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Author: Thierry De Duve Publisher: Mit Press ISBN: 9780262540940 Category : Art Languages : en Pages : 484
Book Description
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.The essays : Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.
Author: Thierry De Duve Publisher: Mit Press ISBN: 9780262540940 Category : Art Languages : en Pages : 484
Book Description
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.The essays : Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.
Author: Kevin McLaughlin Publisher: Stanford University Press ISBN: 0804792283 Category : Literary Criticism Languages : en Pages : 213
Book Description
This book argues that the theory of force elaborated in Immanuel Kant's aesthetics (and in particular, his theorization of the dynamic sublime) is of decisive importance to poetry in the nineteenth century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential nineteenth-century writers in their respective national traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold. The result is a fine elucidation of Kantian theory and a fresh account of poetic language and its aesthetic, ethical, and political possibilities.
Author: Philip Rothfield Publisher: Clinamen Press ISBN: Category : Philosophy Languages : en Pages : 244
Book Description
"Jacques Derrida's career-long engagement with the philosophy of Emmanuel Kant has made possible a sea-change in both the understanding and methods of appraisal of Kant's work. Kant After Derrida is a collection of essays which reflects the breadth of this re-appraisal, assessing the principal points of contact and dissonance between the Derridean deconstructive approach and Kant's 'critical apparatus' ... While explicitly avoiding simple opposition, Derrida's work and its influence has intimately effected reconfigurations on familiar Kantian subjects such as beauty, nature, freedom, the transcendental, the categories, casting anew the ethical, aesthetic, physical and metaphysical systems with which Kant blazed his 'Copernican revolution'. The richness and diversity of these essays is evidence both of the strength and enduring power of Kant's achievement some two hundred years after his death, and tribute to the value of the very Derridean notion of 'reading with'." -- From back cover.
Author: Timothy J. Mehigan Publisher: Camden House ISBN: 1571135189 Category : Literary Criticism Languages : en Pages : 246
Book Description
Kleist viewed anew as a major contributor to the tradition of post-Kantian thought. The question of Heinrich von Kleist's reading and reception of Kant's philosophy has never been satisfactorily answered. The present study aims to reassess this question, particularly in the light of Kant's rising importance for the humanities today. It argues not only that Kleist was influenced by Kant, but also that he may be understood as a Kantian, albeit an unorthodox one. The volume integrates material previously published by the author, now updated, with new chapters to form a greater whole. What results is a coherent set of approaches that illuminates the question of Kleist's Kantianism from different points of view. Kleist is thereby understood not only as a writer but also as a thinker - one whose seriousness of purpose and clarity of design compares with that of other early expositors of Kant's thought such as Reinhold and Fichte. Through the locutions and idioms of fiction and the essay, Kleist becomes visible for the first time as an original contributor to the tradition of post-Kantian ideas. Tim Mehigan is Professorial Chair of German in the Department of Languages and Cultures at the University of Otago, New Zealand, and Honorary Professor in the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.
Author: Immanuel Kant Publisher: Cambridge University Press ISBN: 9780521319287 Category : Philosophy Languages : en Pages : 372
Book Description
Occupying him for more than the last decade of his life, this volume includes the first English translation of Kant's last major work, the so-called Opus postumum, which he described as his "chef d'oeuvre" and the keystone of his entire philosophical system.
Author: Joe Saunders Publisher: Bloomsbury Publishing ISBN: 1350187763 Category : Philosophy Languages : en Pages : 233
Book Description
Freedom after Kant situates Kant's concept of freedom in relation to leading philosophers of the period to trace a detailed history of philosophical thinking on freedom from the 18th to the 20th century. Beginning with German Idealism, the volume presents Kant's writings on freedom and their reception by contemporaries, successors, followers and critics. From exchanges of philosophical ideas on freedom between Kant and his contemporaries, Reinhold and Fichte, through to Kant's ideas on rational self-determination in Hegel and Schelling, we see Kant's original arguments transformed through concepts of autonomy, freedom and absolutes. The political aspect of Kant's freedom finds further articulation in chapters on Marx and Mill who developed their own notions of political freedom after Kant. Revealing how Kant's concept of freedom shaped the history of philosophy in the broadest sense, contributors chart the development of an ethics of freedom in the 20th century which brings Kant into conversation with Heidegger, Beauvoir, Sartre, Levinas and Murdoch. This line of thinking on freedom signals a new departure for Kantian studies which brings his ideas into the present day and traverses major schools of thought including Idealism, Marxism, existentialism and moral philosophy.
Author: Immanuel Kant Publisher: Cambridge University Press ISBN: 1139433091 Category : Philosophy Languages : en Pages : 546
Book Description
This volume, originally published in 2002, assembles the historical sequence of writings that Kant published between 1783 and 1796 to popularize, summarize, amplify and defend the doctrines of his masterpiece, the Critique of Pure Reason of 1781. The best known of them, the Prolegomena, is often recommended to beginning students, but the other texts are also vintage Kant and are important sources for a fully rounded picture of Kant's intellectual development. As with other volumes in the series there are copious linguistic notes and a glossary of key terms. The editorial introductions and explanatory notes shed light on the critical reception accorded Kant by the metaphysicians of his day and on Kant's own efforts to derail his opponents.
Author: Maurizio Ferraris Publisher: State University of New York Press ISBN: 1438448104 Category : Philosophy Languages : en Pages : 148
Book Description
A best seller in Italy, Maurizio Ferraris's Goodbye, Kant! delivers a nontechnical, entertaining, and occasionally irreverent overview of Immanuel Kant's Critique of Pure Reason. He borrows his title from Wolfgang Becker's Goodbye Lenin!, the 2003 film about East Germany after the fall of the Berlin Wall, which depicts both relief at the passing of the Soviet era and affection for the ideals it embodied. Ferraris approaches Kant in similar spirits, demonstrating how the structure that Kant elaborates for the understanding of human knowledge can generate nostalgia for lost aspirations, while still leaving room for constructive criticism. Isolating key themes and concerns in the work, Ferraris evaluates Kant's claims relative to what science and philosophy have come to regard as the conditions for knowledge and experience in the intervening two centuries. He remains attentive to the historical context and ideals from which Kant's Critique emerged but also resolute in identifying what he sees as the limits and blind spots in the work. The result is an accessible account of a notoriously difficult book that will both provoke experts and introduce students to the work and to these important philosophical debates about the relations of experience to science.
Author: Thierry De Duve
Author: Thierry De Duve
Author: Kevin McLaughlin
Author: Philip Rothfield
Author: Timothy J. Mehigan
Author: Immanuel Kant
Author: Joe Saunders
Author: Anthony O'Hear
Author: Immanuel Kant
Author: Richard Schacht
Author: Maurizio Ferraris