Author: William S. Burroughs
Publisher:
ISBN: 9780388030110
Category : Scientology
Languages : de
Pages : 106
Book Description
Ali's Smile
Author: William S. Burroughs
Publisher:
ISBN: 9780388030110
Category : Scientology
Languages : de
Pages : 106
Book Description
Publisher:
ISBN: 9780388030110
Category : Scientology
Languages : de
Pages : 106
Book Description
Ali's smile ; Naked scientology
Author: William S. Burroughs
Publisher:
ISBN:
Category : Scientology
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Scientology
Languages : en
Pages : 0
Book Description
Queer Burroughs
Author: J. Russell
Publisher: Springer
ISBN: 0312299370
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
William S. Burroughs is consistently thought of as a novelist who is gay, rather than a gay novelist. This distinction is slight, yet remarkable, since it has meant that Burroughs has been excluded from the gay canon and from the scope of queer theory. In this intelligent book, Jamie Russell offers the first queer reading of Burrough's novels. He explores how the novels of Burroughs can be seen as a sustained attempt to offer a very personal rethinking of gay subjectivity, and as an attempt to overturn stereotypes of gay men as effeminate. Yet in his celebration and appropriation of some of the most violent, misogynistic, and effeminaphobic elements of heterosexually-identified masculinity, Burroughs's life and writing suggests a subjectivity which has been deeply troubling to many in the gay community.
Publisher: Springer
ISBN: 0312299370
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
William S. Burroughs is consistently thought of as a novelist who is gay, rather than a gay novelist. This distinction is slight, yet remarkable, since it has meant that Burroughs has been excluded from the gay canon and from the scope of queer theory. In this intelligent book, Jamie Russell offers the first queer reading of Burrough's novels. He explores how the novels of Burroughs can be seen as a sustained attempt to offer a very personal rethinking of gay subjectivity, and as an attempt to overturn stereotypes of gay men as effeminate. Yet in his celebration and appropriation of some of the most violent, misogynistic, and effeminaphobic elements of heterosexually-identified masculinity, Burroughs's life and writing suggests a subjectivity which has been deeply troubling to many in the gay community.
Understanding William S. Burroughs
Author: Gerald Alva (Al) Miller
Publisher: Univ of South Carolina Press
ISBN: 1643360337
Category : Literary Criticism
Languages : en
Pages : 156
Book Description
Through critical readings Gerald Alva Miller, Jr., examines the life of William S. Burroughs and the evolution of his various radical styles not just in writing but also in audio, film, and painting. Although Burroughs remains tied to the Beat Generation, his works prove more revolutionary. Miller argues that Burroughs, more than any other author, ushered in the era of both postmodern fiction and poststructural philosophy. Through this study Miller situates Burroughs within the larger countercultural movements that began in the 1950s, when his novels became influential because of their examination of various control systems (from sex and drugs to global or even intergalactic conspiracies). Understanding William S. Burroughs begins by considering his early, straightforward narratives. Despite being more stylistically conventional, they broke new ground with their depictions of junkies, gay people, and others marginalized by society. The publication of Naked Lunch shattered all literary paradigms in terms of form and content. Naked Lunch and the cut-up novels, recordings, films, and art that followed constitute one of the twentieth century's most sustained and methodical aesthetic experiments, placing Burroughs alongside Franz Kafka, Jorge Luis Borges, James Joyce, Samuel Beckett, Vladimir Nabokov, and Thomas Pynchon in terms of both innovation and influence. Burroughs eventually turned his attention toward imagining methods of using the control "machinery" against itself. Often considered his masterpiece, the Red Night Trilogy of the 1980s ranges across time and space, and life and death, in its quest to discover the ultimate form of freedom. His antiestablishment stance and virulent attacks on various types of oppression have caused Burroughs to remain a highly influential figure to each new generation of authors, artists, musicians, and philosophers. The hippies, punks, and cyberpunks were all heavily indebted to the man whom many people called el hombre invisible, and his works prove more relevant than ever in the twenty-first century.
