Author: Moe Meyer
Publisher:
ISBN: 9780981492452
Category : Camp (Style)
Languages : en
Pages : 0
Book Description
An Archaeology of Posing compiles two decades of new and previously published writing on gay culture by one of the field's most provocative and outspoken critics. Diverging from the text-based premise of most queer theory, Meyer utilizes performance studies and interpretive anthropology to examine camp and drag performances in the spaces in which they appear. He explores a variety of topics--from transsexual striptease and Harlem drag balls to the death of camp--within the genre of queer drag and sexuality performance. This collection of essays, with Meyer's rejection of gender parity and his celebration of the effeminate gay male body, presents a fresh interpretation of established art forms. From the pre-Stonewall era to the present day, Meyer's cultural critique redefines how we understand the phenomena of camp and drag.
An Archaeology of Posing
Author: Moe Meyer
Publisher:
ISBN: 9780981492452
Category : Camp (Style)
Languages : en
Pages : 0
Book Description
An Archaeology of Posing compiles two decades of new and previously published writing on gay culture by one of the field's most provocative and outspoken critics. Diverging from the text-based premise of most queer theory, Meyer utilizes performance studies and interpretive anthropology to examine camp and drag performances in the spaces in which they appear. He explores a variety of topics--from transsexual striptease and Harlem drag balls to the death of camp--within the genre of queer drag and sexuality performance. This collection of essays, with Meyer's rejection of gender parity and his celebration of the effeminate gay male body, presents a fresh interpretation of established art forms. From the pre-Stonewall era to the present day, Meyer's cultural critique redefines how we understand the phenomena of camp and drag.
Publisher:
ISBN: 9780981492452
Category : Camp (Style)
Languages : en
Pages : 0
Book Description
An Archaeology of Posing compiles two decades of new and previously published writing on gay culture by one of the field's most provocative and outspoken critics. Diverging from the text-based premise of most queer theory, Meyer utilizes performance studies and interpretive anthropology to examine camp and drag performances in the spaces in which they appear. He explores a variety of topics--from transsexual striptease and Harlem drag balls to the death of camp--within the genre of queer drag and sexuality performance. This collection of essays, with Meyer's rejection of gender parity and his celebration of the effeminate gay male body, presents a fresh interpretation of established art forms. From the pre-Stonewall era to the present day, Meyer's cultural critique redefines how we understand the phenomena of camp and drag.
Posing Questions for a Scientific Archaeology
Author: Terry L. Hunt
Publisher: Bloomsbury Publishing USA
ISBN: 0313000875
Category : Social Science
Languages : en
Pages : 328
Book Description
Although many believe that archaeological knowledge consists simply of empirical findings, this notion is false; data are generated with the guidance of theory, or some sense-making system acting in its place whether researchers recognize this or not. Failure to understand the relationship between theory and the empirical world has led to the many debates and frustrations of contemporary archaeology. Despite years of trying, the atheoretical, empiricist foundations of archaeology have left us little but a history of storytelling and unsatisfying generalizations about historical change and human diversity. The present work offers promising directions for building theoretically defensible results by providing well-designed case studies that can be used as guides or exemplars. Evolutionary theory, in at least some form, is the foundation for a scientific archaeology that will yield scientific explanations for historical change.
Publisher: Bloomsbury Publishing USA
ISBN: 0313000875
Category : Social Science
Languages : en
Pages : 328
Book Description
Although many believe that archaeological knowledge consists simply of empirical findings, this notion is false; data are generated with the guidance of theory, or some sense-making system acting in its place whether researchers recognize this or not. Failure to understand the relationship between theory and the empirical world has led to the many debates and frustrations of contemporary archaeology. Despite years of trying, the atheoretical, empiricist foundations of archaeology have left us little but a history of storytelling and unsatisfying generalizations about historical change and human diversity. The present work offers promising directions for building theoretically defensible results by providing well-designed case studies that can be used as guides or exemplars. Evolutionary theory, in at least some form, is the foundation for a scientific archaeology that will yield scientific explanations for historical change.
An Archaeology of Greece
Author: Anthony M. Snodgrass
Publisher: Univ of California Press
ISBN: 0520912780
Category : Social Science
Languages : en
Pages : 235
Book Description
Classical archaeology probably enjoys a wider appeal than any other branch of classical or archaeological studies. As an intellectual and academic discipline, however, its esteem has not matched its popularity. Here, Anthony Snodgrass argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.
