An Introduction to Figured Bass on the Classical Guitar PDF Download
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Author: Jon Paul Yerby Publisher: ISBN: Category : Music Languages : en Pages :
Book Description
ABSTRACT: This treatise serves as both a brief amalgamation of historical continuo methodology as well as a working continuo method for the advanced guitar student. The first portion of the treatise informs the reader of figured bass practice with regard to stringed instruments such as the lute and theorbo in a historical context. A discussion of continuo practice on these intended instruments leads to the proposition of an application for continuo realization on the modern classical guitar. The second half of the treatise is a method composed of a series of exercises designed to gradually familiarize the reader with figured bass realizations on the classical guitar. Most of the exercises involving figured bass realization are derived from Santiago de Murcia's Resumen de Acompañar la Parte con la Guitarra.
Author: Jon Paul Yerby Publisher: ISBN: Category : Music Languages : en Pages :
Book Description
ABSTRACT: This treatise serves as both a brief amalgamation of historical continuo methodology as well as a working continuo method for the advanced guitar student. The first portion of the treatise informs the reader of figured bass practice with regard to stringed instruments such as the lute and theorbo in a historical context. A discussion of continuo practice on these intended instruments leads to the proposition of an application for continuo realization on the modern classical guitar. The second half of the treatise is a method composed of a series of exercises designed to gradually familiarize the reader with figured bass realizations on the classical guitar. Most of the exercises involving figured bass realization are derived from Santiago de Murcia's Resumen de Acompañar la Parte con la Guitarra.
Author: James Tyler Publisher: Indiana University Press ISBN: 0253005019 Category : Music Languages : en Pages : 173
Book Description
James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.
Author: David Reed Publisher: ISBN: 9780984686360 Category : Languages : en Pages : 260
Book Description
Improvise for Real is a step-by-step method that teaches you to improvise your own music through progressive exercises that anyone can do. You'll learn to understand the sounds in the music all around you. And you'll learn to express your own musical ideas exactly as you hear them in your mind. The method starts with very simple creative exercises that you can begin right away. As you progress, the method leads you on a guided tour through the entire world of modern harmony. You will be improvising your own original melodies from the very first day, and your knowledge will expand with each practice session as you explore and discover our musical system for yourself. Improvise for Real brings together creativity, ear training, music theory and physical technique into a single creative daily practice that will show you the entire path to improvisation mastery. You will learn to understand the sounds in the music all around you and to improvise with confidence over jazz standards, blues songs, pop music or any other style you would like to play. And you'll be jamming, enjoying yourself and creating your own music every step of the way. The method is open to all instruments and ability levels. The exercises are easy to understand and fun to practice. There is no sight reading required, and you don't need to know anything about music theory to begin. Already being used by both students and teachers in more than 20 countries, Improvise for Real is now considered by many people to be the definitive system for learning to improvise. If you have always dreamed of truly understanding music and being able to improvise with complete freedom on your instrument, this is the book for you
Author: Frederick M. Noad Publisher: Macmillan Reference USA ISBN: 9780028716800 Category : Music Languages : en Pages : 244
Book Description
This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.
Author: James Tyler Publisher: ISBN: 019816713X Category : Guitar Languages : en Pages : 349
Book Description
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Author: Hal Leonard Corp. Publisher: Hal Leonard Corporation ISBN: 1458492044 Category : Music Languages : en Pages : 1003
Book Description
(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.
Author: Nigel North Publisher: Indiana University Press ISBN: 9780253314154 Category : Music Languages : en Pages : 326
Book Description
"... a valuable book. It is an important link between the unknown of the Renaissance and the present." --The Triangle of Mu Phi Epsilon "Straightforward practicality is the most outstanding characteristic of this book." --Continuo "... a fine and very welcome book that is likely to remain the high standard of lute continuo instruction for some time to come." --Sixteenth Century Journal In this extraordinarily broad survey, Nigel North discusses the history of the lute, the archlute, and the theorbo and gives practical advice on technique, the choice of instrument for particular music, and the preparation of scores.
Author: Jon Paul Yerby
Author: Jon Paul Yerby
Author: John Gavall
Author: John Gavall
Author: James Tyler
Author: David Reed
Author: Frederick M. Noad
Author: James Tyler
Author: Arthur Edward Heacox
Author: Hal Leonard Corp.
Author: Nigel North