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Author: Vinayak Krishna Gokak Publisher: Abhinav Publications ISBN: 9788170170280 Category : Languages : en Pages : 240
Book Description
This Is An Original Approach To Poetry, The Poetic Process And To An Interpretation Of The Various Constituents Of Poetry And Of The Configuration Of All These Elements Into The Magic That Is Poetry, Supported By The Tradition Of Indian Aesthetics That Has Always Regarded Great Poets As Seers And Prophets. Stimulated By European Literary Criticism And By Modern Critics Like T. S. Eliot, I. A. Richards And The New Critics, Indian Aesthetics And Modern Indian Thinkers Like Sri Aurobindo, Professor Vinayak Krishna Gokak Has Formulated A Theory Of Poetry Which Is A New And Synthetic Statement Doing Justice To All Aspects Of The Subject. His Experience As Professor Of English Language And Literature In Quite A Few Indian Universities And As Professor Of Literary Interpretation To Teachers And Lecturers From All Over India Has Stood Him In Good Stead In This Formulation. The Book Opens With An Account Of The Poetic Process In Which All The Key-Words Of Aesthetic Theory,-Inspiration, Imitation, Expression, Communication, Persuasion And Configuration -Are Seen To Fit Into Their Places In A Comprehensive Account Of The Poetic Process. This Is Followed By Chapters On: Vision In Poetry, The Four Levels Of Poetic Vision, The Five Kinds Of Poetic Vision The Poet And The Structure Of Personality. The Most Original Part Of This Account Of Poetry Comes Up Next In An Analysis Of Attitudes And Moods In Poetry. This Is Followed By Chapters On: Poetic Meaning, Rhythm, Imagery, Diction, Style Propriety, A Touchstone Of Poetry And The Fulfilment Of Poetry. Students Of Poetry Who Pick Up This Book Will Not Be Easily Inclined To Lay It Down Till They Have Finished Reading It. For Many Of Them, It Will Be A Profound Experience To Be Cherished And Remembered For Long.
Author: Vinayak Krishna Gokak Publisher: Abhinav Publications ISBN: 9788170170280 Category : Languages : en Pages : 240
Book Description
This Is An Original Approach To Poetry, The Poetic Process And To An Interpretation Of The Various Constituents Of Poetry And Of The Configuration Of All These Elements Into The Magic That Is Poetry, Supported By The Tradition Of Indian Aesthetics That Has Always Regarded Great Poets As Seers And Prophets. Stimulated By European Literary Criticism And By Modern Critics Like T. S. Eliot, I. A. Richards And The New Critics, Indian Aesthetics And Modern Indian Thinkers Like Sri Aurobindo, Professor Vinayak Krishna Gokak Has Formulated A Theory Of Poetry Which Is A New And Synthetic Statement Doing Justice To All Aspects Of The Subject. His Experience As Professor Of English Language And Literature In Quite A Few Indian Universities And As Professor Of Literary Interpretation To Teachers And Lecturers From All Over India Has Stood Him In Good Stead In This Formulation. The Book Opens With An Account Of The Poetic Process In Which All The Key-Words Of Aesthetic Theory,-Inspiration, Imitation, Expression, Communication, Persuasion And Configuration -Are Seen To Fit Into Their Places In A Comprehensive Account Of The Poetic Process. This Is Followed By Chapters On: Vision In Poetry, The Four Levels Of Poetic Vision, The Five Kinds Of Poetic Vision The Poet And The Structure Of Personality. The Most Original Part Of This Account Of Poetry Comes Up Next In An Analysis Of Attitudes And Moods In Poetry. This Is Followed By Chapters On: Poetic Meaning, Rhythm, Imagery, Diction, Style Propriety, A Touchstone Of Poetry And The Fulfilment Of Poetry. Students Of Poetry Who Pick Up This Book Will Not Be Easily Inclined To Lay It Down Till They Have Finished Reading It. For Many Of Them, It Will Be A Profound Experience To Be Cherished And Remembered For Long.
Author: Syamala Kallury Publisher: Abhinav Publications ISBN: 8170172578 Category : Literary Criticism Languages : en Pages : 134
Book Description
This Book Will Be An Interesting And Useful Guide To The Students Of Indo-Anglian Poetry. It Identifies Some Recurring Symbols In The Poetry Of Sri Aurobindo, Traces Their Development And Their Final Culmination Into Savitri. It Also Shows How The Poet Sri Aurobindo Had Grown Along With His Symbols And Evolved Himself Finally Into A Yogi. Sri Aurobindo Is In The Long Line Of The Seer-Poets Of India And His Message Has An All-Time Relevance To Society.
