Author: Jan Morris
Publisher: Liveright Publishing
ISBN: 1631490532
Category : Biography & Autobiography
Languages : en
Pages : 174
Book Description
New York Times Book Review • Editors' Choice Jan Morris delivers her final volume, brimming with reminiscences, meditations on daily life, and mini-essays on everything from maturity to whistling to Princess Diana. Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter—in the style of Lord Chesterfield addressing his son—quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris’s steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris’s telling, even life—the whole conundrum of existence—is one long, majestically impenetrable allegory. Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity (“Maturity! Did ever a heart thrill to the sound of it, still less the meaning?”) and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris’s travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas—where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest—and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another. Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris’s writing is as erudite as ever, conveying a generosity of spirit “flavored by well-earned crankiness” (Vox). Though newly bereft of her company, readers will be reminded what “a good, wise, and witty companion” (Alexander McCall Smith) Morris has been to so many, for so long.
Allegorizings
Author: Jan Morris
Publisher: Liveright Publishing
ISBN: 1631490532
Category : Biography & Autobiography
Languages : en
Pages : 174
Book Description
New York Times Book Review • Editors' Choice Jan Morris delivers her final volume, brimming with reminiscences, meditations on daily life, and mini-essays on everything from maturity to whistling to Princess Diana. Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter—in the style of Lord Chesterfield addressing his son—quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris’s steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris’s telling, even life—the whole conundrum of existence—is one long, majestically impenetrable allegory. Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity (“Maturity! Did ever a heart thrill to the sound of it, still less the meaning?”) and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris’s travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas—where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest—and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another. Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris’s writing is as erudite as ever, conveying a generosity of spirit “flavored by well-earned crankiness” (Vox). Though newly bereft of her company, readers will be reminded what “a good, wise, and witty companion” (Alexander McCall Smith) Morris has been to so many, for so long.
Publisher: Liveright Publishing
ISBN: 1631490532
Category : Biography & Autobiography
Languages : en
Pages : 174
Book Description
New York Times Book Review • Editors' Choice Jan Morris delivers her final volume, brimming with reminiscences, meditations on daily life, and mini-essays on everything from maturity to whistling to Princess Diana. Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter—in the style of Lord Chesterfield addressing his son—quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris’s steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris’s telling, even life—the whole conundrum of existence—is one long, majestically impenetrable allegory. Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity (“Maturity! Did ever a heart thrill to the sound of it, still less the meaning?”) and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris’s travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas—where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest—and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another. Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris’s writing is as erudite as ever, conveying a generosity of spirit “flavored by well-earned crankiness” (Vox). Though newly bereft of her company, readers will be reminded what “a good, wise, and witty companion” (Alexander McCall Smith) Morris has been to so many, for so long.
Allegorizings
Author: Jan Morris
Publisher: Faber & Faber Non Fiction
ISBN: 9780571234134
Category :
Languages : en
Pages : 204
Book Description
'Almost nothing in life is only what it seems.' Soldier, journalist, historian, author of forty books, Jan Morris led an extraordinary life, witnessing such seminal moments as the first ascent of Everest, the Suez Canal Crisis, the Eichmann Trial, The Cuban Revolution and so much more. Now, in Allegorizings, published posthumously as was her wish, Morris looks back over some of the key moments of her life, and sees a multitude of meanings. From her final travels to the USA and across Europe to late journeys on her beloved trains and ships, from the deaths of her old friends Hilary and Tenzig to the enduring relationships in her own life, from reflections on identity and nations to the importance of good marmalade, it bears testimony to her uniquely kind and inquisitive take on the world.
Publisher: Faber & Faber Non Fiction
ISBN: 9780571234134
Category :
Languages : en
Pages : 204
Book Description
'Almost nothing in life is only what it seems.' Soldier, journalist, historian, author of forty books, Jan Morris led an extraordinary life, witnessing such seminal moments as the first ascent of Everest, the Suez Canal Crisis, the Eichmann Trial, The Cuban Revolution and so much more. Now, in Allegorizings, published posthumously as was her wish, Morris looks back over some of the key moments of her life, and sees a multitude of meanings. From her final travels to the USA and across Europe to late journeys on her beloved trains and ships, from the deaths of her old friends Hilary and Tenzig to the enduring relationships in her own life, from reflections on identity and nations to the importance of good marmalade, it bears testimony to her uniquely kind and inquisitive take on the world.
The Cambridge Companion to Allegory
Author: Rita Copeland
Publisher: Cambridge University Press
ISBN: 0521862299
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
Traces the development of allegory in the European and American tradition from antiquity to the modern era.
Publisher: Cambridge University Press
ISBN: 0521862299
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
Traces the development of allegory in the European and American tradition from antiquity to the modern era.
