Author: Sophie Duhnkrack
Publisher: GRIN Verlag
ISBN: 364050920X
Category : Foreign Language Study
Languages : en
Pages : 16
Book Description
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Arabistic, grade: 90, Ben Gurion University, course: Arabic Literature, language: English, abstract: In 1973 the English translation—For Bread Alone—of Mohamed Choukri’s Al-Khubz Al-Hafi was published. This first part of Choukri’s extraordinary autobiography is written in a very simplistic style, which Paul Bowles, the translator of For Bread Alone, also described as a “technique:” Choukri’s narration is the work of an “illiterate” who has not yet learned “to classify what goes into his memory” (5). The novel illustrates the protagonist’s struggle to survive under exceptionally difficult circumstances, namely extreme poverty and violence. Indeed, Mohmed Choukri states that “all my life has been a response to one challenge after the other.” The novel is constructed as a rihla (journey)- both an earlier ‘external’ one of physical movement, and a later one, which this paper will describe as ‘internal.’ First this paper will explore the external journey, which leads the protagonist Mohamed to different cities and places, and it will analyze the language, structure and content which express this travel; this first journey is dominated by his family, whose relationship with Mohamed is also central to this study. Furthermore it will examine the transition from this journey to the internal one by means of the content and the structure of the text. The internal rihla, which prevails in the second part of the novel and which the paper will address by means of the text’s language and content, obviously is not separate from the external journey since the story is about the development of one and the same person. The second journey, that describes his existence as a teenager, replaces the first physical one, lived as a child. However, this paper will divide the two rihlas in order to carve out its differences and to show Mohamed’s development, which eventually leads to his emancipation through literacy. Finally, the paper will address some personal impressions and remarks on the novel.
An Analysis of the protagonist’s journeys in Mohamed Choukri’s "For Bread Alone"
Author: Sophie Duhnkrack
Publisher: GRIN Verlag
ISBN: 364050920X
Category : Foreign Language Study
Languages : en
Pages : 16
Book Description
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Arabistic, grade: 90, Ben Gurion University, course: Arabic Literature, language: English, abstract: In 1973 the English translation—For Bread Alone—of Mohamed Choukri’s Al-Khubz Al-Hafi was published. This first part of Choukri’s extraordinary autobiography is written in a very simplistic style, which Paul Bowles, the translator of For Bread Alone, also described as a “technique:” Choukri’s narration is the work of an “illiterate” who has not yet learned “to classify what goes into his memory” (5). The novel illustrates the protagonist’s struggle to survive under exceptionally difficult circumstances, namely extreme poverty and violence. Indeed, Mohmed Choukri states that “all my life has been a response to one challenge after the other.” The novel is constructed as a rihla (journey)- both an earlier ‘external’ one of physical movement, and a later one, which this paper will describe as ‘internal.’ First this paper will explore the external journey, which leads the protagonist Mohamed to different cities and places, and it will analyze the language, structure and content which express this travel; this first journey is dominated by his family, whose relationship with Mohamed is also central to this study. Furthermore it will examine the transition from this journey to the internal one by means of the content and the structure of the text. The internal rihla, which prevails in the second part of the novel and which the paper will address by means of the text’s language and content, obviously is not separate from the external journey since the story is about the development of one and the same person. The second journey, that describes his existence as a teenager, replaces the first physical one, lived as a child. However, this paper will divide the two rihlas in order to carve out its differences and to show Mohamed’s development, which eventually leads to his emancipation through literacy. Finally, the paper will address some personal impressions and remarks on the novel.
