African Miniatures: Goldweights of the Ashanti PDF Download

Author: Margaret Plass
Publisher:
ISBN:
Category : Art metal-work
Languages : en
Pages : 136

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Author: Margaret Plass
Publisher:
ISBN:
Category : Ashanti (African people)
Languages : en
Pages : 26

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Author: Margaret Webster Plass
Publisher:
ISBN:
Category :
Languages : en
Pages : 26

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Author: Tom Phillips
Publisher: Thames & Hudson
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 196

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Book Description
A comprehensive survey of these lively and imaginative artifacts.

Author: Joseph S.Kaminski
Publisher: Routledge
ISBN: 1351956868
Category : Music
Languages : en
Pages : 221

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Book Description
Based on the author's fieldwork in Ghana with the Asante and Denkyira ntahera trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ivory trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ivory trumpets are blown at every Akan court. The Asante trumpets, which are made from elephant tusks, are symbols of Asante strength and have an important role in Asante cosmology. Surrogate speech is performed via lipped tones through a tusk in praise of the Asante royal ancestors and the living Asante king. This book contains transcriptions and analyses of surrogate speech texts and their accompanying ensemble songs. When several ensembles play simultaneously as a representation of power, they make staggered entrances, beginning separate songs in order. This results in a simultaneous performance of separate songs. This phenomenon, which Kaminski has termed 'sound-barrage', is an ancient aesthetic, and is performed to protect the kingdom and the ancestors. It is both spiritual and acoustical. This 'sound barrage' is believed to act in the metaphysical world, dispelling evil spirits from court rituals, ancestor venerations, and funerals, for there is a spirit in the sound.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 84

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Author: Geoffrey Williams
Publisher: Courier Corporation
ISBN: 0486227529
Category : Social Science
Languages : en
Pages : 254

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Black-and-white linocut prints of geometric and abstract motifs, textual patterns, masks, and mythical figures provide a pictorial presentation of African designs

Author: Edward S. Ayensu
Publisher:
ISBN: 9781840281194
Category : Gold industry
Languages : en
Pages : 200

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Discussing the African legacy of Ashanti gold, this work covers: its character and chemistry; the techniques used for extraction; a day in the life of one of the 10,000 Ashanti workers; gold trading; the skill of the craftsmen who work the gold; and the economic significance of gold.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96

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Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.

Author: Ladislas Segy
Publisher: Pickle Partners Publishing
ISBN: 1789125502
Category : History
Languages : en
Pages : 610

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PABLO PICASSO: “...when the form is realized, it is there to live its own life.” HENRY MOORE: “The sculpture which moves me most is full-blooded and self-supporting, fully in the round; giving out something of an energy and power of great mountains, it has a life of its own independent of the object it represents.” African Art Speaks, the first full appraisal of African art published in the United States, describes and illustrates the sculpted works of more than 150 West African tribes. Ladislas Segy approaches African art from several different but interrelated perspectives, considering the sculptures first as products of a distinct African culture, then as high-quality works of art. Seeking to bring the African carver’s work within the scope of the Western observer, Segy stresses the need for appraising African art within in its own context, suspending established procedures for art appreciation and viewing the object as it actually is, not as we think it is or should be. Bringing to bear the disciplines of aesthetics, anthropology, psychology, and phenomenology, Segy shows how the deep-seated magico-religious beliefs of the tribal carver creates such powerful emotional tension in his work that the viewer can recapture this emotion and identify it as part of his own experience. This present edition is the Third Printing, originally published in 1961, and provides a systematic Style Guide, analyzing the characteristic features of the different styles of tribal sculpture. A special chapter for the collector tells how to buy and care for African art. Segy also discusses the styles of the main sculpture-producing tribes in East and South Africa. Included are maps, a bibliography and a list of illustrations. “While much has been written about African sculpture within recent years, Mr. Segy’s book is undoubtedly among the finest published in this country.”—The San Francisco Chronicle