Publisher: Univ of South Carolina Press
ISBN: 1643360337
Category : Literary Criticism
Languages : en
Pages : 156
Book Description
Through critical readings Gerald Alva Miller, Jr., examines the life of William S. Burroughs and the evolution of his various radical styles not just in writing but also in audio, film, and painting. Although Burroughs remains tied to the Beat Generation, his works prove more revolutionary. Miller argues that Burroughs, more than any other author, ushered in the era of both postmodern fiction and poststructural philosophy. Through this study Miller situates Burroughs within the larger countercultural movements that began in the 1950s, when his novels became influential because of their examination of various control systems (from sex and drugs to global or even intergalactic conspiracies). Understanding William S. Burroughs begins by considering his early, straightforward narratives. Despite being more stylistically conventional, they broke new ground with their depictions of junkies, gay people, and others marginalized by society. The publication of Naked Lunch shattered all literary paradigms in terms of form and content. Naked Lunch and the cut-up novels, recordings, films, and art that followed constitute one of the twentieth century's most sustained and methodical aesthetic experiments, placing Burroughs alongside Franz Kafka, Jorge Luis Borges, James Joyce, Samuel Beckett, Vladimir Nabokov, and Thomas Pynchon in terms of both innovation and influence. Burroughs eventually turned his attention toward imagining methods of using the control "machinery" against itself. Often considered his masterpiece, the Red Night Trilogy of the 1980s ranges across time and space, and life and death, in its quest to discover the ultimate form of freedom. His antiestablishment stance and virulent attacks on various types of oppression have caused Burroughs to remain a highly influential figure to each new generation of authors, artists, musicians, and philosophers. The hippies, punks, and cyberpunks were all heavily indebted to the man whom many people called el hombre invisible, and his works prove more relevant than ever in the twenty-first century.
The Beat Book
Author: Anne Waldman
Publisher: Shambhala Publications
ISBN: 1590304551
Category : Poetry
Languages : en
Pages : 402
Book Description
The Beat movement exploded into American culture in the early 1950s with the force of prophecy. Not just another literary school, it was an artistic and social revolution. William S. Burroughs proclaimed that the Beat writers were “real architects of change. There is no doubt that we’re living in a freer America as a result of the Beat literary movement, which is an important part of the larger picture of cultural and political change in this country during the last forty years, when a four-letter word couldn’t appear on the printed page and minority rights were ridiculous.” Anne Waldman, a renowned poet and longtime friend of many of these writers, has gathered in this volume a range of the best and most exemplary writings of the Beat poets and novelists. Selections from the Beat classics appear, as well as more recent prose and poetry demonstrating the continued vitality of the Beat experiment. Included are short biographies of the contributors, an extensive bibliography of Beat literature, and a unique guide to “Beat places” around the world—from Kerouac’s hometown of Lowell, Massachusetts, where his novel Dr. Sax takes place, to Tangier, where Burroughs wrote parts of Naked Lunch.
Publisher: Shambhala Publications
ISBN: 1590304551
Category : Poetry
Languages : en
Pages : 402
Book Description
The Beat movement exploded into American culture in the early 1950s with the force of prophecy. Not just another literary school, it was an artistic and social revolution. William S. Burroughs proclaimed that the Beat writers were “real architects of change. There is no doubt that we’re living in a freer America as a result of the Beat literary movement, which is an important part of the larger picture of cultural and political change in this country during the last forty years, when a four-letter word couldn’t appear on the printed page and minority rights were ridiculous.” Anne Waldman, a renowned poet and longtime friend of many of these writers, has gathered in this volume a range of the best and most exemplary writings of the Beat poets and novelists. Selections from the Beat classics appear, as well as more recent prose and poetry demonstrating the continued vitality of the Beat experiment. Included are short biographies of the contributors, an extensive bibliography of Beat literature, and a unique guide to “Beat places” around the world—from Kerouac’s hometown of Lowell, Massachusetts, where his novel Dr. Sax takes place, to Tangier, where Burroughs wrote parts of Naked Lunch.