Author: Kristian Smidt Publisher: Routledge ISBN: 1317303210 Category : Literary Criticism Languages : en Pages : 243
Book Description
This title, first published in 1961, explores the general background of attitudes, beliefs and ideas from which Eliot’s works have originated. This study examines the influences of Eliot’s work, and includes Eliot’s personal views as told to the author. The book also looks at technique, structure and imagery of his poetry. This title will be of interest to students of literature.
Author: Dr. N. N. Londhe Publisher: Lulu.com ISBN: 1387014226 Category : Education Languages : en Pages : 74
Book Description
Having applied the standards of modern critical theory, it may sound fruitless to account for biographical details of writer in interpreting his work as the biographical details either hold no importance or have nothing to do with the work of art in the sense that once a work of art is born, it looses its connection with the creator. Moreover, even in the moment of creation, the author remains detached from his creation. However, there are some exceptions to this. It has been observed that the biographical details are of immense help in partly making sense of what the concerned author has encoded. These details can be correlated to his writing. In the case of some writers, their life has a special relation with what they write, how they led their life, what inspiration they sought, what influences they received and imbibed in their personality, what experiences they lived with, and what events and occasions they confronted.
Author: Dr. Udayaravi Shastry Publisher: Notion Press ISBN: 1637146329 Category : Literary Criticism Languages : en Pages : 196
Book Description
We are made to assume, by the available works on the history of Indian writing in English, that all the writers of yesteryears have been identified, analyzed and assessed exhaustively and nothing more remains to be explored. However, there have been several Indian writers who wrote good amounts of literature in English, but still, the literary world is not aware of such writers and their works. This book introduces four such unknown Indian writers in English, who deserve to be recognized, honoured and brought to the mainstream academia. The irony is that the writers introduced in this book are not strangers! They are reputed and renowned in Kannada literary terrains but are unknown as English writers in India.
Book Description
Spectrum History Of Indian Literature In English Accomplishes The Task Of Historical Continuity By Linking With The Past The Most Recent Present Of The Writing In English By Indians. The Book Is A Highly Useful Supplement To The Earlier Two Volumes By K.R. Srinivas Iyengar And M.K. Naik. Articles By Jasbir Jain And Sunanda Mongia Are A Spectrum Presen¬Tation Of The Latest Developments In The Field Of Indian Fiction In English In All Its Technical & Thematological Innovations. Satish Aikant'S Article Provides A Serious Backdrop To The Volume By Deliberating Upon The Historicity Of English Studies In India, Their Need, Relevance And Epistemological Repercussions. R.K. Singh'S Article Does Well To Deconstruct The Myth That Good Poetry Is Published Only By The Established Publishers. His Account Of Little Or Less Known Indian Poets In English Is Both Critical And Historically Illuminating. Charu Sheel Singh, Shyam Asnani And Attiya Singh Discuss Indian English Poetry, Criticism, Drama And Fiction Respectively. Meena Sodhi'S Article Is A Good Compilation Of Indian Autobiographies, Mostly In English, Which She Discusses With Good Critical Sense And Perceptive Imagination. A.N. Dwivedi'S Article On Indian English Short Stories Is A Comprehensive And Balanced Piece Which Is Also Rich In Illustrations. The Two Appendices Add To The Value Of The Book By Cherishing Critical Attention On What May Be Called Tradition And Experiment In Indian English Poetry And Fiction. Whereas Satish K. Gupta'S Brief Piece Highlights Homogeneity In The Sensibility Of Aurobindo And Charu Sheel, It Takes Pains And Care To Chalk Out Differences In Mode, Manner And The Whole Presentation Idiom In The Latter'S Poetry From That Of Aurobindo. Krishan Mohan Pandey'S Account Of The Post-Modemist Reaction Against Gandhi In Indian Fiction In English Is Timely. It Reaffirms Faith In An Indian Critic'S Belief In What Tagore Once Said : I Cannot Love A God Who Does Not Give Me Freedom To Deny Him.
Author: Vinayak Krishna Gokak
Author: Vinayak Krishna Gokak
Author: Vinayak Krishna Gokak
Author: Amar Nath Prasad
Author: Kanwar Dinesh Singh
Author: Syamala Kallury
Author: Kristian Smidt
Author: Dr. N. N. Londhe
Author: Dr. Udayaravi Shastry
Author: Ram Sewak Singh
Author: Gajendra Kumar