra Poulain Publisher: Springer ISBN: 1349949639 Category : Performing Arts Languages : en Pages : 265
Book Description
This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
Author: Dan O'Brien
Author: Dan O'Brien
Author: Brian Friel
Author: Anthony Roche
Author: Eglantina Remport
Author: Shaun Richards
Author: Eric Weitz
Author: Christopher Murray
Author: Nicholas Grene
Author: Padraic Pearse
Author: Alexandra Poulain