Conversations with William S. Burroughs
Author: William S. Burroughs
Publisher: Univ. Press of Mississippi
ISBN: 9781578061839
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Although a rather shy, private man, William Burroughs gave a good many interviews during his lifetime, some in prominent publications, others in obscure forums. The interviews collected here provide an aperture into the philosophies, methods, and quirks of a man who wrote Queer, Junky, Naked Lunch, Nova Express, Cities of the Red Night, My Education, and many other works. When he died in 1997, Burroughs was likely one of the most widely recognizable figures in contemporary American literature. His image circulated on album jackets, in Nike commercials, and in films, as though proving his notion that pictures and words are viruses, invading any receptive host, taking hold, and replicating themselves. Not surprisingly, the topics Burroughs touches upon are wide-ranging: his relationships to the Beats, legends surrounding his personal life, drugs, gay liberation, collaboration, the cut-up technique, science fiction, politics, conspiracy theory, censorship, cats, guns, David Cronenberg's movie adaptation of Naked Lunch, shotgun art, dreams, and life in Lawrence, Kansas, where he spent his last years. From these interviews emerges a full, undiluted portait of a writer who is difficult to capture in biography. Speaking of the Paris Review interview Alfred Kazin calls Burroughs "an engineer of the pen, a calmly interested specialist of the new processes. When Burroughs makes philosophic and scientific claims for his disorderly collections of data, we happily recognize under the externally calm surface of the interview, the kind of inner frenzy that is his genius--and which, in all of us, his books make an appeal." Kazin's view applies as well for the other interviews in this collection. Allen Hibbard is an associate professor of English and the director of graduate studies at Middle Tennessee State University. He is the author of Paul Bowles: A Study of the Short Fiction and of many articles.
Publisher: Univ. Press of Mississippi
ISBN: 9781578061839
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Although a rather shy, private man, William Burroughs gave a good many interviews during his lifetime, some in prominent publications, others in obscure forums. The interviews collected here provide an aperture into the philosophies, methods, and quirks of a man who wrote Queer, Junky, Naked Lunch, Nova Express, Cities of the Red Night, My Education, and many other works. When he died in 1997, Burroughs was likely one of the most widely recognizable figures in contemporary American literature. His image circulated on album jackets, in Nike commercials, and in films, as though proving his notion that pictures and words are viruses, invading any receptive host, taking hold, and replicating themselves. Not surprisingly, the topics Burroughs touches upon are wide-ranging: his relationships to the Beats, legends surrounding his personal life, drugs, gay liberation, collaboration, the cut-up technique, science fiction, politics, conspiracy theory, censorship, cats, guns, David Cronenberg's movie adaptation of Naked Lunch, shotgun art, dreams, and life in Lawrence, Kansas, where he spent his last years. From these interviews emerges a full, undiluted portait of a writer who is difficult to capture in biography. Speaking of the Paris Review interview Alfred Kazin calls Burroughs "an engineer of the pen, a calmly interested specialist of the new processes. When Burroughs makes philosophic and scientific claims for his disorderly collections of data, we happily recognize under the externally calm surface of the interview, the kind of inner frenzy that is his genius--and which, in all of us, his books make an appeal." Kazin's view applies as well for the other interviews in this collection. Allen Hibbard is an associate professor of English and the director of graduate studies at Middle Tennessee State University. He is the author of Paul Bowles: A Study of the Short Fiction and of many articles.
Handbook of Scientology
Author: James R. Lewis
Publisher: BRILL
ISBN: 9004330542
Category : Religion
Languages : en
Pages : 620
Book Description
The Handbook of Scientology brings together a collection of fresh studies of the most persistently controversial of all contemporary New Religions. In recent years, increasing scholarly attention has been directed at the Church of Scientology, resulting in a small tsunami of new scholarship. We have finally reached a point in time where a book on Scientology need not restrict itself to basics. Thus, for example, the historical chapters in the present volume are not really aimed at providing elementary facts on Scientology’s background, but, rather, focus on understanding how the Church of Scientology developed over the years. In short, the Handbook of Scientology will provide a wealth of new information on a topic that one might otherwise have thought exhausted. Contributors are Matthew Charet, Dorthe Refslund Christensen, Carole M. Cusack, Bernard Doherty, Marco Frenschkowski, Liselotte Frisk, Kjersti Hellesøy, Don Jolly, James R. Lewis, Renee Lockwood, András Máté-Tóth, Gábor Dániel Nagy, Johanna Petsche, Erin Prophet, Susan Raine, David G. Robertson, Mikael Rothstein, Lisbeth Tuxin Rubin, Nicole S. Ruskell, Shannon Trosper Schorey, Michelle Swainson, Inga Bårdsen Tøllefsen, Hugh G. Urban, Donald A. Westbrook, and Benjamin Zeller.
