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Author: Michael Duchemin Publisher: University of Oklahoma Press ISBN: 0806156716 Category : History Languages : en Pages : 327
Book Description
Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.
Author: Michael Duchemin Publisher: University of Oklahoma Press ISBN: 0806156716 Category : History Languages : en Pages : 327
Book Description
Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.
Author: Publisher: U of Nebraska Press ISBN: 9780803226586 Category : Biography & Autobiography Languages : en Pages : 372
Book Description
Gen. Leonard Wood?s meteoric career was no fluke. The ambitious Wood (1860?1927), serving as an army physician, strategically took on tasks and assignments that led him from the pursuit of Geronimo in the deserts of the Southwest (for which he won the Medal of Honor) to chief of staff of the U.S. Army and almost to the presidency of the United States. During his rise to high office, the darker side of Wood?s personality became legend. Able administrator and sincere patriot, Wood, together with friend Theodore Roosevelt, organized the famous ?Rough Riders? during the Spanish-American War. Unfortunately, Wood possessed a consuming and obsessive ambition, as well as the willingness to advance his own interests over the ruin of others and in the face of political disapproval. Despite personal rivalries and feuds, Wood earned national prominence with his successes as a colonial administrator in Cuba and the Philippines, yet he was denied the two things he wanted most: an active role in the fighting of World War I and the presidency of the United States. ø Armed Progressive, a critical study of Wood?s quest for power and his tremendous achievements, helps us to understand this pivotal figure who played such a dominant role at the turn of the century. Jack C. Lane provides historical insight and political assessment and captures the essence of this capable, ambitious, proud, bigoted, and self-righteous man.
Author: Immanuel Ness Publisher: Routledge ISBN: 131747189X Category : Business & Economics Languages : en Pages : 1625
Book Description
This four-volume set examines every social movement in American history - from the great struggles for abolition, civil rights, and women's equality to the more specific quests for prohibition, consumer safety, unemployment insurance, and global justice.
Author: J. Thompson Publisher: Springer ISBN: 113730653X Category : History Languages : en Pages : 367
Book Description
The first modern account of Theodore Roosevelt and the First World War, this is a tale of war and politics as well as the private story of true love and family devotion: a story as multi-faceted as TR's own personality.
Author: Wesley Beal Publisher: University of Iowa Press ISBN: 1609383516 Category : Literary Criticism Languages : en Pages : 186
Book Description
Networks of Modernism offers a new understanding of American modernist aesthetics and introduces the idea that networks were central to how American moderns thought about their culture in their dramatically changing milieu. While conventional wisdom holds that the network rose to prominence in the 1980s and 1990s in the context of information technologies, digitization is only the most recent manifestation of networks in intellectual history. Crucial developments in modern America provide another archive of network discourses well before the advent of the digital age. The rise of the railroad recast the American landscape as an assortment of interconnected hubs. The advent of broadcast radio created a decentralized audience that was at once the medium’s strength and its weakness. The steady and intertwined advances of urbanization and immigration demanded the reconceptualization of community and ethnic identity to replace the failing “melting pot” metaphor for the nation. Indeed, the signal developments of the modern era eroded social stratification and reorganized American society in a nodal, decentralized, and interpenetrating form—what today we would label a “distributed” network that is fully flattened and holds no clustered centers of power. In this ferment of social upheaval and technological change, the moderns found what we would today term “the network,” though they did not have the vocabulary for it that we do now, to be a versatile model for their aesthetic experiments in representing social space and social relations. Whether they used the figuration of the network as a kind of formal experiment to negotiate the tensions between dispersal and unity, fragment and totality, or took the network as a subject in itself, as seen when dealing with crowds or public spaces, the network was a way for writers and artists to conceptualize and explore their rapidly changing society. Through readings of the works of Randolph Bourne, Jean Toomer, Anita Loos, John Dos Passos, and Nathanael West, Networks of Modernism positions the network as the defining figure of American modernist aesthetics and explores its use as a conceptual tool used to think through the rapid changes in American society.
Author: Michael Duchemin
Author: Michael Duchemin
Author: Theodore Roosevelt
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Author: Immanuel Ness
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Author: Wesley Beal
Author: Theodore Roosevelt