Author: Elizabeth J. West
Publisher: Rowman & Littlefield
ISBN: 0739179373
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
African Spirituality in Black Women's Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spirituality in Black Women's Fiction traces applications and transformations of African spirituality in black women's writings that culminate in the conscious and deliberate celebration of Africanity in Hurston's Their Eyes Were Watching God. The journey from Wheatley's veiled remembrances to Hurston's explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston's icon of black female autonomy and self realization is woven from the thread work of African spiritual principles that date back to early black women's writings.
African Spirituality in Black Women's Fiction
Author: Elizabeth J. West
Publisher: Rowman & Littlefield
ISBN: 0739179373
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
African Spirituality in Black Women's Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spirituality in Black Women's Fiction traces applications and transformations of African spirituality in black women's writings that culminate in the conscious and deliberate celebration of Africanity in Hurston's Their Eyes Were Watching God. The journey from Wheatley's veiled remembrances to Hurston's explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston's icon of black female autonomy and self realization is woven from the thread work of African spiritual principles that date back to early black women's writings.
Publisher: Rowman & Littlefield
ISBN: 0739179373
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
African Spirituality in Black Women's Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spirituality in Black Women's Fiction traces applications and transformations of African spirituality in black women's writings that culminate in the conscious and deliberate celebration of Africanity in Hurston's Their Eyes Were Watching God. The journey from Wheatley's veiled remembrances to Hurston's explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston's icon of black female autonomy and self realization is woven from the thread work of African spiritual principles that date back to early black women's writings.
Witches, Goddesses, and Angry Spirits
Author: Maha Marouan
Publisher:
ISBN: 9780814256633
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Publisher:
ISBN: 9780814256633
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
African Spiritual Traditions in the Novels of Toni Morrison
Author: K. Zauditu-Selassie
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
"Addresses a real need: a scholarly and ritually informed reading of spirituality in the work of a major African American author. No other work catalogues so thoroughly the grounding of Morrison's work in African cosmogonies. Zauditu-Selassie's many readings of Ba Kongo and Yoruba spiritual presence in Morrison's work are incomparably detailed and generally convincing."--Keith Cartwright, University of North Florida Toni Morrison herself has long urged for organic critical readings of her works. K. Zauditu-Selassie delves deeply into African spiritual traditions, clearly explaining the meanings of African cosmology and epistemology as manifest in Morrison's novels. The result is a comprehensive, tour-de-force critical investigation of such works as The Bluest Eye, Sula, Song of Solomon, Tar Baby, Paradise, Love, Beloved, and Jazz. While others have studied the African spiritual ideas and values encoded in Morrison's work, African Spiritual Traditions in the Novels of Toni Morrison is the most comprehensive. Zauditu-Selassie explores a wide range of complex concepts, including African deities, ancestral ideas, spiritual archetypes, mythic trope, and lyrical prose representing African spiritual continuities. Zauditu-Selassie is uniquely positioned to write this book, as she is not only a literary critic but also a practicing Obatala priest in the Yoruba spiritual tradition and a Mama Nganga in the Kongo spiritual system. She analyzes tensions between communal and individual values and moral codes as represented in Morrison's novels. She also uses interviews with and nonfiction written by Morrison to further build her critical paradigm.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
"Addresses a real need: a scholarly and ritually informed reading of spirituality in the work of a major African American author. No other work catalogues so thoroughly the grounding of Morrison's work in African cosmogonies. Zauditu-Selassie's many readings of Ba Kongo and Yoruba spiritual presence in Morrison's work are incomparably detailed and generally convincing."--Keith Cartwright, University of North Florida Toni Morrison herself has long urged for organic critical readings of her works. K. Zauditu-Selassie delves deeply into African spiritual traditions, clearly explaining the meanings of African cosmology and epistemology as manifest in Morrison's novels. The result is a comprehensive, tour-de-force critical investigation of such works as The Bluest Eye, Sula, Song of Solomon, Tar Baby, Paradise, Love, Beloved, and Jazz. While others have studied the African spiritual ideas and values encoded in Morrison's work, African Spiritual Traditions in the Novels of Toni Morrison is the most comprehensive. Zauditu-Selassie explores a wide range of complex concepts, including African deities, ancestral ideas, spiritual archetypes, mythic trope, and lyrical prose representing African spiritual continuities. Zauditu-Selassie is uniquely positioned to write this book, as she is not only a literary critic but also a practicing Obatala priest in the Yoruba spiritual tradition and a Mama Nganga in the Kongo spiritual system. She analyzes tensions between communal and individual values and moral codes as represented in Morrison's novels. She also uses interviews with and nonfiction written by Morrison to further build her critical paradigm.
Literary Expressions of African Spirituality
Author: Carol P. Marsh-Lockett
Publisher: Rowman & Littlefield
ISBN: 0739181424
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.
Publisher: Rowman & Littlefield
ISBN: 0739181424
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.