Publisher: GRIN Verlag
ISBN: 364050920X
Category : Foreign Language Study
Languages : en
Pages : 16
Book Description
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Arabistic, grade: 90, Ben Gurion University, course: Arabic Literature, language: English, abstract: In 1973 the English translation—For Bread Alone—of Mohamed Choukri’s Al-Khubz Al-Hafi was published. This first part of Choukri’s extraordinary autobiography is written in a very simplistic style, which Paul Bowles, the translator of For Bread Alone, also described as a “technique:” Choukri’s narration is the work of an “illiterate” who has not yet learned “to classify what goes into his memory” (5). The novel illustrates the protagonist’s struggle to survive under exceptionally difficult circumstances, namely extreme poverty and violence. Indeed, Mohmed Choukri states that “all my life has been a response to one challenge after the other.” The novel is constructed as a rihla (journey)- both an earlier ‘external’ one of physical movement, and a later one, which this paper will describe as ‘internal.’ First this paper will explore the external journey, which leads the protagonist Mohamed to different cities and places, and it will analyze the language, structure and content which express this travel; this first journey is dominated by his family, whose relationship with Mohamed is also central to this study. Furthermore it will examine the transition from this journey to the internal one by means of the content and the structure of the text. The internal rihla, which prevails in the second part of the novel and which the paper will address by means of the text’s language and content, obviously is not separate from the external journey since the story is about the development of one and the same person. The second journey, that describes his existence as a teenager, replaces the first physical one, lived as a child. However, this paper will divide the two rihlas in order to carve out its differences and to show Mohamed’s development, which eventually leads to his emancipation through literacy. Finally, the paper will address some personal impressions and remarks on the novel.
An Analysis of the Protagonist's Journeys in Mohamed Choukri's "For Bread Alone"
Author: Sophie Duhnkrack
Publisher: GRIN Verlag
ISBN: 364050951X
Category : Art
Languages : en
Pages : 37
Book Description
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Arabistic, grade: 90, Ben Gurion University, course: Arabic Literature, language: English, abstract: In 1973 the English translation-For Bread Alone-of Mohamed Choukri's Al-Khubz Al-Hafi was published. This first part of Choukri's extraordinary autobiography is written in a very simplistic style, which Paul Bowles, the translator of For Bread Alone, also described as a "technique: " Choukri's narration is the work of an "illiterate" who has not yet learned "to classify what goes into his memory" (5). The novel illustrates the protagonist's struggle to survive under exceptionally difficult circumstances, namely extreme poverty and violence. Indeed, Mohmed Choukri states that "all my life has been a response to one challenge after the other." The novel is constructed as a rihla (journey)- both an earlier 'external' one of physical movement, and a later one, which this paper will describe as 'internal.' First this paper will explore the external journey, which leads the protagonist Mohamed to different cities and places, and it will analyze the language, structure and content which express this travel; this first journey is dominated by his family, whose relationship with Mohamed is also central to this study. Furthermore it will examine the transition from this journey to the internal one by means of the content and the structure of the text. The internal rihla, which prevails in the second part of the novel and which the paper will address by means of the text's language and content, obviously is not separate from the external journey since the story is about the development of one and the same person. The second journey, that describes his existence as a teenager, replaces the first physical one, lived as a child. However, this paper will divide the two rihlas in order to carve out its differences and to show Mohamed's development, which eventually leads to his emancipation through lit
Publisher: GRIN Verlag
ISBN: 364050951X
Category : Art
Languages : en
Pages : 37
Book Description
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Arabistic, grade: 90, Ben Gurion University, course: Arabic Literature, language: English, abstract: In 1973 the English translation-For Bread Alone-of Mohamed Choukri's Al-Khubz Al-Hafi was published. This first part of Choukri's extraordinary autobiography is written in a very simplistic style, which Paul Bowles, the translator of For Bread Alone, also described as a "technique: " Choukri's narration is the work of an "illiterate" who has not yet learned "to classify what goes into his memory" (5). The novel illustrates the protagonist's struggle to survive under exceptionally difficult circumstances, namely extreme poverty and violence. Indeed, Mohmed Choukri states that "all my life has been a response to one challenge after the other." The novel is constructed as a rihla (journey)- both an earlier 'external' one of physical movement, and a later one, which this paper will describe as 'internal.' First this paper will explore the external journey, which leads the protagonist Mohamed to different cities and places, and it will analyze the language, structure and content which express this travel; this first journey is dominated by his family, whose relationship with Mohamed is also central to this study. Furthermore it will examine the transition from this journey to the internal one by means of the content and the structure of the text. The internal rihla, which prevails in the second part of the novel and which the paper will address by means of the text's language and content, obviously is not separate from the external journey since the story is about the development of one and the same person. The second journey, that describes his existence as a teenager, replaces the first physical one, lived as a child. However, this paper will divide the two rihlas in order to carve out its differences and to show Mohamed's development, which eventually leads to his emancipation through lit
Streetwise
Author: Muḥammad Shukrī
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 176
Book Description
A street hood in Tangier decides belatedly to obtain an education. The novel describes him juggling his two lives, sitting in a classroom during the day, hustling in bars and brothels at night. By the author of For Bread Alone.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 176
Book Description
A street hood in Tangier decides belatedly to obtain an education. The novel describes him juggling his two lives, sitting in a classroom during the day, hustling in bars and brothels at night. By the author of For Bread Alone.