The Ends of Allegory
Author: Sayre N. Greenfield
Publisher: University of Delaware Press
ISBN: 9780874136708
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
This book proposes that allegory is not a species of literature but a structure of reading applied to uncomfortable juxtapositions within literary texts. Examples from centuries of response to English Renaissance narrative poetry show not what poems mean but how they may be read and what cultural conditions encourage allegorical or nonallegorical readings. The study also encompasses interpretations of classical verse, biblical parable, Jacobean masque, modern lyric, and television advertising to explore how texts move in and out of the category of allegory.
Publisher: University of Delaware Press
ISBN: 9780874136708
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
This book proposes that allegory is not a species of literature but a structure of reading applied to uncomfortable juxtapositions within literary texts. Examples from centuries of response to English Renaissance narrative poetry show not what poems mean but how they may be read and what cultural conditions encourage allegorical or nonallegorical readings. The study also encompasses interpretations of classical verse, biblical parable, Jacobean masque, modern lyric, and television advertising to explore how texts move in and out of the category of allegory.
Goethe's Allegories of Identity
Author: Jane K. Brown
Publisher: University of Pennsylvania Press
ISBN: 0812209389
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
A century before psychoanalytic discourse codified a scientific language to describe the landscape of the mind, Johann Wolfgang von Goethe explored the paradoxes of an interior self separate from a conscious self. Though long acknowledged by the developers of depth psychology and by its historians, Goethe's literary rendering of interiority has not been the subject of detailed analysis in itself. Goethe's Allegories of Identity examines how Goethe created the essential bridge between the psychological insights of his contemporary, Jean-Jacques Rousseau, and the psychoanalytic theories of his admirer Sigmund Freud. Equally fascinated and repelled by Rousseau's vision of an unconscious self, Goethe struggled with the moral question of subjectivity: what is the relation of conscience to consciousness? To explore this inner conflict through language, Goethe developed a unique mode of allegorical representation that modernized the long tradition of dramatic personification in European drama. Jane K. Brown's deft, focused readings of Goethe's major dramas and novels, from The Sorrows of Young Werther to Elective Affinities, reveal each text's engagement with the concept of a subconscious or unconscious psyche whose workings are largely inaccessible to the rational mind. As Brown demonstrates, Goethe's representational strategies fashioned a language of subjectivity that deeply influenced the conceptions of important twentieth-century thinkers such as Freud, Michel Foucault, and Hannah Arendt.
Publisher: University of Pennsylvania Press
ISBN: 0812209389
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
A century before psychoanalytic discourse codified a scientific language to describe the landscape of the mind, Johann Wolfgang von Goethe explored the paradoxes of an interior self separate from a conscious self. Though long acknowledged by the developers of depth psychology and by its historians, Goethe's literary rendering of interiority has not been the subject of detailed analysis in itself. Goethe's Allegories of Identity examines how Goethe created the essential bridge between the psychological insights of his contemporary, Jean-Jacques Rousseau, and the psychoanalytic theories of his admirer Sigmund Freud. Equally fascinated and repelled by Rousseau's vision of an unconscious self, Goethe struggled with the moral question of subjectivity: what is the relation of conscience to consciousness? To explore this inner conflict through language, Goethe developed a unique mode of allegorical representation that modernized the long tradition of dramatic personification in European drama. Jane K. Brown's deft, focused readings of Goethe's major dramas and novels, from The Sorrows of Young Werther to Elective Affinities, reveal each text's engagement with the concept of a subconscious or unconscious psyche whose workings are largely inaccessible to the rational mind. As Brown demonstrates, Goethe's representational strategies fashioned a language of subjectivity that deeply influenced the conceptions of important twentieth-century thinkers such as Freud, Michel Foucault, and Hannah Arendt.
Structures of Appearing:Allegory and the Work of Literature
Author: Brenda Machosky
Publisher: Fordham Univ Press
ISBN: 0823242846
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.
Publisher: Fordham Univ Press
ISBN: 0823242846
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.
Allegory and Event
Author: Richard Patrick Crosland Hanson
Publisher: Westminster John Knox Press
ISBN: 9780664224448
Category : Religion
Languages : en
Pages : 436
Book Description
In this classic work in patristic studies, R. P. C. Hanson elucidates the views of the third-century theologian Origen on the nature and interpretaion of Scripture. The introduction by a leading Origen scholar sets Hanson's work in its context and explores its significance to Origen scholarship.
Publisher: Westminster John Knox Press
ISBN: 9780664224448
Category : Religion
Languages : en
Pages : 436
Book Description
In this classic work in patristic studies, R. P. C. Hanson elucidates the views of the third-century theologian Origen on the nature and interpretaion of Scripture. The introduction by a leading Origen scholar sets Hanson's work in its context and explores its significance to Origen scholarship.
The Language of Allegory
Author: Maureen Quilligan
Publisher: Cornell University Press
ISBN: 1501724487
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it.
Publisher: Cornell University Press
ISBN: 1501724487
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it.
