Author: Edward S. Curtis
Publisher:
ISBN: 9781892041449
Category : Indians
Languages : en
Pages : 0
Book Description
A noted photographer of Native Americans for more than 30 years, Curtis documented more than 80 tribes. This collection includes Curtis's never-before-seen master prints and other prints that comprised his last great exhibition in 1906. 75 full-color photos.
The Master Prints
Author: Edward S. Curtis
Publisher:
ISBN: 9781892041449
Category : Indians
Languages : en
Pages : 0
Book Description
A noted photographer of Native Americans for more than 30 years, Curtis documented more than 80 tribes. This collection includes Curtis's never-before-seen master prints and other prints that comprised his last great exhibition in 1906. 75 full-color photos.
Publisher:
ISBN: 9781892041449
Category : Indians
Languages : en
Pages : 0
Book Description
A noted photographer of Native Americans for more than 30 years, Curtis documented more than 80 tribes. This collection includes Curtis's never-before-seen master prints and other prints that comprised his last great exhibition in 1906. 75 full-color photos.
North American Prints, 1913-1947
Author: David Tatham
Publisher: Syracuse University Press
ISBN: 9780815630715
Category : Art
Languages : en
Pages : 230
Book Description
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.
Publisher: Syracuse University Press
ISBN: 9780815630715
Category : Art
Languages : en
Pages : 230
Book Description
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.
Monthly Catalog of United States Government Publications
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 846
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 846
Book Description
Print Reference Sources
Author: Joan Ludman
Publisher: Millwood, N.Y. : KTO Press
ISBN:
Category : Art
Languages : en
Pages : 384
Book Description
Publisher: Millwood, N.Y. : KTO Press
ISBN:
Category : Art
Languages : en
Pages : 384
Book Description
Monthly Catalogue, United States Public Documents
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 616
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 616
Book Description
Official Gazette of the United States Patent and Trademark Office
The American Printer
Narrating the Landscape
Author: Matthew N. Johnston
Publisher: University of Oklahoma Press
ISBN: 0806154969
Category : Art
Languages : en
Pages : 249
Book Description
The American nineteenth century saw a largely rural nation confined to the Eastern Seaboard conquer a continent and spawn increasingly dense commercial metropolises. This time of unprecedented territorial and economic growth has long been thought to find its most sweeping visual equivalent in the period’s landscape paintings. But, as Matthew N. Johnston shows, the age’s defining features were just as clearly captured in, and motivated by, visual material mass-produced through innovations in printing technology. Illustrated railroad and steamboat guidebooks, tourist literature, reports of geological surveys, ethnographic studies: all of these new print vehicles brought new meanings to the interplay of time, space, and place as American continental expansion peaked. Instrumental to that project of national and industrial growth, these commercial and scientific publications introduced readers, travelers, and citizens to a changing North American landscape made more accessible by new travel routes blazed between 1825 and 1875. More fundamentally, as Johnston shows in his nuanced analysis, by simulating new temporal frameworks through their presentation of landscape, these print materials established new models of consumption and new kinds of knowledge critical to expansion. Johnston relates these sources to traditional art historical subjects—the landscapes of the Hudson River school, luminist paintings by John Kensett and William Trost Richards, Native portraits painted by George Catlin, and photographs by Timothy O’Sullivan—to show how key discourses associated with expansion shifted away from picturesque strategies pairing imagery and narrative toward entirely new forms that gave temporal structure to viewers’ experience of an emerging modernity. Revealing the crucial role of print and visual culture in shaping the nineteenth-century United States, Narrating the Landscape offers fresh insight into the landscapes Americans beheld and imagined in this formative era.
Publisher: University of Oklahoma Press
ISBN: 0806154969
Category : Art
Languages : en
Pages : 249
Book Description
The American nineteenth century saw a largely rural nation confined to the Eastern Seaboard conquer a continent and spawn increasingly dense commercial metropolises. This time of unprecedented territorial and economic growth has long been thought to find its most sweeping visual equivalent in the period’s landscape paintings. But, as Matthew N. Johnston shows, the age’s defining features were just as clearly captured in, and motivated by, visual material mass-produced through innovations in printing technology. Illustrated railroad and steamboat guidebooks, tourist literature, reports of geological surveys, ethnographic studies: all of these new print vehicles brought new meanings to the interplay of time, space, and place as American continental expansion peaked. Instrumental to that project of national and industrial growth, these commercial and scientific publications introduced readers, travelers, and citizens to a changing North American landscape made more accessible by new travel routes blazed between 1825 and 1875. More fundamentally, as Johnston shows in his nuanced analysis, by simulating new temporal frameworks through their presentation of landscape, these print materials established new models of consumption and new kinds of knowledge critical to expansion. Johnston relates these sources to traditional art historical subjects—the landscapes of the Hudson River school, luminist paintings by John Kensett and William Trost Richards, Native portraits painted by George Catlin, and photographs by Timothy O’Sullivan—to show how key discourses associated with expansion shifted away from picturesque strategies pairing imagery and narrative toward entirely new forms that gave temporal structure to viewers’ experience of an emerging modernity. Revealing the crucial role of print and visual culture in shaping the nineteenth-century United States, Narrating the Landscape offers fresh insight into the landscapes Americans beheld and imagined in this formative era.
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.