Straight from the Horse's Mouth
Author: Meryem Alaoui
Publisher: Other Press, LLC
ISBN: 1892746794
Category : Fiction
Languages : en
Pages : 306
Book Description
Named a Best Book of the Year by the Los Angeles Public Library This hilarious, colorful portrait of a sex worker navigating life in modern Morocco introduces a promising new literary voice. Thirty-four-year-old prostitute Jmiaa reflects on the bustling world around her with a brutal honesty, but also a quick wit that cuts through the drudgery. Like many of the women in her working-class Casablanca neighborhood, Jmiaa struggles to earn enough money to support herself and her family—often including the deadbeat husband who walked out on her and their young daughter. While she doesn’t despair about her profession like her roommate, Halima, who reads the Quran between clients, she still has to maintain a delicate balance between her reality and the “respectable” one she paints for her own more conservative mother. This daily grind is interrupted by the arrival of an aspiring young director, Chadlia, whom Jmiaa takes to calling “Horse Mouth.” Chadlia enlists Jmiaa’s help on a film project, initially just to make sure the plot and dialogue are authentic. But when she’s unable to find an actress who’s right for the starring role, she turns again to Jmiaa, giving the latter an incredible opportunity for a better life. In her breakout debut novel, Meryem Alaoui creates a vibrant picture of the day-to-day challenges faced by working people in Casablanca, which they meet head-on with resourcefulness and resilience.
Publisher: Other Press, LLC
ISBN: 1892746794
Category : Fiction
Languages : en
Pages : 306
Book Description
Named a Best Book of the Year by the Los Angeles Public Library This hilarious, colorful portrait of a sex worker navigating life in modern Morocco introduces a promising new literary voice. Thirty-four-year-old prostitute Jmiaa reflects on the bustling world around her with a brutal honesty, but also a quick wit that cuts through the drudgery. Like many of the women in her working-class Casablanca neighborhood, Jmiaa struggles to earn enough money to support herself and her family—often including the deadbeat husband who walked out on her and their young daughter. While she doesn’t despair about her profession like her roommate, Halima, who reads the Quran between clients, she still has to maintain a delicate balance between her reality and the “respectable” one she paints for her own more conservative mother. This daily grind is interrupted by the arrival of an aspiring young director, Chadlia, whom Jmiaa takes to calling “Horse Mouth.” Chadlia enlists Jmiaa’s help on a film project, initially just to make sure the plot and dialogue are authentic. But when she’s unable to find an actress who’s right for the starring role, she turns again to Jmiaa, giving the latter an incredible opportunity for a better life. In her breakout debut novel, Meryem Alaoui creates a vibrant picture of the day-to-day challenges faced by working people in Casablanca, which they meet head-on with resourcefulness and resilience.
Street of Thieves
Author: Mathias Énard
Publisher:
ISBN: 9780992974763
Category : Arab Spring, 2010-
Languages : en
Pages : 296
Book Description
A superb coming of age novel that delves deep into the experience of immigrant experience.
Publisher:
ISBN: 9780992974763
Category : Arab Spring, 2010-
Languages : en
Pages : 296
Book Description
A superb coming of age novel that delves deep into the experience of immigrant experience.
