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Author: Robert G. Eisenhauer Publisher: Peter Lang ISBN: 9780820486970 Category : Literary Collections Languages : en Pages : 274
Book Description
Aftermyths investigates fault-lines in literary and visual representation from 1870 to the early twentieth century as they range from a faux essentialism, often with ethnic overtones, to a «cadence of decadence» reflecting the dissensions of modernity. Reading Henry James and Mark Twain with side-glances to the cartoon revolution of Rudolf Dirks and Richard Felton Outcault, Robert Eisenhauer delves into the archive of frontier or histrionic «decadence, » «Americanness, » and «Germanness.» Pastoral idiom and foreign words, «incomprehensible to us as so many dead languages, » reflect Hesperian micrology on the part of the Übergossiper James, a discursive «katzenjammer» effect, while Twain's difficulties with German exemplify a strategy of emancipation informed by minstrel-like showmanship and a river or streetwise skepticism. In addition, Eisenhauer applies key concepts of Walter Benjamin's Arcades Project to New York City after 1920. Mayor Jimmy Walker and urban planner Robert Moses are seen as Dionysian and Apollonian instances contesting the meta-arcades of Manhattan at the intersection of epic, lyric, and drama. Outcault's «Opera in Ryan's Arcade» vernacularizes the difference between uptown and downtown, high art and low «un-art.» With the premise that Freud's definition of caricature in Totem and Taboo remains valid, Aftermyths goes on to investigate the bear as a mimetic paradigm for Nietzsche's «not yet determined animal» homo sapiens. Finally, Eisenhauer suggests affinities between two fictions of immortality, Grass's Flounder and Hamill's Forever, before returning to the downtown scene for remarks on Richard Foreman's Ontological-Hysteric Theatre.
Author: Robert G. Eisenhauer Publisher: Peter Lang ISBN: 9780820486970 Category : Literary Collections Languages : en Pages : 274
Book Description
Aftermyths investigates fault-lines in literary and visual representation from 1870 to the early twentieth century as they range from a faux essentialism, often with ethnic overtones, to a «cadence of decadence» reflecting the dissensions of modernity. Reading Henry James and Mark Twain with side-glances to the cartoon revolution of Rudolf Dirks and Richard Felton Outcault, Robert Eisenhauer delves into the archive of frontier or histrionic «decadence, » «Americanness, » and «Germanness.» Pastoral idiom and foreign words, «incomprehensible to us as so many dead languages, » reflect Hesperian micrology on the part of the Übergossiper James, a discursive «katzenjammer» effect, while Twain's difficulties with German exemplify a strategy of emancipation informed by minstrel-like showmanship and a river or streetwise skepticism. In addition, Eisenhauer applies key concepts of Walter Benjamin's Arcades Project to New York City after 1920. Mayor Jimmy Walker and urban planner Robert Moses are seen as Dionysian and Apollonian instances contesting the meta-arcades of Manhattan at the intersection of epic, lyric, and drama. Outcault's «Opera in Ryan's Arcade» vernacularizes the difference between uptown and downtown, high art and low «un-art.» With the premise that Freud's definition of caricature in Totem and Taboo remains valid, Aftermyths goes on to investigate the bear as a mimetic paradigm for Nietzsche's «not yet determined animal» homo sapiens. Finally, Eisenhauer suggests affinities between two fictions of immortality, Grass's Flounder and Hamill's Forever, before returning to the downtown scene for remarks on Richard Foreman's Ontological-Hysteric Theatre.
Author: Robert Alan McArthur Publisher: Elm Hill ISBN: 1400327814 Category : Religion Languages : en Pages : 390
Book Description
This one-year daily devotional is an invitation—an invitation to come on a fresh and exciting adventure into the Word of God. It is an invitation to enter into a deeper, more intimate relationship with your Heavenly Father—the One who made you, and wants you, and loves you like no other. It is an invitation to enter into the peace, and joy, and protection, and provision, and purpose of an abundant life that can only be found by having a right relationship with the Father through Christ—a covenant relationship of surrender, trust and obedience. It is a call to live in Truth, and to allow that Truth to set you free to be everything that God has called you to be. God’s Word has an answer to every situation and circumstance of your life, and this devotional explores many of those answers, as it moves you from fear to faith, from doubt to belief, from despair to hope, from darkness to light, from the lies of the enemy to the truth of God’s unrelenting, unending, unfailing, and passionate love for you! Each day’s devotion focuses on a particular passage from the Bible, and uses the truth found in the passage to offer a prayer for God’s help in correctly understanding and rightly applying that truth to your life. As you move through the year, each new day will bring new insights into who God is and all that He has done for you. It will also reveal who you are in Christ—so you can courageously and confidently do all things that that He asks of you, knowing your strength is found in Him alone. This devotional will change your life—because you cannot come to knowledge of the Truth of the Word of God and not be changed. The way that you allow it to change your life will depend largely on the choices that you make when confronted with the Truth. Use this devotional to help you choose wisely God’s very best path for you—and know that He always has your best interests at heart.
