Author: Jonathan Richardson
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 308

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Book Description

Author: Norman Bryson
Publisher: Reaktion Books
ISBN: 1780232527
Category : Art
Languages : en
Pages : 194

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Book Description
In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyzes the origins, history and logic of still life, one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the author surveys a major segment in the history of still life, from seventeenth-century Spanish painting to Cubism. The third essay tackles the controversial field of seventeenth-century Dutch still life. Bryson concludes in the final essay that the persisting tendency to downgrade the genre of still life is profoundly rooted in the historical oppression of women. In Looking at the Overlooked, Norman Bryson is at his most brilliant. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.

Author: Paul Graham
Publisher: "O'Reilly Media, Inc."
ISBN: 0596006624
Category : Computers
Languages : en
Pages : 272

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Book Description
The author examines issues such as the rightness of web-based applications, the programming language renaissance, spam filtering, the Open Source Movement, Internet startups and more. He also tells important stories about the kinds of people behind technical innovations, revealing their character and their craft.

Author: Jacqueline Lichtenstein
Publisher: Getty Publications
ISBN: 9780892368921
Category : Painting, Modern
Languages : en
Pages : 236

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Book Description
Beginning in the seventeenth century, the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture, touch or sight, color or design, ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels, decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes, Roger de Piles, Denis Diderot, Charles Baudelaire, and Émile Zola, among others, The Blind Spot lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years.

Author: Charles Harrison
Publisher: MIT Press
ISBN: 9780262582414
Category : Art
Languages : en
Pages : 350

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Book Description
Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.

Author: Charles Harrison
Publisher: Wiley-Blackwell
ISBN:
Category : Art
Languages : en
Pages : 1128

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Book Description
Art in Theory 1648-1815 provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars.

Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 9780226532325
Category : Art
Languages : en
Pages : 466

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Book Description
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.

Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 0520266005
Category : Art
Languages : en
Pages : 80

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Book Description
This essay is an attempt to reconcile the disturbing contradiction between the striving for order in nature and in man and the principle of entropy implicit in the second law of thermodynamics - between the tendency toward greater organization and the general trend of the material universe toward death and disorder.

Author: W. Tatarkiewicz
Publisher: Springer Science & Business Media
ISBN: 9400988052
Category : Philosophy
Languages : en
Pages : 396

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Book Description
The history of aesthetics, like the histories of other sciences, may be treated in a two-fold manner: as the history of the men who created the field of study, or as the history of the questions that have been raised and resolved in the course of its pursuit. The earlier History of Aesthetics (3 volumes, 1960-68, English-language edition 1970-74) by the author of the present book was a history of men, of writers and artists who in centuries past have spoken up concerning beauty and art, form and crea tivity. The present book returns to the same subject, but treats it in a different way: as the history of aesthetic questions, concepts, theories. The matter of the two books, the previous and the present, is in part the same; but only in part: for the earlier book ended with the 17th century, while the present one brings the subject up to our own times. And from the 18th century to the 20th much happened in aesthetics; it was only in that period that aesthetics achieved recognition as a separate science, received a name of its own, and produced theories that early scholars and artists had never dreamed of.

Author: Georg Simmel
Publisher:
ISBN: 022662109X
Category : Aesthetics
Languages : en
Pages : 395

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Book Description
"This book is a first of its kind: an edited collection bringing the finest of Georg Simmel's writing on art and aesthetics together, and bringing many of these essays into English for the first time. Simmel is considered one of the founding fathers of modern sociology but he, like his contemporary Walter Benjamin, wrote about many aspects of life and culture. Simmel's intellectual contributions have long been recognized and he is a keystone in cultural theory of the early 20th century. The essays in this collection are gathered topically and show the wide range of Simmel's thinking even within the arts: aesthetics, landscape, theater, sculpture, literature, and more. Austin Harrington is the brilliant guide behind this substantial volume. He served as editor and translator and also wrote an introduction. Richly informative and thoroughly familiar with Simmel's life and work, Harrington's introduction will itself be an important contribution to the scholarship on Simmel"--