The Routledge Companion to Literary Urban Studies
Author: Lieven Ameel
Publisher: Taylor & Francis
ISBN: 1000605620
Category : Literary Criticism
Languages : en
Pages : 630
Book Description
Over the past decades, the growing interest in the study of literature of the city has led to the development of literary urban studies as a discipline in its own right. The Routledge Companion to Literary Urban Studies provides a methodical overview of the fundamentals of this developing discipline and a detailed outline of new directions in the field. It consists of 33 newly commissioned chapters that provide an outline of contemporary literary urban studies. The Companion covers all of the main theoretical approaches as well as key literary genres, with case studies covering a range of different geographical, cultural, and historical settings. The final chapters provide a window into new debates in the field. The three focal issues are key concepts and genres of literary urban studies; a reassessment and critique of classical urban studies theories and the canon of literary capitals; and methods for the analysis of cities in literature. The Routledge Companion to Literary Urban Studies provides the reader with practical insights into the methods and approaches that can be applied to the city in literature and serves as an important reference work for upper-level students and researchers working on city literature. Chapter 15 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
Publisher: Taylor & Francis
ISBN: 1000605620
Category : Literary Criticism
Languages : en
Pages : 630
Book Description
Over the past decades, the growing interest in the study of literature of the city has led to the development of literary urban studies as a discipline in its own right. The Routledge Companion to Literary Urban Studies provides a methodical overview of the fundamentals of this developing discipline and a detailed outline of new directions in the field. It consists of 33 newly commissioned chapters that provide an outline of contemporary literary urban studies. The Companion covers all of the main theoretical approaches as well as key literary genres, with case studies covering a range of different geographical, cultural, and historical settings. The final chapters provide a window into new debates in the field. The three focal issues are key concepts and genres of literary urban studies; a reassessment and critique of classical urban studies theories and the canon of literary capitals; and methods for the analysis of cities in literature. The Routledge Companion to Literary Urban Studies provides the reader with practical insights into the methods and approaches that can be applied to the city in literature and serves as an important reference work for upper-level students and researchers working on city literature. Chapter 15 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
Domestications
Author: Hosam Mohamed Aboul-Ela
Publisher: Northwestern University Press
ISBN: 0810137518
Category : Literary Criticism
Languages : en
Pages : 352
Book Description
Domestications traces a genealogy of American global engagement with the Global South since World War II. Hosam Aboul-Ela reads American writers contrapuntally against intellectuals from the Global South in their common—yet ideologically divergent—concerns with hegemony, world domination, and uneven development. Using Edward Said’s Culture and Imperialism as a model, Aboul-Ela explores the nature of U.S. imperialism’s relationship to literary culture through an exploration of five key terms from the postcolonial bibliography: novel, idea, perspective, gender, and space. Within this framework the book examines juxtapositions including that of Paul Bowles’s Morocco with North African intellectuals’ critique of Orientalism, the global treatment of Vietnamese liberation movements with the American narrative of personal trauma in the novels of Tim O’Brien and Hollywood film, and the war on terror’s philosophical idealism with Korean and post-Arab nationalist materialist archival fiction. Domestications departs from other recent studies of world literature in its emphases not only on U.S. imperialism but also on intellectuals working in the Global South and writing in languages other than English and French. Although rooted in comparative literature, its readings address issues of key concern to scholars in American studies, postcolonial studies, literary theory, and Middle Eastern studies.
Publisher: Northwestern University Press
ISBN: 0810137518
Category : Literary Criticism
Languages : en
Pages : 352
Book Description
Domestications traces a genealogy of American global engagement with the Global South since World War II. Hosam Aboul-Ela reads American writers contrapuntally against intellectuals from the Global South in their common—yet ideologically divergent—concerns with hegemony, world domination, and uneven development. Using Edward Said’s Culture and Imperialism as a model, Aboul-Ela explores the nature of U.S. imperialism’s relationship to literary culture through an exploration of five key terms from the postcolonial bibliography: novel, idea, perspective, gender, and space. Within this framework the book examines juxtapositions including that of Paul Bowles’s Morocco with North African intellectuals’ critique of Orientalism, the global treatment of Vietnamese liberation movements with the American narrative of personal trauma in the novels of Tim O’Brien and Hollywood film, and the war on terror’s philosophical idealism with Korean and post-Arab nationalist materialist archival fiction. Domestications departs from other recent studies of world literature in its emphases not only on U.S. imperialism but also on intellectuals working in the Global South and writing in languages other than English and French. Although rooted in comparative literature, its readings address issues of key concern to scholars in American studies, postcolonial studies, literary theory, and Middle Eastern studies.
