Author: Laura Mulvey
Publisher: Reaktion Books
ISBN: 178914163X
Category : Performing Arts
Languages : en
Pages : 287
Book Description
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
Afterimages
Author: Laura Mulvey
Publisher: Reaktion Books
ISBN: 178914163X
Category : Performing Arts
Languages : en
Pages : 287
Book Description
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
Publisher: Reaktion Books
ISBN: 178914163X
Category : Performing Arts
Languages : en
Pages : 287
Book Description
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
Animals, Plants and Afterimages
Author: Valérie Bienvenue
Publisher: Berghahn Books
ISBN: 1800734263
Category : Nature
Languages : en
Pages : 460
Book Description
The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns.
Publisher: Berghahn Books
ISBN: 1800734263
Category : Nature
Languages : en
Pages : 460
Book Description
The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns.
After Images
Author: Shinkichi Takahashi
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 136
Book Description
Afterimages
Author: Liam Kennedy
Publisher: University of Chicago Press
ISBN: 022633726X
Category : History
Languages : en
Pages : 233
Book Description
Liam Kennedy here takes as his focus the ways in which selected photographers have sought to frame the activities and effects of American foreign policy, often with a critical perspective, and how their work engages the dynamics of power and knowledge that attend the American worldview. What is at issue in this book is understanding relations between the geopolitical conditions of visuality and the particulars of the image. Conditions of visuality, for Kennedy, are the ideologies that determine certain ways of seeing, that support actions and representations which establish (in)visibilities and which police the relationship between seeing and believing the American worldview. The individual photographers whose work Kennedy so insightfully dissects are those who have pushed the boundaries of photographic practice and who reflect critically on the contexts and scenery of war: Larry Burrows and Philip Jones Griffiths in Vietnam, Gilles Peress covering the Iranian Revolution, Susan Meiselas in El Salvador and Nicaragua, Ron Haviv and Gary Knight in the Balkans, Ashley Gilbertson and Chris Hondros in Iraq, and Tim Hetherington and Lynsey Addario in Afghanistan. These individuals expanded the conception and technical repertoire of photojournalism, receiving critical acclaim, provoking public and professional controversy, and often incurring great personal cost to themselves. Afterimages presents us with a revisionary understanding of the art of conflict photography. The images are often searing they sometimes demonize and dehumanize the enemy, but also humanize friend or victim: a focus on the human roots the range of feeling in such imagery, from horror to pity."
Publisher: University of Chicago Press
ISBN: 022633726X
Category : History
Languages : en
Pages : 233
Book Description
Liam Kennedy here takes as his focus the ways in which selected photographers have sought to frame the activities and effects of American foreign policy, often with a critical perspective, and how their work engages the dynamics of power and knowledge that attend the American worldview. What is at issue in this book is understanding relations between the geopolitical conditions of visuality and the particulars of the image. Conditions of visuality, for Kennedy, are the ideologies that determine certain ways of seeing, that support actions and representations which establish (in)visibilities and which police the relationship between seeing and believing the American worldview. The individual photographers whose work Kennedy so insightfully dissects are those who have pushed the boundaries of photographic practice and who reflect critically on the contexts and scenery of war: Larry Burrows and Philip Jones Griffiths in Vietnam, Gilles Peress covering the Iranian Revolution, Susan Meiselas in El Salvador and Nicaragua, Ron Haviv and Gary Knight in the Balkans, Ashley Gilbertson and Chris Hondros in Iraq, and Tim Hetherington and Lynsey Addario in Afghanistan. These individuals expanded the conception and technical repertoire of photojournalism, receiving critical acclaim, provoking public and professional controversy, and often incurring great personal cost to themselves. Afterimages presents us with a revisionary understanding of the art of conflict photography. The images are often searing they sometimes demonize and dehumanize the enemy, but also humanize friend or victim: a focus on the human roots the range of feeling in such imagery, from horror to pity."
AfterImage
Author: Carla Malden
Publisher: Rowman & Littlefield
ISBN: 076276872X
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
In this fiercely personal account of her battling the before, and surviving the after, of losing her husband to cancer, Carla Malden takes us on a journey through grief to gratitude that alerts the entire forever-young generation: this is not your mother’s widowhood. AfterImage is a story of love more than loss, memory more than sorrow, life more than death.
Publisher: Rowman & Littlefield
ISBN: 076276872X
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
In this fiercely personal account of her battling the before, and surviving the after, of losing her husband to cancer, Carla Malden takes us on a journey through grief to gratitude that alerts the entire forever-young generation: this is not your mother’s widowhood. AfterImage is a story of love more than loss, memory more than sorrow, life more than death.
Afterimages of Slavery
Author: Marlene D. Allen
Publisher: McFarland
ISBN: 0786490160
Category : Social Science
Languages : en
Pages : 243
Book Description
Since the election of President Barack Obama, many pundits have declared that we are living in a "post-racial America," a culture where the legacy of slavery has been erased. The new essays in this collection, however, point to a resurgence of the theme of slavery in American cultural artifacts from the late twentieth- and twenty-first centuries. Ranging from disciplines as diverse as African American studies, film and television, architectural studies, and science fiction, the essays provide a provocative look into how and why slavery continues to recur as a trope in American popular culture. By exploring how authors, filmmakers, historians, and others engage and challenge the narrative of American slavery, this volume invites further study of slavery in its contemporary forms of human trafficking and forced labor and challenges the misconception that slavery is an event of the past.