Publisher: BRILL
ISBN: 9004330542
Category : Religion
Languages : en
Pages : 620
Book Description
The Handbook of Scientology brings together a collection of fresh studies of the most persistently controversial of all contemporary New Religions. In recent years, increasing scholarly attention has been directed at the Church of Scientology, resulting in a small tsunami of new scholarship. We have finally reached a point in time where a book on Scientology need not restrict itself to basics. Thus, for example, the historical chapters in the present volume are not really aimed at providing elementary facts on Scientology’s background, but, rather, focus on understanding how the Church of Scientology developed over the years. In short, the Handbook of Scientology will provide a wealth of new information on a topic that one might otherwise have thought exhausted. Contributors are Matthew Charet, Dorthe Refslund Christensen, Carole M. Cusack, Bernard Doherty, Marco Frenschkowski, Liselotte Frisk, Kjersti Hellesøy, Don Jolly, James R. Lewis, Renee Lockwood, András Máté-Tóth, Gábor Dániel Nagy, Johanna Petsche, Erin Prophet, Susan Raine, David G. Robertson, Mikael Rothstein, Lisbeth Tuxin Rubin, Nicole S. Ruskell, Shannon Trosper Schorey, Michelle Swainson, Inga Bårdsen Tøllefsen, Hugh G. Urban, Donald A. Westbrook, and Benjamin Zeller.
Among the Scientologists
Author: Donald A. Westbrook
Publisher:
ISBN: 0190664975
Category : Biography & Autobiography
Languages : en
Pages : 353
Book Description
The Church of Scientology is one of the most recognizable American-born new religions, but perhaps the least understood. With academic and popular interest on the rise, many books have been written about Scientology and surely more will follow. Although academics have begun to pay more attention to Scientology, the subject has received remarkably little qualitative attention. Indeed, no work has systematically addressed such questions as: what do Scientologists themselves have to say about their religion's history, theology, and practices? How does Scientology act as a religion for them? What does "lived religion" look like for a Scientologist? This is not so much a book about the Church of Scientology, its leaders, or its controversies, as it is a compilation of narratives and histories based on the largely unheard or ignored perspectives of Scientologists themselves. Drawing on six years of interviews, fieldwork, and research conducted among members of the Church of Scientology, this groundbreaking work examines features of the new religion's history, theology, and praxis in ways that move discussion beyond apostate-driven and expos� accounts.
Publisher:
ISBN: 0190664975
Category : Biography & Autobiography
Languages : en
Pages : 353
Book Description
The Church of Scientology is one of the most recognizable American-born new religions, but perhaps the least understood. With academic and popular interest on the rise, many books have been written about Scientology and surely more will follow. Although academics have begun to pay more attention to Scientology, the subject has received remarkably little qualitative attention. Indeed, no work has systematically addressed such questions as: what do Scientologists themselves have to say about their religion's history, theology, and practices? How does Scientology act as a religion for them? What does "lived religion" look like for a Scientologist? This is not so much a book about the Church of Scientology, its leaders, or its controversies, as it is a compilation of narratives and histories based on the largely unheard or ignored perspectives of Scientologists themselves. Drawing on six years of interviews, fieldwork, and research conducted among members of the Church of Scientology, this groundbreaking work examines features of the new religion's history, theology, and praxis in ways that move discussion beyond apostate-driven and expos� accounts.
