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Author: Joseph W. Reed, Jr. Publisher: Routledge ISBN: 0429642806 Category : History Languages : en Pages : 215
Book Description
‘I am one of the cracked people of the world,’ Barbara Leigh Smith Bodichon wrote of herself, ‘and I like to herd with the cracked ... queer Americans, democrats, socialists, artists, poor devils or angels; and am never happy in an English genteel family life. I try to do it like other people, but I long always to be off on some wild adventure.’ Reformer, feminist, free-thinker, later to endow the founding of Girton College, Barbara Bodichon went to the United States on a marriage journey. First published in 1972, her journal of that trip, published in its original form for the first time, contains timely observation and incisive criticism of the American South before the Civil War, and gives a vivid portrait of a lively woman of her times, the friend of George Eliot and other leading figures of her age. This edition includes a fascinating introduction about the English visitor in the United States, from Dickens to Trollope. There is also a biographical study of Barbara Bodichon herself, giving an account of her life and of the causes, notably Women’s Rights, to which she devoted her time and energy.
Author: Joseph W. Reed, Jr. Publisher: Routledge ISBN: 0429642806 Category : History Languages : en Pages : 215
Book Description
‘I am one of the cracked people of the world,’ Barbara Leigh Smith Bodichon wrote of herself, ‘and I like to herd with the cracked ... queer Americans, democrats, socialists, artists, poor devils or angels; and am never happy in an English genteel family life. I try to do it like other people, but I long always to be off on some wild adventure.’ Reformer, feminist, free-thinker, later to endow the founding of Girton College, Barbara Bodichon went to the United States on a marriage journey. First published in 1972, her journal of that trip, published in its original form for the first time, contains timely observation and incisive criticism of the American South before the Civil War, and gives a vivid portrait of a lively woman of her times, the friend of George Eliot and other leading figures of her age. This edition includes a fascinating introduction about the English visitor in the United States, from Dickens to Trollope. There is also a biographical study of Barbara Bodichon herself, giving an account of her life and of the causes, notably Women’s Rights, to which she devoted her time and energy.
Author: Ada Nisbet Publisher: Univ of California Press ISBN: 9780520915824 Category : History Languages : en Pages : 556
Book Description
This bibliography of more than three thousand entries, often extensively annotated, lists books and pamphlets that illuminate evolving British views on the United States during a period of great change on both sides of the Atlantic. Subjects addressed in various decades include slavery and abolitionism, women's rights, the Civil War, organized labor, economic, cultural, and social behavior, political and religious movements, and the "American" character in general.
Author: Dena J. Epstein Publisher: University of Illinois Press ISBN: 9780252071508 Category : Music Languages : en Pages : 468
Book Description
Awarded both the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, in Sinful Tunes and Spirituals Dena J. Epstein traces the course of early black folk music in all its guises. This classic work is being reissued with a new author's preface on the silver anniversary of its original publication.
Author: Samuel A. Floyd Jr. Publisher: Oxford University Press ISBN: 0198024371 Category : Social Science Languages : en Pages : 329
Book Description
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.
Author: Publisher: Winterthur Museum ISBN: Category : Biography & Autobiography Languages : en Pages : 276
Book Description
Catalogs a rich repository of printed and handwritten accounts on how Americans lived and traveled in the past. In addition to primary research materials such as sketchbooks, design books, architectural drawings, advertising literature, fabric swatch books, greeting cards, business records, children's toys, games, and paper dolls, there are also printed and handwritten materials.
Author: Joseph W. Reed, Jr.
Author: Joseph W. Reed, Jr.
Author: Ada Nisbet
Author: Dena J. Epstein
Author: R.R. Bowker Company. Department of Bibliography
Author: Library of Congress. Copyright Office
Author: Samuel A. Floyd Jr.
Author: Sophia Smith Collection
Author: 
Author: Barbara Leigh Smith Bodichon
Author: Arthur James Wells