Author: José Jorge de Carvalho
Publisher:
ISBN:
Category : Afro-Brazilian cults
Languages : en
Pages : 56

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Book Description

Author: José Jorge de Carvalho
Publisher:
ISBN:
Category : Afro-Brazilian cults
Languages : en
Pages : 54

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Book Description

Author: Marc Gidal
Publisher: Oxford University Press
ISBN: 0199368228
Category : Music
Languages : en
Pages : 241

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Book Description
This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.

Author: Universidade de Brasilia
Publisher:
ISBN:
Category :
Languages : en
Pages : 45

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Book Description

Author: Marc Gidal
Publisher: Oxford University Press
ISBN: 0190493801
Category : Music
Languages : en
Pages : 241

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Book Description
In Spirit Song: Afro-Brazilian Religious Music and Boundaries, Marc Gidal investigates how and why a multi-faith community in southern Brazil utilizes music to combine and segregate three Afro-Brazilian religions: Umbanda, Quimbanda, and Batuque. Combining ethnomusicology and symbolic boundary studies, Gidal advances a theory of musical boundary-work: the ways music reinforces, bridges, or blurs boundaries, whether for personal, social, spiritual, or political purposes. Gidal focuses on spirit-mediumship rituals and their musical accompaniment, exploring how the Afro-gaucho religious community employs music and rituals to variously promote innovation and egalitarianism in Umbanda and Quimbanda, while it reinforces musical preservation and hierarchies in Batuque. Religious and musical leaders carefully restrict the cosmologies, ceremonial sequences, and sung prayers of one religion from affecting the others so as to safeguard Batuque's African heritage. Members of disenfranchised populations view the religions as vehicles for empowerment, whether based on race-ethnicity, gender, or religious belief; and innovations in ritual music reflect this activism. These rituals come to life through illustrative video and audio examples on the book's companion website. The first book in English to focus on music in Afro-Brazilian religions, Spirit Song is a landmark study that will be of interest to ethnomusicologists, anthropologists, and religious studies scholars.

Author: José Jorge de Carvalho
Publisher:
ISBN:
Category : Afro-Brazilian cults
Languages : en
Pages : 58

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Book Description

Author: José Jorge de Carvalho
Publisher:
ISBN:
Category : Afro-Brazilian cults
Languages : en
Pages : 54

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Book Description

Author: Morwyn
Publisher: Llewellyn Worldwide
ISBN: 9780738700441
Category : Afro-Brazilian cults
Languages : en
Pages : 292

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Book Description
Get ready to launch yourself on an incredible journey into a fascinating cultural force and powerful magical system. Born in turn-of-the-century Brazil, the vibrant magical religions of Umbanda, Macumba, Spiritism, and Candomblé combined ecstatic African traditions with European Spiritualism. They share much in common with Wicca, shamanism, and even ceremonial magic. This book is an insider's look at their practices, practices that you can incorporate into your own workings. Call on the powers of the Orixás, the gods of the Afro-Brazilian pantheon; practice their spellwork and rituals, trance and mediumship; experience the energies of tropical botanicals used in magic and healing; and sample Afro-Brazilian cuisine: the foods of the gods. This book: Presents authentic Brazilian magic from a Portuguese and Brazilian scholar. The author has attended ceremonies, interviewed heads of sects, recorded music, and collected artifacts for this book Deepens understanding of channeling, color magic, drumming, nature religions, naturopathic healing, even psychotherapy Introduces a refreshing perspective with important lessons for practitioners of all religions

Author: Ifeoma C.K. Nwankwo
Publisher: University of Michigan Press
ISBN: 0472901206
Category : Music
Languages : en
Pages : 278

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Book Description
"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic." ---Joseph Roach, Sterling Professor of Theater, Yale University "As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors." ---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University. Jacket photograph by Elias Irizarry

Author: Darién J. Davis
Publisher: Black American and Diasporic S
ISBN:
Category : Music
Languages : en
Pages : 322

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Book Description
Although African influences undeniably pervade the popular music of Brazil, until now few books have examined the role of Blackness--what author Darién Davis calls "Africaneity"--in the creation and development of twentieth-century Brazilian musical traditions. This innovative, accessible work offers a fascinating look at Brazilian music from the 1920s to the 1950s, as it expanded at home and traveled abroad. Whether he's talking with samba musicians, watching classic movie musicals, or listening to recordings made more than half a century ago, Davis explores how the historical forces of race, class, and gender colluded in the development and export of Afro-Brazilian culture.