Publisher: McFarland
ISBN: 0786490160
Category : Social Science
Languages : en
Pages : 243
Book Description
Since the election of President Barack Obama, many pundits have declared that we are living in a "post-racial America," a culture where the legacy of slavery has been erased. The new essays in this collection, however, point to a resurgence of the theme of slavery in American cultural artifacts from the late twentieth- and twenty-first centuries. Ranging from disciplines as diverse as African American studies, film and television, architectural studies, and science fiction, the essays provide a provocative look into how and why slavery continues to recur as a trope in American popular culture. By exploring how authors, filmmakers, historians, and others engage and challenge the narrative of American slavery, this volume invites further study of slavery in its contemporary forms of human trafficking and forced labor and challenges the misconception that slavery is an event of the past.
A Dictionary of Hallucinations
Author: Jan Dirk Blom
Publisher: Springer Science & Business Media
ISBN: 1441912231
Category : Medical
Languages : en
Pages : 553
Book Description
A Dictionary of Hallucinations is designed to serve as a reference manual for neuroscientists, psychiatrists, psychiatric residents, psychologists, neurologists, historians of psychiatry, general practitioners, and academics dealing professionally with concepts of hallucinations and other sensory deceptions.
Publisher: Springer Science & Business Media
ISBN: 1441912231
Category : Medical
Languages : en
Pages : 553
Book Description
A Dictionary of Hallucinations is designed to serve as a reference manual for neuroscientists, psychiatrists, psychiatric residents, psychologists, neurologists, historians of psychiatry, general practitioners, and academics dealing professionally with concepts of hallucinations and other sensory deceptions.
Afterimage
Author: Naomi Hughes
Publisher: Page Street YA
ISBN: 1624145981
Category : Young Adult Fiction
Languages : en
Pages : 244
Book Description
"This tale deserves a prominent place on sci-fi shelves."—SLJ “[This] high-action, science-fiction thriller starts with a bang and never slows for a beat. ...[P]lot twists, flashbacks, and alternate timelines keep the story full of surprises. A wild, fast-paced ride full of unexpected turns.” —Kirkus Reviews A horrific explosion levels part of the city and Camryn Kingfisher is the sole survivor. Amidst controversy, conspiracy theories, and threats from government officials, Camryn longs for the truth. But the only person who she can turn to is a transparent boy in a lab coat named Quint. Unsure whether he’s a hallucination or a ghost, Camryn has no choice but to trust him as they become embroiled in a plot that is bigger than either of them realize. In a race where the fabric of time and space is at stake, they must figure out who caused the explosion before the culprit comes back to finish Camryn—and her city—off for good.
Publisher: Page Street YA
ISBN: 1624145981
Category : Young Adult Fiction
Languages : en
Pages : 244
Book Description
"This tale deserves a prominent place on sci-fi shelves."—SLJ “[This] high-action, science-fiction thriller starts with a bang and never slows for a beat. ...[P]lot twists, flashbacks, and alternate timelines keep the story full of surprises. A wild, fast-paced ride full of unexpected turns.” —Kirkus Reviews A horrific explosion levels part of the city and Camryn Kingfisher is the sole survivor. Amidst controversy, conspiracy theories, and threats from government officials, Camryn longs for the truth. But the only person who she can turn to is a transparent boy in a lab coat named Quint. Unsure whether he’s a hallucination or a ghost, Camryn has no choice but to trust him as they become embroiled in a plot that is bigger than either of them realize. In a race where the fabric of time and space is at stake, they must figure out who caused the explosion before the culprit comes back to finish Camryn—and her city—off for good.
Afterimages of Gilles Deleuze's Film Philosophy
Author: David Norman Rodowick
Publisher: U of Minnesota Press
ISBN: 0816650063
Category : Performing Arts
Languages : en
Pages : 422
Book Description
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought. The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research. Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.
Publisher: U of Minnesota Press
ISBN: 0816650063
Category : Performing Arts
Languages : en
Pages : 422
Book Description
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought. The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research. Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.
Understanding Phenomenal Consciousness
Author: William S. Robinson
Publisher: Cambridge University Press
ISBN: 9781139452298
Category : Philosophy
Languages : en
Pages : 278
Book Description
William S. Robinson has for many years written insightfully about the mind-body problem. In Understanding Phenomenal Consciousness he focuses on sensory experience (e.g., pain, afterimages) and perception qualities such as colours, sounds and odours to present a dualistic view of the mind, called Qualitative Event Realism, that goes against the dominant materialist views. This theory is relevant to the development of a science of consciousness which is now being pursued not only by philosophers but by researchers in psychology and the brain sciences. This provocative book will interest students and professionals who work in the philosophy of mind and will also have cross-disciplinary appeal in cognitive psychology and the brain sciences.
Publisher: Cambridge University Press
ISBN: 9781139452298
Category : Philosophy
Languages : en
Pages : 278
Book Description
William S. Robinson has for many years written insightfully about the mind-body problem. In Understanding Phenomenal Consciousness he focuses on sensory experience (e.g., pain, afterimages) and perception qualities such as colours, sounds and odours to present a dualistic view of the mind, called Qualitative Event Realism, that goes against the dominant materialist views. This theory is relevant to the development of a science of consciousness which is now being pursued not only by philosophers but by researchers in psychology and the brain sciences. This provocative book will interest students and professionals who work in the philosophy of mind and will also have cross-disciplinary appeal in cognitive psychology and the brain sciences.