Toni Morrison's Spiritual Vision
Author: Nadra Nittle
Publisher: Augsburg Fortress Publishers
ISBN: 150647151X
Category : Biography & Autobiography
Languages : en
Pages : 201
Book Description
Toni Morrison's Spiritual Vision unpacks an oft-ignored but essential element of her work--her religion--and in so doing gives readers a deeper, richer understanding of her life and her writing. Nadra Nittle's wide-ranging, deep exploration of Morrison's oeuvre reveals the role of religion and spirituality in her life and literature.
Publisher: Augsburg Fortress Publishers
ISBN: 150647151X
Category : Biography & Autobiography
Languages : en
Pages : 201
Book Description
Toni Morrison's Spiritual Vision unpacks an oft-ignored but essential element of her work--her religion--and in so doing gives readers a deeper, richer understanding of her life and her writing. Nadra Nittle's wide-ranging, deep exploration of Morrison's oeuvre reveals the role of religion and spirituality in her life and literature.
Classic African American Women's Narratives
Author: William L. Andrews
Publisher: Oxford University Press
ISBN: 9780198032410
Category : Literary Collections
Languages : en
Pages : 436
Book Description
Classic African American Women's Narratives offers teachers, students, and general readers a one-volume collection of the most memorable and important prose written by African American women before 1865. The book reproduces the canon of African American women's fiction and autobiography during the slavery era in U.S. history. Each text in the volume represents a "first." Maria Stewart's Religion and the Pure Principles of Morality (1831) was the first political tract authored by an African American woman. Jarena Lee's Life and Religious Experience (1836) was the first African American woman's spiritual autobiography. The Narrative of Sojourner Truth (1850) was the first slave narrative to focus on the experience of a female slave in the United States. Frances E. W. Harper's "The Two Offers" (1859) was the first short story published by an African American woman. Harriet E. Wilson's Our Nig (1859) was the first novel written by an African American woman. Harriet Jacob's Incidents in the Life of a Slave Girl (1861) was the first autobiography authored by an African American woman. Charlotte Forten's "Life on the Sea Islands" (1864) was the first contribution by an African American woman to a major American literary magazine (the Atlantic Monthly). Complemented with an introduction by William L. Andrews, this is the only one-volume collection to gather the most important works of the first great era of African American women's writing.
Publisher: Oxford University Press
ISBN: 9780198032410
Category : Literary Collections
Languages : en
Pages : 436
Book Description
Classic African American Women's Narratives offers teachers, students, and general readers a one-volume collection of the most memorable and important prose written by African American women before 1865. The book reproduces the canon of African American women's fiction and autobiography during the slavery era in U.S. history. Each text in the volume represents a "first." Maria Stewart's Religion and the Pure Principles of Morality (1831) was the first political tract authored by an African American woman. Jarena Lee's Life and Religious Experience (1836) was the first African American woman's spiritual autobiography. The Narrative of Sojourner Truth (1850) was the first slave narrative to focus on the experience of a female slave in the United States. Frances E. W. Harper's "The Two Offers" (1859) was the first short story published by an African American woman. Harriet E. Wilson's Our Nig (1859) was the first novel written by an African American woman. Harriet Jacob's Incidents in the Life of a Slave Girl (1861) was the first autobiography authored by an African American woman. Charlotte Forten's "Life on the Sea Islands" (1864) was the first contribution by an African American woman to a major American literary magazine (the Atlantic Monthly). Complemented with an introduction by William L. Andrews, this is the only one-volume collection to gather the most important works of the first great era of African American women's writing.
Powers Divine
Author: Tomeiko Ashford Carter
Publisher: Rlpg/Galleys
ISBN: 9780761841845
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
"Tomeiko Ashford Carter offers insight into the true-to-life work of a black female preacher in nineteenth-century America and shows how she helped start a revolution of "spirit writing,' a sanctuary where authors could create powerful leading heroines who live by their own brands of Christian theology. Carter also calls attention to subsequent black female writers whose fiction demonstrates the legacies of life and spirit-writing. She does not leave out black male writers whom she discovers have created their own versions of divine women since the nineteenth-century. Indeed, Power Divine provides unique insight into compelling "divine" characters."--BOOK JACKET.
Publisher: Rlpg/Galleys
ISBN: 9780761841845
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
"Tomeiko Ashford Carter offers insight into the true-to-life work of a black female preacher in nineteenth-century America and shows how she helped start a revolution of "spirit writing,' a sanctuary where authors could create powerful leading heroines who live by their own brands of Christian theology. Carter also calls attention to subsequent black female writers whose fiction demonstrates the legacies of life and spirit-writing. She does not leave out black male writers whom she discovers have created their own versions of divine women since the nineteenth-century. Indeed, Power Divine provides unique insight into compelling "divine" characters."--BOOK JACKET.
