Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
An Apology for Cathedral Service. [By John Peace.]
An Apology for Cathedral Service
A Descant upon Railroads; by X. A. P. [i.e. John Peace.]
The Choral Revival in the Anglican Church (1839-1872)
Author: Bernarr Rainbow
Publisher: Boydell & Brewer
ISBN: 9780851158181
Category : History
Languages : en
Pages : 398
Book Description
Survey of an important period in the development of the choral tradition in the Anglican church. When Bernarr Rainbow was director of music at the College of St Mark and St John, Chelsea, he came across the 1849 diary of service music of Thomas Helmore. Astonished at its breadth of repertoire, he was inspired to investigate the circumstances of the document. His findings are recorded in this book, which sets Thomas Helmore's contribution in perspective against the background of the Choral Revival as a whole. In tracing the history of the remarkable revival of care for the music of the liturgy, the author produced a socio-musical history of a period vital in the evolution of the Anglican Church, and made clear, probably for the first time, how music in the Anglican Churchcame to follow lines which are unique in Christendom. His book was originally published at a time of important changes in ecclesiastical thinking; his presentation of the decisions taken in the past which led to the existing relationship between choirs and congregations, interesting in itself, is also valuable in the continuing debate.
Publisher: Boydell & Brewer
ISBN: 9780851158181
Category : History
Languages : en
Pages : 398
Book Description
Survey of an important period in the development of the choral tradition in the Anglican church. When Bernarr Rainbow was director of music at the College of St Mark and St John, Chelsea, he came across the 1849 diary of service music of Thomas Helmore. Astonished at its breadth of repertoire, he was inspired to investigate the circumstances of the document. His findings are recorded in this book, which sets Thomas Helmore's contribution in perspective against the background of the Choral Revival as a whole. In tracing the history of the remarkable revival of care for the music of the liturgy, the author produced a socio-musical history of a period vital in the evolution of the Anglican Church, and made clear, probably for the first time, how music in the Anglican Churchcame to follow lines which are unique in Christendom. His book was originally published at a time of important changes in ecclesiastical thinking; his presentation of the decisions taken in the past which led to the existing relationship between choirs and congregations, interesting in itself, is also valuable in the continuing debate.
“The” Athenaeum
Gentleman's Magazine, Or Monthly Intelligencer
Author: Sylvanus Urban (pseud. van Edward Cave.)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 776
Book Description
The Organists & Composers of S. Paul's Cathedral
Author: John Skelton Bumpus
Publisher:
ISBN:
Category : Church musicians
Languages : en
Pages : 294
Book Description
Publisher:
ISBN:
Category : Church musicians
Languages : en
Pages : 294
Book Description
A Catalogue of the Printed Books in the Library of the Dean and Chapter of York
Author: York Minster. Library
Publisher:
ISBN:
Category : Cathedral libraries
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : Cathedral libraries
Languages : en
Pages : 496
Book Description
English Cathedral Music and Liturgy in the Twentieth Century
Author: Martin Thomas
Publisher: Routledge
ISBN: 1317143205
Category : Religion
Languages : en
Pages : 284
Book Description
This book examines the stylistic development of English cathedral music during a period of liturgical upheaval, looking at the attitudes of cathedral clergy, liturgists, composers, leading church music figures and organisations to music and liturgy. Arguments that were advanced for retaining an archaic style in cathedral music are considered, including the linking of musical style with liturgical language, the recommending of a subservient role for music in the liturgy, and the development of a language of fittingness to describe church music. The roles of the RSCM and other influential bodies are explored. Martin Thomas draws on many sources: the libraries and archives of English cathedrals; contemporary press coverage and the records of church music bodies; publishing practices; secondary literature; and the music itself. Concluding that an arresting of development in English cathedral music has prevented appropriate influences from secular music being felt, Thomas contrasts this with how cathedrals have often successfully and dynamically engaged with the world of the visual arts, particularly in painting and sculpture. Presenting implications for all denominations and for patronage of the arts by churches, and the place of musical aesthetics in the planning of liturgy, this book offers an important resource for music, theology, liturgy students and ministry teams worldwide.
Publisher: Routledge
ISBN: 1317143205
Category : Religion
Languages : en
Pages : 284
Book Description
This book examines the stylistic development of English cathedral music during a period of liturgical upheaval, looking at the attitudes of cathedral clergy, liturgists, composers, leading church music figures and organisations to music and liturgy. Arguments that were advanced for retaining an archaic style in cathedral music are considered, including the linking of musical style with liturgical language, the recommending of a subservient role for music in the liturgy, and the development of a language of fittingness to describe church music. The roles of the RSCM and other influential bodies are explored. Martin Thomas draws on many sources: the libraries and archives of English cathedrals; contemporary press coverage and the records of church music bodies; publishing practices; secondary literature; and the music itself. Concluding that an arresting of development in English cathedral music has prevented appropriate influences from secular music being felt, Thomas contrasts this with how cathedrals have often successfully and dynamically engaged with the world of the visual arts, particularly in painting and sculpture. Presenting implications for all denominations and for patronage of the arts by churches, and the place of musical aesthetics in the planning of liturgy, this book offers an important resource for music, theology, liturgy students and ministry teams worldwide.