Author: Robert G. Eisenhauer Publisher: Peter Lang ISBN: 9781433103520 Category : Literary Criticism Languages : en Pages : 228
Book Description
"Discussing two cinematic interpretations of Terence Rattigan's play The Browning Version, Eisenhauer traces the use/abuse of names in the rhetoric of academic and political vilification. Drawing on such diverse sources as Aeschylus, Browning, Golding, and Adorno, he finds the current state of discourse in need of "heavy teaching," so that the repressed subject of democracy/tyranny can surpass the psychopathology of the Same." "Analyzing Fellini's radical revision of an Edgar Allan Poe short story, the author suggests how inscrutability saves the audience from guilt because the viewer cannot arrive at apodictic certainty concerning the "subject screened." While Poe lampoons "the transcendentals" as a kind of disease, implying readerly guilt by association, and solidifying the letter T, Fellini, by valorizing theatrical illusion, fails to translate a text that teaches the reader more than he or she is prepared to know."
Author: Cheng Guan Ang Publisher: Routledge ISBN: 1135238375 Category : History Languages : en Pages : 142
Book Description
Considers how the other countries of southeast Asia were affected by Vietnam War and how they reacted to it. This title explains the differing responses - Thailand and the Philippines both contributed militarily to the US war effort, whilst Indonesia, Malaysia and Singapore were non-aligned.
Author: Sean Kane Publisher: Broadview Press ISBN: 9781551112084 Category : Fiction Languages : en Pages : 292
Book Description
Mythtelling: the ideas and emotions of the Earth expressed through stories—stories distilled from millennia of treading warily in nature, rather than undertaking to rearrange her furniture. Wisdom of the Mythtellers uncovers four kinds of ancestral dream-mapping: Native Australian, Native American, Celtic, and Greek.
Author: Joseph O'Mealy Publisher: Routledge ISBN: 1135697620 Category : Performing Arts Languages : en Pages : 192
Book Description
Alan Bennett is perhaps best known in the UK for the BBC production of his Talking Heads TV plays, while the rest of the world may recognize him for the film adaptation of his play, The Madness of King George. O'Mealy points out that Bennett is a social critic strongly influenced by Beckett and Swift, interested in depicting and analyzing the role playing of everyday life, a'la sociologist Ervin Goffman.
Author: Minae Mizumura Publisher: Columbia University Press ISBN: 0231549660 Category : Fiction Languages : en Pages : 454
Book Description
Minae Mizumura’s An I-Novel is a semi-autobiographical work that takes place over the course of a single day in the 1980s. Minae is a Japanese expatriate graduate student who has lived in the United States for two decades but turned her back on the English language and American culture. After a phone call from her older sister reminds her that it is the twentieth anniversary of their family’s arrival in New York, she spends the day reflecting in solitude and over the phone with her sister about their life in the United States, trying to break the news that she has decided to go back to Japan and become a writer in her mother tongue. Published in 1995, this formally daring novel radically broke with Japanese literary tradition. It liberally incorporated English words and phrases, and the entire text was printed horizontally, to be read from left to right, rather than vertically and from right to left. In a luminous meditation on how a person becomes a writer, Mizumura transforms the “I-novel,” a Japanese confessional genre that toys with fictionalization. An I-Novel tells the story of two sisters while taking up urgent questions of identity, race, and language. Above all, it considers what it means to write in the era of the hegemony of English—and what it means to be a writer of Japanese in particular. Juliet Winters Carpenter masterfully renders a novel that once appeared untranslatable into English.
Author: Robert G. Eisenhauer
Author: Robert G. Eisenhauer
Author: Robert Alan McArthur
Author: Robert G. Eisenhauer
Author: Walter L. Hixson
Author: Cheng Guan Ang
Author: Joel Whitburn
Author: Sean Kane
Author: Joseph O'Mealy
Author: Ivan Pavlovich Minaev
Author: Minae Mizumura