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Author: Stephen Hess Publisher: Black Belt Press ISBN: Category : History Languages : en Pages : 172
Book Description
This book belongs on the reference shelf of anyone interested in the interplay between cartoons, politics, and public opinion. It provides the reader a historic framework in which to understand the cartoons' meaning and significance.
Author: Stephen Hess Publisher: Black Belt Press ISBN: Category : History Languages : en Pages : 172
Book Description
This book belongs on the reference shelf of anyone interested in the interplay between cartoons, politics, and public opinion. It provides the reader a historic framework in which to understand the cartoons' meaning and significance.
Author: Sandy Northrop Publisher: Routledge ISBN: 1351532448 Category : Political Science Languages : en Pages : 206
Book Description
From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning."Good cartoons hit you primitively and emotionally," said cartoonist Doug Marlette. "A cartoon is a frontal attack, a slam dunk, a cluster bomb." Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets?and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues.
Author: Stephen Hess Publisher: ISBN: Category : American wit and humor, Pictorial Languages : en Pages : 258
Book Description
This account of the American political cartoon from 1747 to the work of contemporary cartoonists such as Mauldin and Herblock chronicles the careers of the famous figures and the political situations which provided the cartoonists with their material. It also offers a picture of the mass media (broadsides, newspapers and magazines) through which the cartoonists reached their audiences.
Author: Donald Dewey Publisher: NYU Press ISBN: 0814720153 Category : Art Languages : en Pages : 262
Book Description
Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
Author: Fiona Deans Halloran Publisher: Univ of North Carolina Press ISBN: 0807835870 Category : Biography & Autobiography Languages : en Pages : 382
Book Description
"Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture"--
Author: Roger A. Fischer Publisher: ISBN: Category : Antiques & Collectibles Languages : en Pages : 280
Book Description
In late nineteenth-century America, political cartoonists Thomas Nast, Joseph Keppler, Bernhard Gillam and Grant Hamilton enjoyed a stature as political powerbrokers barely imaginable in today's world of instant information and electronic reality. Their drawings in Harper's Weekly, the dime humor magazines Puck and the Judge, and elsewhere were often in their own right major political events. In a world of bare-knuckles partisan journalism, such power often corrupted, and creative genius was rarely restrained by ethics. Interpretations gave way to sheer invention, transforming public servants into ogres more by physiognomy than by fact. Blacks, Indians, the Irish, Jews, Mormons, and Roman Catholics were reduced to a few stereotypical characteristics that would make a modern-day bigot blush. In this pungent climate, and with well over 100 cartoons as living proof, Roger Fischer - in a series of lively episodes - weaves the cartoon genre in to the larger fabric of politics and thought the Guilded Age, and beyond.
Author: Victor S Navasky Publisher: Knopf ISBN: 0307962148 Category : Political Science Languages : en Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Author: John Chalmers Vinson Publisher: University of Georgia Press ISBN: 0820346187 Category : Art Languages : en Pages : 176
Book Description
Included in this book are more than 150 examples of Nast's work which, together with the author's commentary, recreate the life and pattern of artistic development of the man who made the political cartoon a respected and powerful journalistic form.
Author: Khalil Bendib Publisher: Olive Branch Press ISBN: Category : History Languages : en Pages : 204
Book Description
In an increasingly Manichean geopolitical world, Bendib happens to be both "Us" and "Them," American and Muslim, a walking oxymoron - a "Clash of Civilizations" made flesh. He is the only American political cartoonist with an in-your-face non-Eurocentric perspective, a voice of the voiceless. Distributed to 1,700 small and mid-size newspapers across North America, Bendib's cartoons are the only widely circulated editorial cartoons free of the usual corporate narrative and they offer a radical, indigenous perspective in a visual medium accessible to all. Bendib's cartoons shine a light on such topics as the corrupting influence of money on democracy, African-American and immigrant issues, environmental degradation, labor and class struggles, U.S. imperialism and Zionism, the scapegoating of Arabs, Muslims and other people of color, as well as the complicity of our Orwellian mass media in maintaining the status quo. Bendib's cartoons are very popular with legions of alternative, educated, left-of-center readers (especially in the Bay Area, Los Angeles, New York and campus towns across the USA, as well as much of Canada, the UK and Australia) hungry for humorous voices of dissent and with many forgotten constituencies in this country, which are slowly becoming a majority: African-Americans, Muslims, Arabs, South Asians, Latinos, immigrants of all stripes, worldwide indigenous communities ravenous for edgy humor reflecting their specific concerns. -- Description from http://www.amazon.com (Nov. 3, 2011).
Author: Edward J. Lordan Publisher: Rowman & Littlefield ISBN: 9780742536388 Category : Art Languages : en Pages : 212
Book Description
Traces the history of American editorial cartooning, discussing the importance of editorial cartooning and its contribution to the nation's development.