Joseph Anton
Author: Salman Rushdie
Publisher: Random House
ISBN: 0679643885
Category : Biography & Autobiography
Languages : en
Pages : 670
Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Newsweek/The Daily Beast • The Seattle Times • The Economist • Kansas City Star • BookPage On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Joseph Anton “A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”—Michiko Kakutani, The New York Times “A splendid book, the finest . . . memoir to cross my desk in many a year.”—Jonathan Yardley, The Washington Post “Thoughtful and astute . . . an important book.”—USA Today “Compelling, affecting . . . demonstrates Mr. Rushdie’s ability as a stylist and storytelle. . . . [He] reacted with great bravery and even heroism.”—The Wall Street Journal “Gripping, moving and entertaining . . . nothing like it has ever been written.”—The Independent (UK) “A thriller, an epic, a political essay, a love story, an ode to liberty.”—Le Point (France) “Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie’s eye is a camera lens —firmly placed in one perspective and never out of focus.”—Los Angeles Review of Books “Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book.”—de Volkskrant (The Netherlands) “One of the best memoirs you may ever read.”—DNA (India) “Extraordinary . . . Joseph Anton beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing—at all costs—any curtailment on a writer’s freedom.”—The Boston Globe
Publisher: Random House
ISBN: 0679643885
Category : Biography & Autobiography
Languages : en
Pages : 670
Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Newsweek/The Daily Beast • The Seattle Times • The Economist • Kansas City Star • BookPage On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Joseph Anton “A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”—Michiko Kakutani, The New York Times “A splendid book, the finest . . . memoir to cross my desk in many a year.”—Jonathan Yardley, The Washington Post “Thoughtful and astute . . . an important book.”—USA Today “Compelling, affecting . . . demonstrates Mr. Rushdie’s ability as a stylist and storytelle. . . . [He] reacted with great bravery and even heroism.”—The Wall Street Journal “Gripping, moving and entertaining . . . nothing like it has ever been written.”—The Independent (UK) “A thriller, an epic, a political essay, a love story, an ode to liberty.”—Le Point (France) “Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie’s eye is a camera lens —firmly placed in one perspective and never out of focus.”—Los Angeles Review of Books “Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book.”—de Volkskrant (The Netherlands) “One of the best memoirs you may ever read.”—DNA (India) “Extraordinary . . . Joseph Anton beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing—at all costs—any curtailment on a writer’s freedom.”—The Boston Globe
Let it Come Down
Author: Paul Bowles
Publisher:
ISBN:
Category : Moroccan literature (English)
Languages : en
Pages : 328
Book Description
"Nelson Dyar, an average bank clerk, was bored with the monotony of his life. So he quit his job, gambled his savings on a steamship ticket, and sailed for Tangier. There, overwhelmed by the sights, sounds and smells of exotic North Africa, he flirted with danger, drugs and sensual abandonment, fell in love with an Arab girl, and plunged headlong to his terrifying doom."--Back cover.
Publisher:
ISBN:
Category : Moroccan literature (English)
Languages : en
Pages : 328
Book Description
"Nelson Dyar, an average bank clerk, was bored with the monotony of his life. So he quit his job, gambled his savings on a steamship ticket, and sailed for Tangier. There, overwhelmed by the sights, sounds and smells of exotic North Africa, he flirted with danger, drugs and sensual abandonment, fell in love with an Arab girl, and plunged headlong to his terrifying doom."--Back cover.
Pig Earth
Author: John Berger
Publisher: Vintage
ISBN: 0307794229
Category : Fiction
Languages : en
Pages : 211
Book Description
With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who have known her. Above all, this masterpiece of sensuous description and profound moral resonance is an act of reckoning that conveys the precise wealth and weight of a world we are losing.
Publisher: Vintage
ISBN: 0307794229
Category : Fiction
Languages : en
Pages : 211
Book Description
With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who have known her. Above all, this masterpiece of sensuous description and profound moral resonance is an act of reckoning that conveys the precise wealth and weight of a world we are losing.