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Author: Sirpa Salenius Publisher: il prato publishing house srl ISBN: 8863360715 Category : Literary Criticism Languages : en Pages : 169
Book Description
American Authors Reinventing Italy: The Writings of Exceptional Nineteenth-Century Women is a collection of scholarly papers that examine Italy in the writings of such American women as Margaret Fuller, Harriet Beecher Stowe, Constance Fenimore Woolson, and Edith Wharton. The introduction provides a general picture of the British and American female authors in Italy, in particular Florence, and discusses the works of such writers as Elizabeth Barrett Browning, Ouida, Violet Paget, Kate Field, and Francesca Alexander. In the essay that forms Chapter One, Debra Bernardi (Carroll College, Montana) examines sexuality in Margaret Fuller´s Italian writings; in Chapter Two, Philip J. Kowalski (Wake Forest University, North-Carolina) analyzes Harriet Beecher Stowe’s Italian views in her travel texts and her novel set in Italy; Sirpa Salenius (University of New Haven in Florence, Italy), in Chapter Three, looks at the way Constance Fenimore Woolson uses Italian tropes in her discussion of contemporary issues; and in Chapter Four, Virginia Ricard (University of Bordeaux, France) discusses themes, settings, and characters in Edith Wharton’s fiction and non-fiction writing that deals with Italy.
Author: Sirpa Salenius Publisher: il prato publishing house srl ISBN: 8863360715 Category : Literary Criticism Languages : en Pages : 169
Book Description
American Authors Reinventing Italy: The Writings of Exceptional Nineteenth-Century Women is a collection of scholarly papers that examine Italy in the writings of such American women as Margaret Fuller, Harriet Beecher Stowe, Constance Fenimore Woolson, and Edith Wharton. The introduction provides a general picture of the British and American female authors in Italy, in particular Florence, and discusses the works of such writers as Elizabeth Barrett Browning, Ouida, Violet Paget, Kate Field, and Francesca Alexander. In the essay that forms Chapter One, Debra Bernardi (Carroll College, Montana) examines sexuality in Margaret Fuller´s Italian writings; in Chapter Two, Philip J. Kowalski (Wake Forest University, North-Carolina) analyzes Harriet Beecher Stowe’s Italian views in her travel texts and her novel set in Italy; Sirpa Salenius (University of New Haven in Florence, Italy), in Chapter Three, looks at the way Constance Fenimore Woolson uses Italian tropes in her discussion of contemporary issues; and in Chapter Four, Virginia Ricard (University of Bordeaux, France) discusses themes, settings, and characters in Edith Wharton’s fiction and non-fiction writing that deals with Italy.
Author: Sharon Worley Publisher: Cambridge Scholars Publishing ISBN: 1527521613 Category : Literary Criticism Languages : en Pages : 248
Book Description
The shadow of Napoleon never left the nineteenth-century and continued to haunt the histories and wars that followed in curious and circuitous ways. The empires of Napoleon I and his nephew, Napoleon III, set the stage for the pendulum swing of time from revolution to its antithesis, empire. The Anglo-Italian style developed as a reaction to these empires, the widespread devastation caused by power, and the monuments it created. Lord Byron, Percy Bysshe Shelley, Margaret Fuller, Elizabeth Barrett Browning, Harriet Hosmer, William Wetmore Story, Nathaniel Hawthorne, Henry James and Vernon Lee responded to recurring themes in Italian Risorgimento politics and culture in the post-Napoleonic era and Second Empire periods. Many of them were ex-patriots, who adopted Italy as their new home. Their unique contribution aligns them with a style that is distinguished by the themes of national independence, feminism, the abolition of slavery and republicanism. They perceived their own time in terms of parallel dimensions in which the past and present converged in national histories at home, in America and England, and in Italy, their new ideal state. The language of their new nationalism evolved from the chronological study of Ancient Rome up to the Renaissance, and the style of both revolution and empire, neoclassicism, while their perspective was largely shaped by a reactionary contrast between the empires of Napoleon I and III, and an ideal state they envisioned for Italy.
Author: Lisa Tyler Publisher: LSU Press ISBN: 0807171298 Category : Literary Criticism Languages : en Pages : 288
Book Description
Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers’ overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author’s works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors’ passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection’s final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner’s Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.
Author: Etta M. Madden Publisher: State University of New York Press ISBN: 1438488440 Category : Literary Criticism Languages : en Pages : 425
Book Description
Engaging Italy charts the intertwined lives and writings of three American women in Italy in the 1860s and '70s—journalist Anne Hampton Brewster (1818–92), orphanage and industrial school founder Emily Bliss Gould (1825–75), and translator Caroline Crane Marsh (1816–1901). Brewster, Gould, and Marsh did not follow their callings abroad so much as they found them there. The political and religious unrest they encountered during Italian Unification put their utopian visions of expatriate life to the test. It also prompted these women to engage these changes and take up their pens both privately and publicly. Though little-known today, their diaries, letters, poetry, and news accounts help to rewrite the story of American women abroad inherited from figures such as Nathaniel Hawthorne, Mark Twain, and Henry James. Both feminist recovery project and collective biography, Engaging Italy contributes to the growing body of scholarship on transatlantic nineteenth-century women writers while focusing particular attention on the shared texts and ties linking Brewster, Gould, and Marsh. Etta M. Madden demonstrates the generative power of literary and social networks during moments of upheaval.