Scientology in Popular Culture
Author: Stephen A. Kent
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Religion
Languages : en
Pages : 418
Book Description
This multidisciplinary study of Scientology examines the organization and the controversies around it through the lens of popular culture, referencing movies, television, print, and the Internet—an unusual perspective that will engage a wide range of readers and researchers. For more than 60 years, Scientology has claimed alternative religious status with a significant number of followers, despite its portrayals in popular culture domains as being bizarre. What are the reasons for the vital connections between Scientology and popular culture that help to maintain or challenge it as an influential belief system? This book is the first academic treatment of Scientology that examines the movement in a popular-culture context from the perspective of several Western countries. It documents how the attention paid to Scientology by high-profile celebrities and its mention in movies, television, and print as well as on the Internet results in millions of people being aware of the organization—to the religious organization's benefit and detriment. The book leads with a background on Scientology and a discussion of science fiction concepts, pulps, and movies. The next section examines Scientology's ongoing relationship with the Hollywood elite, including the group's use of celebrities in its drug rehabilitation program, and explores movies and television shows that contain Scientology themes or comedic references. Readers will learn about how the Internet and the mainstream media of the United States as well as of Australia, Germany, and the UK have regarded Scientology. The final section investigates the music and art of Scientology.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Religion
Languages : en
Pages : 418
Book Description
This multidisciplinary study of Scientology examines the organization and the controversies around it through the lens of popular culture, referencing movies, television, print, and the Internet—an unusual perspective that will engage a wide range of readers and researchers. For more than 60 years, Scientology has claimed alternative religious status with a significant number of followers, despite its portrayals in popular culture domains as being bizarre. What are the reasons for the vital connections between Scientology and popular culture that help to maintain or challenge it as an influential belief system? This book is the first academic treatment of Scientology that examines the movement in a popular-culture context from the perspective of several Western countries. It documents how the attention paid to Scientology by high-profile celebrities and its mention in movies, television, and print as well as on the Internet results in millions of people being aware of the organization—to the religious organization's benefit and detriment. The book leads with a background on Scientology and a discussion of science fiction concepts, pulps, and movies. The next section examines Scientology's ongoing relationship with the Hollywood elite, including the group's use of celebrities in its drug rehabilitation program, and explores movies and television shows that contain Scientology themes or comedic references. Readers will learn about how the Internet and the mainstream media of the United States as well as of Australia, Germany, and the UK have regarded Scientology. The final section investigates the music and art of Scientology.
The Church of Scientology
Author: Hugh B. Urban
Publisher: Princeton University Press
ISBN: 0691158053
Category : Religion
Languages : en
Pages : 280
Book Description
Scientology's long and complex journey to recognition as a religion Scientology is one of the wealthiest and most powerful new religions to emerge in the past century. To its detractors, L. Ron Hubbard's space-age mysticism is a moneymaking scam and sinister brainwashing cult. But to its adherents, it is humanity's brightest hope. Few religious movements have been subject to public scrutiny like Scientology, yet much of what is written about the church is sensationalist and inaccurate. Here for the first time is the story of Scientology's protracted and turbulent journey to recognition as a religion in the postwar American landscape. Hugh Urban tells the real story of Scientology from its cold war-era beginnings in the 1950s to its prominence today as the religion of Hollywood's celebrity elite. Urban paints a vivid portrait of Hubbard, the enigmatic founder who once commanded his own private fleet and an intelligence apparatus rivaling that of the U.S. government. One FBI agent described him as "a mental case," but to his followers he is the man who "solved the riddle of the human mind." Urban details Scientology's decades-long war with the IRS, which ended with the church winning tax-exempt status as a religion; the rancorous cult wars of the 1970s and 1980s; as well as the latest challenges confronting Scientology, from attacks by the Internet group Anonymous to the church's efforts to suppress the online dissemination of its esoteric teachings. The Church of Scientology demonstrates how Scientology has reflected the broader anxieties and obsessions of postwar America, and raises profound questions about how religion is defined and who gets to define it.
Publisher: Princeton University Press
ISBN: 0691158053
Category : Religion
Languages : en
Pages : 280
Book Description
Scientology's long and complex journey to recognition as a religion Scientology is one of the wealthiest and most powerful new religions to emerge in the past century. To its detractors, L. Ron Hubbard's space-age mysticism is a moneymaking scam and sinister brainwashing cult. But to its adherents, it is humanity's brightest hope. Few religious movements have been subject to public scrutiny like Scientology, yet much of what is written about the church is sensationalist and inaccurate. Here for the first time is the story of Scientology's protracted and turbulent journey to recognition as a religion in the postwar American landscape. Hugh Urban tells the real story of Scientology from its cold war-era beginnings in the 1950s to its prominence today as the religion of Hollywood's celebrity elite. Urban paints a vivid portrait of Hubbard, the enigmatic founder who once commanded his own private fleet and an intelligence apparatus rivaling that of the U.S. government. One FBI agent described him as "a mental case," but to his followers he is the man who "solved the riddle of the human mind." Urban details Scientology's decades-long war with the IRS, which ended with the church winning tax-exempt status as a religion; the rancorous cult wars of the 1970s and 1980s; as well as the latest challenges confronting Scientology, from attacks by the Internet group Anonymous to the church's efforts to suppress the online dissemination of its esoteric teachings. The Church of Scientology demonstrates how Scientology has reflected the broader anxieties and obsessions of postwar America, and raises profound questions about how religion is defined and who gets to define it.