An Appeal to Impartial Posterity PDF Download

Author: Madame Roland
Publisher:
ISBN:
Category : France
Languages : en
Pages : 592

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Author: afterwards ROLAND DE LA PLATIÈRE PHLIPON (Marie Jeanne)
Publisher:
ISBN:
Category :
Languages : en
Pages : 200

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Author: Mme Roland (Marie-Jeanne)
Publisher:
ISBN:
Category : France
Languages : en
Pages : 404

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Author: Madame Roland
Publisher:
ISBN:
Category : France
Languages : en
Pages : 410

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Author: Mme Roland (Marie-Jeanne)
Publisher: Oxford ; New York : Woodstock Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 372

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Author: afterwards ROLAND DE LA PLATIÈRE PHLIPON (Marie Jeanne)
Publisher:
ISBN:
Category :
Languages : en
Pages : 362

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Book Description

Author: Gina Luria Walker
Publisher: Taylor & Francis
ISBN: 1040250262
Category : Literary Criticism
Languages : en
Pages : 493

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Mary Hays was a radical feminist whose writings brought her to the attention of her contemporaries William Blake, Thomas Paine, Mary Wollstonecraft and William Godwin. Her Female Biography is an ambitious and acclaimed work, covering the lives of 294 women.

Author:
Publisher: Summa Publications, Inc.
ISBN: 9781883479077
Category : Biography & Autobiography
Languages : en
Pages : 342

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Author: Michael Scrivener
Publisher: Penn State Press
ISBN: 0271076224
Category : Biography & Autobiography
Languages : en
Pages : 326

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The multifaceted career of John Thelwall (1764-1834)—poet, novelist, playwright, journalist, politician, scientist—is the lens through which we are offered here a new look at the phenomenon of British Jacobinism, long distorted by the critical view of it as intellectually weak bequeathed to us by Coleridge and Wordsworth, once Jacobins themselves. This book, the first on Thelwall in almost one hundred years, combines literary analysis and historical description to show how this innovative political activist remained true to his radicalism while adapting his methods in the face of the anti-Jacobin reaction that Paine's The Rights of Man helped set off. The three parts of the book set Thelwall's achievements and challenges in the political and literary context of his times. Part One, "Jacobin(s) Writing," focuses on the most essential aspects, ideologically and formally, of the insurgent writing of the 1790s to which Thelwall contributed. Part Two, "The Voice of the People," treats both Thelwall's radical oratory and journalism, as well as his writings and activities as a natural scientist and rhetorician, a professor and technician of "elocution." Part Three, "Jacobin Allegory," expounds on Thelwall's characteristic strategy of indirect expression through synecdoche and allegory, which he used in his later career after repression forced him out of politics. Through Thelwall's life Michael Scrivener succeeds in revealing how British Jacobinism reshaped the public sphere, initiating numerous literary experiments with oratory, pamphlets, periodicals, popularizations, and songs in the spaces opened up by political associations, lectures, meetings, and trials. Jacobinism thus altered the very institutions of reading and writing by expanding literacy, restructuring the popular arena for reading, and generating a body of diverse texts that were "seditious allegories."

Author: David Kennerley
Publisher: Oxford University Press
ISBN: 0190097574
Category : Music
Languages : en
Pages : 241

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Between 1780 and 1850, the growing prominence of female singers in Britain's professional and amateur spheres opened a fraught discourse about women's engagement with musical culture. Protestant evangelical gender ideology framed the powerful, well-trained, and expressive female voice as a sign of inner moral corruption, while more restrained and delicate vocal styles were seen as indicative of the performer's virtuous femininity. Yet far from everyone was of this persuasion, and those from alternative class and religious milieux responded in more affirmative ways to the sound of professional female voices. The meanings listeners ascribed to women's voices reflect crucial developments in the musical world of the period, such as the popularity of particular genres with audiences of certain social backgrounds, and the reasons underpinning the development of prevalent types of nineteenth-century professional female vocality. Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture. Arguing for the importance of the aural dimension of the past, author David Kennerley draws from a variety of fields-including sound studies, sensory histories, and gender theory-to examine how audiences heard different kinds of femininities in the voices of British female singers. Sounding Feminine explores the intense divisions over the "correct" use of the female voice, and the intricate links between gender, nationality, class, and religion in ascribing status, purpose, and morality to female singing. Through this lens, Kennerley also explores the formation of British middle-class identities and the cultural impact of the evangelical revival-deepening our understanding of this period of transformational change in British culture.