Author: Caterina Bernardini Publisher: University of Iowa Press ISBN: 1609387554 Category : Literary Criticism Languages : en Pages : 297
Book Description
Caterina Bernardini gauges the effects that Walt Whitman’s poetry had in Italy from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. Particular attention is given to women writers and noncanonical writers often excluded from previous discussions in this area of study. Bernardini also investigates the contexts and causes of Whitman’s success abroad through the lives, backgrounds, beliefs, and imaginations of the people who encountered his work. Studying Whitman’s reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman’s work, but, more largely, illustrates a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman. The book is grounded in archival studies and the examination of primary documents of noteworthy discovery.
Author: Ágnes Zsófia Kovács Publisher: Taylor & Francis ISBN: 104011654X Category : Literary Criticism Languages : en Pages : 227
Book Description
Edith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Wharton’s symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Wharton’s representations of architectural and natural spaces. The book demonstrates Wharton’s complex relationship to works of art historians (John Ruskin, Émile Mâle, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovács surveys how the acknowledgment of Wharton’s sources sheds light both on the author’s model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Wharton’s travel destinations but not her symbolic view of architecture as a mediator of things past. Wharton’s symbolic representations of architecture provide a new key to her travel writings.
Author: Laura Rattray Publisher: Cambridge University Press ISBN: 1107010195 Category : Literary Criticism Languages : en Pages : 423
Book Description
This collection of essays examines the various social, cultural and historical contexts surrounding Edith Wharton's popular and prolific literary career.
Author: Cristina Grasseni Publisher: Berghahn Books ISBN: 1785332953 Category : Social Science Languages : en Pages : 202
Book Description
In Europe a number of production and communication strategies have long tried to establish local products as resources for local development. At the foot of the Alps, this scenario appears in all its contradictions, especially in relation to cheese production. The Heritage Arena focuses on the saga of Strachitunt, a cheese that has been designated an EU Protected Designation of Origin after years of negotiation and competition involving cheese-makers, merchants, and Slow Food activists. The book explores how the reinvention of cheese as a form of heritage is an ongoing and dynamic process rife with conflict and drama.
Author: Laura Rattray Publisher: Springer Nature ISBN: 1349595578 Category : Literary Criticism Languages : en Pages : 248
Book Description
Based on extensive new archival research, Edith Wharton and Genre: Beyond Fiction offers the first study of Wharton’s full engagement with original writing in genres outside those with which she has been most closely identified. So much more than an acclaimed novelist and short story writer, Wharton is reconsidered in this book as a controversial playwright, a gifted poet, a trailblazing travel writer, an innovative and subversive critic, a hugely influential design writer, and an author who overturned the conventions of autobiographical form. Her versatility across genres did not represent brief sidesteps, temporary diversions from what has long been read as her primary role as novelist. Each was pursued fully and whole-heartedly, speaking to Wharton’s very sense of herself as an artist and her connected vision of artistry and art. The stories of these other Edith Whartons, born through her extraordinary dexterity across a wide range of genres, and their impact on our understanding of her career, are the focus of this new study, revealing a bolder, more diverse, subversive and radical writer than has long been supposed.
Author: Beth L. Lueck Publisher: University of New Hampshire Press ISBN: 1512600288 Category : Literary Criticism Languages : en Pages : 346
Book Description
This unique interdisciplinary essay collection offers a fresh perspective on the active involvement of American women authors in the nineteenth-century transatlantic world. Internationally diverse contributors explore topics ranging from women's social and political mobility to their authorship and activism. While a number of essays focus on such well-known writers as Margaret Fuller, Catharine Maria Sedgwick, Harriet Beecher Stowe, George Eliot, Louisa May Alcott, and Charlotte Perkins Gilman, other, perhaps lesser-known authors are also included, such as E. D. E. N. Southworth, Elizabeth Stuart Phelps, Elizabeth Peabody, Jeannette Hart, and Laura Richards. These essays show the spectrum of interests and activities in which nineteenth-century women were involved as they moved, geographically and metaphorically, toward gaining their independence and the right to control their lives. Traveling far and wide - to Italy, France, Great Britain, and the Bahamas - these writers came into contact with realities far different from their own. On topics ranging from homeopathy and literary endeavors to politics and revolution, they conversed with others, reaching and inspiring transnational audiences with their words and deeds, and creating a space for self-expression in the rapidly changing transatlantic world.
Author: Sirpa Salenius
Author: Sirpa Salenius
Author: Sharon Worley
Author: Lisa Tyler
Author: Etta M. Madden
Author: Caterina Bernardini
Author: Ágnes Zsófia Kovács
Author: Laura Rattray
Author: Cristina Grasseni
Author: Laura Rattray
Author: Beth L. Lueck