Publisher: Univ of California Press
ISBN: 0520912780
Category : Social Science
Languages : en
Pages : 235
Book Description
Classical archaeology probably enjoys a wider appeal than any other branch of classical or archaeological studies. As an intellectual and academic discipline, however, its esteem has not matched its popularity. Here, Anthony Snodgrass argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.
The Politics and Poetics of Camp
Author: Moe Meyer
Publisher: Psychology Press
ISBN: 9780415082488
Category : Homosexuality
Languages : en
Pages : 244
Book Description
The Politics and Poetics of Camp is a radical reappraisal of the meaning and discourse of camp. The contributors look at both the meaning and the uses of camp performance, and ask: is camp a style, or a witty but nonetheless powerful cultural critique? The essays investigate camp from its early formations in the seventeenth and eighteenth century to its present manifestations in queer theatre and literature. They also take a fascinating look at the complex relationship between queer discourse and decidedly un-queer pop culture appropriations on film and on the stage. The Politics and Poetics of Camp is an incisive, uncontainable and entertaining collection of essays by some of the foremost critics working in queer theory, from a number of disciplinary perspectives. This book makes a well-timed intervention into an emerging debate.
Publisher: Psychology Press
ISBN: 9780415082488
Category : Homosexuality
Languages : en
Pages : 244
Book Description
The Politics and Poetics of Camp is a radical reappraisal of the meaning and discourse of camp. The contributors look at both the meaning and the uses of camp performance, and ask: is camp a style, or a witty but nonetheless powerful cultural critique? The essays investigate camp from its early formations in the seventeenth and eighteenth century to its present manifestations in queer theatre and literature. They also take a fascinating look at the complex relationship between queer discourse and decidedly un-queer pop culture appropriations on film and on the stage. The Politics and Poetics of Camp is an incisive, uncontainable and entertaining collection of essays by some of the foremost critics working in queer theory, from a number of disciplinary perspectives. This book makes a well-timed intervention into an emerging debate.
The Grand Affair
Author: Paul Fisher
Publisher: Farrar, Straus and Giroux
ISBN: 0374605319
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
A Wall Street Journal and Times Literary Supplement Book of the Year | Long-listed for the Plutarch Award A bold new biography of the legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. While dressing like a businessman and crafting a highly respectable persona, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the nouveaux riches as well as the old money, but he reserved his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes—and on nude drawings of male models that he kept to himself. In The Grand Affair, the historian Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent’s nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters—feelings that high society on both sides of the Atlantic found fascinating and off-putting. Fisher traces Singer’s life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he caused, and on to London. There he mixed with eccentrics and aristocrats, and the likes of Henry James and Oscar Wilde, while at the same time forming a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, Sargent met up with his friend and patron Isabella Stewart Gardner around the world and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent’s most daring and powerful work. Illuminating Sargent’s restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.
Publisher: Farrar, Straus and Giroux
ISBN: 0374605319
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
A Wall Street Journal and Times Literary Supplement Book of the Year | Long-listed for the Plutarch Award A bold new biography of the legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. While dressing like a businessman and crafting a highly respectable persona, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the nouveaux riches as well as the old money, but he reserved his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes—and on nude drawings of male models that he kept to himself. In The Grand Affair, the historian Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent’s nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters—feelings that high society on both sides of the Atlantic found fascinating and off-putting. Fisher traces Singer’s life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he caused, and on to London. There he mixed with eccentrics and aristocrats, and the likes of Henry James and Oscar Wilde, while at the same time forming a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, Sargent met up with his friend and patron Isabella Stewart Gardner around the world and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent’s most daring and powerful work. Illuminating Sargent’s restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.
Secreted Desires
Author: Michael Matthew Kaylor
Publisher: Michael Matthew Kaylor
ISBN: 8021041269
Category : Authors, English
Languages : en
Pages : 500
Book Description
Publisher: Michael Matthew Kaylor
ISBN: 8021041269
Category : Authors, English
Languages : en
Pages : 500
Book Description
Disaffected
Author: Tanya Agathocleous
Publisher: Cornell University Press
ISBN: 1501753908
Category : Law
Languages : en
Pages : 232
Book Description
Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.
Publisher: Cornell University Press
ISBN: 1501753908
Category : Law
Languages : en
Pages : 232
Book Description
Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.