Soul Talk
Author: Akasha Gloria Hull
Publisher: Simon and Schuster
ISBN: 1594775214
Category : Body, Mind & Spirit
Languages : en
Pages : 187
Book Description
• A celebration of the journey of African-American women toward a new spirituality grounded in social awareness, black American tradition, metaphysics, and heightened creativity. • Features illuminating insights from Alice Walker, Toni Cade Bambara, Lucille Clifton, Dolores Kendrick, Sonia Sanchez, Michele Gibbs, Geraldine McIntosh, Masani Alexis DeVeaux and Namonyah Soipan. • By a widely published scholar, poet, and activist who has been interviewed by the press, television, and National Public Radio's All Things Considered From the last part of the twentieth century through today, African-American women have experienced a revival of spirituality and creative force, fashioning a uniquely African-American way to connect with the divine. In Soul Talk, Akasha Gloria Hull examines this multifaceted spirituality that has both fostered personal healing and functioned as a formidable weapon against racism and social injustice. Through fascinating and heartfelt conversations with some of today's most creative and powerful women--women whose spirituality encompasses, among others, traditional Christianity, Tibetan Buddhism, Native American teachings, meditation, the I Ching, and African-derived ancestral reverence--the author explores how this new spiritual consciousness is manifested, how it affects the women who practice it, and how its effects can be carried to others. Using a unique and readable blend of interviews, storytelling, literary critique, and practical suggestions of ways readers can incorporate similar renewal into their daily lives, Soul Talk shows how personal and social change are possible through reconnection with the spirit.
Publisher: Simon and Schuster
ISBN: 1594775214
Category : Body, Mind & Spirit
Languages : en
Pages : 187
Book Description
• A celebration of the journey of African-American women toward a new spirituality grounded in social awareness, black American tradition, metaphysics, and heightened creativity. • Features illuminating insights from Alice Walker, Toni Cade Bambara, Lucille Clifton, Dolores Kendrick, Sonia Sanchez, Michele Gibbs, Geraldine McIntosh, Masani Alexis DeVeaux and Namonyah Soipan. • By a widely published scholar, poet, and activist who has been interviewed by the press, television, and National Public Radio's All Things Considered From the last part of the twentieth century through today, African-American women have experienced a revival of spirituality and creative force, fashioning a uniquely African-American way to connect with the divine. In Soul Talk, Akasha Gloria Hull examines this multifaceted spirituality that has both fostered personal healing and functioned as a formidable weapon against racism and social injustice. Through fascinating and heartfelt conversations with some of today's most creative and powerful women--women whose spirituality encompasses, among others, traditional Christianity, Tibetan Buddhism, Native American teachings, meditation, the I Ching, and African-derived ancestral reverence--the author explores how this new spiritual consciousness is manifested, how it affects the women who practice it, and how its effects can be carried to others. Using a unique and readable blend of interviews, storytelling, literary critique, and practical suggestions of ways readers can incorporate similar renewal into their daily lives, Soul Talk shows how personal and social change are possible through reconnection with the spirit.
Reading Contemporary African American Literature
Author: Beauty Bragg
Publisher: Lexington Books
ISBN: 0739188798
Category : Literary Criticism
Languages : en
Pages : 141
Book Description
Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg’s study addresses why such work should be the subject of scholarly examination, describes the events and attitudes which account for the critical neglect of this body of work, and models a critical approach to such narratives that demonstrates the distinctive ways in which this literature captures the complexities of post-civil rights era black experiences. In making her arguments regarding the value of popular writing, Bragg argues that black women’s popular fiction foregrounds gender in ways that are frequently missing from other modes of narrative production. They exhibit a responsiveness and timeliness to the shifting social terrain which is reflected in the rapidly shifting styles and themes which characterize popular fiction. In doing so, they extend the historical function of African American literature by continuing to engage the black body as a symbol of political meaning in the social context of the United States. In popular literature Beauty Bragg locates a space from which black women engage a variety of public discourses.
Publisher: Lexington Books
ISBN: 0739188798
Category : Literary Criticism
Languages : en
Pages : 141
Book Description
Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg’s study addresses why such work should be the subject of scholarly examination, describes the events and attitudes which account for the critical neglect of this body of work, and models a critical approach to such narratives that demonstrates the distinctive ways in which this literature captures the complexities of post-civil rights era black experiences. In making her arguments regarding the value of popular writing, Bragg argues that black women’s popular fiction foregrounds gender in ways that are frequently missing from other modes of narrative production. They exhibit a responsiveness and timeliness to the shifting social terrain which is reflected in the rapidly shifting styles and themes which characterize popular fiction. In doing so, they extend the historical function of African American literature by continuing to engage the black body as a symbol of political meaning in the social context of the United States. In popular literature Beauty Bragg locates a space from which black women engage a variety of public discourses.
Envisioning Black Feminist Voodoo Aesthetics
Author: Kameelah L. Martin
Publisher: Lexington Books
ISBN: 1498523293
Category : Social Science
Languages : en
Pages : 257
Book Description
In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.
Publisher: Lexington Books
ISBN: 1498523293
Category : Social Science
Languages : en
Pages : 257
Book Description
In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.