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Author: Amy Sillman Publisher: Prestel Publishing ISBN: 9783791353074 Category : Art, Abstract Languages : en Pages : 0
Book Description
"This book is published in conjunction with the exhibition Amy Sillman: one lump or two, The Institute of Contemporary Art/Boston, October 3, 2013-January 5, 2014, Aspen Art Museum, February 13-May 11, 2014, Center for Curatorial Studies, Bard College (CCS Bard), June 28-September 21, 2014."
Author: Amy Sillman Publisher: Prestel Publishing ISBN: 9783791353074 Category : Art, Abstract Languages : en Pages : 0
Book Description
"This book is published in conjunction with the exhibition Amy Sillman: one lump or two, The Institute of Contemporary Art/Boston, October 3, 2013-January 5, 2014, Aspen Art Museum, February 13-May 11, 2014, Center for Curatorial Studies, Bard College (CCS Bard), June 28-September 21, 2014."
Author: Amy Sillman Publisher: Gregory R. Miller & Co. ISBN: 0974364843 Category : Languages : en Pages : 118
Book Description
Amy Sillman: Works on Paper~ISBN 0-9743648-4-3 U.S. $45.00 / Hardcover, 10 x 11 in. / 100 pgs / 75 color. ~Item / June / Art Sillman is a painting lover's painter. --Peter Schjeldahl, The Village Voice
Author: Amy Sillman Publisher: ISBN: 9788867492886 Category : Languages : en Pages : 163
Book Description
Sillman's works can be categorized as abstract painting, although her abstractions repeatedly allow forms and figures to be recognized. The title of the exhibition 'the ALL-OVER' refers to a concept often used to describe abstract painting. At its most literal, it refers to the practice of completely covering the canvas, a format that resists a traditional figure/ground hierarchy. The classic example of the style is embodied by the work of the American artist Jackson Pollock, though as the influential critic Clement Greenberg pointed out, the style in fact originated with the Ukrainian-American artist Janet Sobel. Sillman adapts this 'all-over' idea, using it as the title for her exhibition, which does not feature drip paintings as such, but which updates the idea of total coverage of the canvas through mechanical means (via inkjet printing) used in combination with the gestural. Panorama, consisting of twenty-four canvases, was developed for Portikus and is here seen in its entirety for the first time. Exhibition: Portikus, Frankfurt am Main, Germany (02.07. - 11.09.2016).
Author: Laura J. Hoptman Publisher: ISBN: 9780870709128 Category : Art Languages : en Pages : 0
Book Description
Timeless Painting presents the work of 17 contemporary painters whose works reflect a singular approach that is peculiarly of our time: they are a-temporal, a term coined by William Gibson and Bruce Sterling, the originators of the cyberpunk aesthetic. A-temporality or timelessness manifests itself in painting as an ahistoric free-for-all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras co-exist. Published to accompany an exhibition at The Museum of Modern Art that explores the impact of this cultural condition on contemporary painting, this publication features work by an international roster of artists including Joe Bradley, Kerstin Brätsch, Matt Connors, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, , Julie Mehretu, Oscar Murillo, Laura Owens and Josh Smith, among others. An overview essay by curator Laura Hoptman is divided into thematic chapters that explore topics such as re-animation and reenactment, recontextualization, 'Zombie' painting, and the concomitant 'Frankenstein approach', which describes a process of stitching together pieces of the history of painting to create a work of art that would be dead but for its juxtaposed parts, all working in association with one another to propel the work into life.
Author: Linda Patricia Cleary Publisher: ISBN: 9781320549431 Category : Languages : en Pages :
Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Isabelle Graw Publisher: National Geographic Books ISBN: 3956790073 Category : Art Languages : en Pages : 0
Book Description
In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book—based on a conference at Harvard University in 2013—focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation. Contributors Carol Armstrong, Benjamin H. D. Buchloh, Sabeth Buchmann, René Démoris, Isabelle Graw, David Joselit, Jutta Koether, Ewa Lajer-Burcharth, Jacqueline Lichtenstein, Julie Mehretu, Matt Saunders, Amy Sillman Institut für Kunstkritik Series
Author: Lynne Tillman Publisher: ISBN: 9781913512057 Category : Languages : en Pages :
Book Description
A young woman drifts through a series of one night stands and truncated love affairs. Finding herself in a series of increasingly bizarre situations, she turns her curious and savage eye out on the foibles of the world around her. The men of this world evade and simper, they prey, and preen, and fall hopelessly in love. Through these snapshots we get a biting psychopathology, not just of masculinity in its various masks, but of sex and desire in the early 1970s.
Author: Hans Ulrich Obrist Publisher: Walther Konig Verlag ISBN: 9783960981244 Category : Mythology, Greek, in art Languages : en Pages : 131
Book Description
The exhibition at Municipal Art Gallery of Athens, 2017 is the last exhibition project that Maria Lassnig was able to plan personally with the curator Hans Ulrich Obrist. Around 50 works are on show - paintings and works on paper, especially watercolours - which seize upon motifs from Greek mythology and their expansive and permanent exchange with all Mediterranean civilisations. Although these works by Maria Lassnig are not so well known, they manifest characteristics typical of her work: the awareness of the body, the painterly rendering of the inner and outer world, as well as animal portrayals and landscapes. In an unusual selection from Maria Lassnig's oeuvre the exhibition and the accompanying catalogue with contributions from leading scholars and artists spotlight her unique visual idiom, in which she combines science with a subjective emotional life, and Mediterranean landscapes with figures from ancient mythology. Accompanies the exhibition Maria Lassnig: The future is created from the fragments of the past, 31 Mar - 16 Jul 2017, Municipal Gallery, Athens, Greece.
Author: Amy Sillman
Author: Amy Sillman
Author: Amy Sillman
Author: Amy Sillman
Author: Ian Berry
Author: Laura J. Hoptman
Author: Linda Patricia Cleary
Author: Isabelle Graw
Author: Lynne Tillman
Author: Hans Ulrich Obrist
Author: Slimvolume