Catalogue of Books Relating to Architecture, Construction & Decoration PDF Download

Author: Boston Public Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 558

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Author: Boston Public Library
Publisher:
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Category : Architecture
Languages : en
Pages : 720

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Author: Paul Greenhalgh
Publisher: Manchester University Press
ISBN: 1526123657
Category : History
Languages : en
Pages : 273

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Book Description
The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.

Author: Great Britain. Patent Office. Library
Publisher:
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Category : Industrial arts
Languages : en
Pages : 1020

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Author:
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Category : Political science
Languages : en
Pages : 1234

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Author: J. Scott-Keltie
Publisher: Springer
ISBN: 0230253229
Category : Political Science
Languages : en
Pages : 1183

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The classic reference work that provides annually updated information on the countries of the world.

Author: William H. Beezley
Publisher: Rowman & Littlefield
ISBN: 9780842027113
Category : Art
Languages : en
Pages : 288

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Book Description
Latin American Popular Culture: An Introduction is a collection of articles that explores a wide range of compelling cultural subjects in the region, including carnival, romance, funerals, medicine, monuments and dance, among others. The introduction lays out the most important theoretical approaches to the culture of Latin America, and the chapters serve as illustrative case studies. Featuring the latest scholarship in cultural history most of the chapters have not previously been published Latin American Popular Culture is an important resource for courses in Latin American history, civilization, popular culture, and anthropology.

Author: International Railway Congress Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 2474

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Author: Tiffany & Co. (New York)
Publisher: Yale University Press
ISBN: 0300116519
Category : Antiques & Collectibles
Languages : en
Pages : 332

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This catalogue covers around 200 pieces of jewellery dating from the 1850s to the 1980s, products of the American company Tiffany & Co. The essays chart the early years of the store, its transformation into a world leader and its re-establishment as a worldwide brand after 1945.

Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417

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The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.