Allegories of Love
Author: Diana de Armas Wilson
Publisher: Princeton University Press
ISBN: 1400861799
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
In the work he considered his masterpiece, Persiles and Sigismunda, Cervantes finally explores the reality of woman--an abstraction largely idealized in his earlier writing. Traditional critics have perpetuated this disembodied ideal woman: "Every Man," claimed the translators of the 1706 Don Quixote, has "some darling Dulcinea of his Thoughts." As Diana de Armas Wilson shows, however, Cervantes himself envisioned the radical embodiment of "Dulcinea" in the later Persiles, a pan-European Renaissance allegory. Wilson illuminates Cervantes's strategic use of the ancient genre of Greek romance to contest various chivalric fictions about women, love, and marriage--fictions collapsing under the constraints of an emerging bourgeois culture. Taking as her subject Cervantes's erotic imperative--to leave behind "barbaric" notions of love in quest of a new conceptual space--Wilson demonstrates how the heroes of the Persiles, unlike Don Quixote, learn to cross the borders of difference. Their journey toward marriage is illustrated by thirteen inset "exemplary novels," perhaps the most exploratory of Cervantes's writings. Allegories of Love not only examines the fundamental importance of sexual and cultural difference in Cervantes's last romance, but also reveals the historical conditions of representation itself during the late Renaissance. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400861799
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
In the work he considered his masterpiece, Persiles and Sigismunda, Cervantes finally explores the reality of woman--an abstraction largely idealized in his earlier writing. Traditional critics have perpetuated this disembodied ideal woman: "Every Man," claimed the translators of the 1706 Don Quixote, has "some darling Dulcinea of his Thoughts." As Diana de Armas Wilson shows, however, Cervantes himself envisioned the radical embodiment of "Dulcinea" in the later Persiles, a pan-European Renaissance allegory. Wilson illuminates Cervantes's strategic use of the ancient genre of Greek romance to contest various chivalric fictions about women, love, and marriage--fictions collapsing under the constraints of an emerging bourgeois culture. Taking as her subject Cervantes's erotic imperative--to leave behind "barbaric" notions of love in quest of a new conceptual space--Wilson demonstrates how the heroes of the Persiles, unlike Don Quixote, learn to cross the borders of difference. Their journey toward marriage is illustrated by thirteen inset "exemplary novels," perhaps the most exploratory of Cervantes's writings. Allegories of Love not only examines the fundamental importance of sexual and cultural difference in Cervantes's last romance, but also reveals the historical conditions of representation itself during the late Renaissance. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
40 Questions About Typology and Allegory
Author: Mitchell L. Chase
Publisher: Kregel Publications
ISBN: 0825446384
Category : Religion
Languages : en
Pages : 320
Book Description
A survey of two literary devices that are indispensable for understanding salvation history A biblical type is a person, place, or thing in salvation history that corresponds to a later person, place, or thing in the scriptural text. An allegory is a passage that says one thing in order to say something else. Both are common literary devices in the Bible that are vital for understanding truths about Jesus Christ found nowhere else. In 40 Questions About Typology and Allegory, Mitchell Chase provides a thorough introduction to both devices, showing where they appear throughout Scripture and the historical roles they have played in biblical interpretation. In a convenient question-and-answer format, Chase answers key questions such as: • Why should interpreters care about typology and allegory? • How do we identify types? • What are the theological assumptions of typology? • Do all types lead to Christ? • What is allegorical interpretation? • How was allegory practiced in the early church? • How should we practice allegorical interpretation? Situating typology and allegory within salvation history, Chase shows how these devices reveal the interconnectedness of Scripture and commonly overlooked aspects of Christ's person and work. Scholars, Bible teachers, and preachers will find this an essential resource for interpreting Scripture more comprehensively.
Publisher: Kregel Publications
ISBN: 0825446384
Category : Religion
Languages : en
Pages : 320
Book Description
A survey of two literary devices that are indispensable for understanding salvation history A biblical type is a person, place, or thing in salvation history that corresponds to a later person, place, or thing in the scriptural text. An allegory is a passage that says one thing in order to say something else. Both are common literary devices in the Bible that are vital for understanding truths about Jesus Christ found nowhere else. In 40 Questions About Typology and Allegory, Mitchell Chase provides a thorough introduction to both devices, showing where they appear throughout Scripture and the historical roles they have played in biblical interpretation. In a convenient question-and-answer format, Chase answers key questions such as: • Why should interpreters care about typology and allegory? • How do we identify types? • What are the theological assumptions of typology? • Do all types lead to Christ? • What is allegorical interpretation? • How was allegory practiced in the early church? • How should we practice allegorical interpretation? Situating typology and allegory within salvation history, Chase shows how these devices reveal the interconnectedness of Scripture and commonly overlooked aspects of Christ's person and work. Scholars, Bible teachers, and preachers will find this an essential resource for interpreting Scripture more comprehensively.