Aestheticism and Sexual Parody 1840-1940
Author: Dennis Denisoff
Publisher: Cambridge University Press
ISBN: 9780521024891
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
This original and provocative 2001 study discusses the work of a number of authors in the nineteenth and twentieth centuries in order to argue that mainstream society was enabled to accept the non-normative sexuality of the Aesthetic Movement chiefly through parody and self-parody. Highlighting Victorian popular culture, Aestheticism and Sexual Parody adds an important dimension to the theorisations of parody as a combative strategy by which sexually marginalized groups undermine the status quo. From W. S. Gilbert's drama and Vernon Lee and Christopher Isherwood's prose to George du Maurier's cartoons and Max Beerbohm's caricatures, Dennis Denisoff explores the parodies' interactions with the personae and texts of canonical authors such as Alfred Tennyson, Walter Pater, Algernon Swinburne, and Oscar Wilde. In doing so, he considers the impact that these interactions had on modern ideas of gender, sexuality, taste and politics.
Publisher: Cambridge University Press
ISBN: 9780521024891
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
This original and provocative 2001 study discusses the work of a number of authors in the nineteenth and twentieth centuries in order to argue that mainstream society was enabled to accept the non-normative sexuality of the Aesthetic Movement chiefly through parody and self-parody. Highlighting Victorian popular culture, Aestheticism and Sexual Parody adds an important dimension to the theorisations of parody as a combative strategy by which sexually marginalized groups undermine the status quo. From W. S. Gilbert's drama and Vernon Lee and Christopher Isherwood's prose to George du Maurier's cartoons and Max Beerbohm's caricatures, Dennis Denisoff explores the parodies' interactions with the personae and texts of canonical authors such as Alfred Tennyson, Walter Pater, Algernon Swinburne, and Oscar Wilde. In doing so, he considers the impact that these interactions had on modern ideas of gender, sexuality, taste and politics.
Oscar Wilde Prefigured
Author: Dominic Janes
Publisher: University of Chicago Press
ISBN: 022635864X
Category : Art
Languages : en
Pages : 294
Book Description
That there is a queeras opposed to merely homosexualhistory before Oscar Wilde will come as news to many in the sexuality studies field. Oscar Wilde Prefigured. It turns out that there is indeed a history of queerness, and that is originated in the early 18th century, coming to a head, as it were, by the end of the 19th. Dominic Janes draws on lots of new historical material, especially parodies and stereotypes in caricatures of sodomy and effeminacy. Front and center, then, are the 18th-century macaronies and mollies and men of feeling, the Regency dandies, and Victorian aesthetes. Visual display become a powerful historical tableau, generating a long history of queerness/homosexuality via caricatures of allegedly effeminate types. Images of effeminacy became a cultural field in which same-sex desire could be expressed. Wilde, then, was not the starting-point of public gay figures, but the endpoint. Wilde, in turn, is the pivot for connecting the Georgian figures to 20th-century stereotypes of camp (think Liberace), using images drawn from theater, fashion, and popular press to reveal new dimensions of identity politics and queer culture."
Publisher: University of Chicago Press
ISBN: 022635864X
Category : Art
Languages : en
Pages : 294
Book Description
That there is a queeras opposed to merely homosexualhistory before Oscar Wilde will come as news to many in the sexuality studies field. Oscar Wilde Prefigured. It turns out that there is indeed a history of queerness, and that is originated in the early 18th century, coming to a head, as it were, by the end of the 19th. Dominic Janes draws on lots of new historical material, especially parodies and stereotypes in caricatures of sodomy and effeminacy. Front and center, then, are the 18th-century macaronies and mollies and men of feeling, the Regency dandies, and Victorian aesthetes. Visual display become a powerful historical tableau, generating a long history of queerness/homosexuality via caricatures of allegedly effeminate types. Images of effeminacy became a cultural field in which same-sex desire could be expressed. Wilde, then, was not the starting-point of public gay figures, but the endpoint. Wilde, in turn, is the pivot for connecting the Georgian figures to 20th-century stereotypes of camp (think Liberace), using images drawn from theater, fashion, and popular press to reveal new dimensions of identity politics and queer culture."
The Unintended
Author: Monica Huerta
Publisher: NYU Press
ISBN: 1479812498
Category : Photography
Languages : en
Pages : 327
Book Description
Reimagines photography through the long history of ideas of expression The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.
Publisher: NYU Press
ISBN: 1479812498
Category : Photography
Languages : en
Pages : 327
Book Description
Reimagines photography through the long history of ideas of expression The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.